God Descends the Second Element

"Master Shen is indeed very humorous, but please don't make random jokes during the meeting."

Minako Uematsu said with a forced smile. After hearing this, Wang Hao shrugged indifferently, with a look of helplessness on his face: "I'm not joking. Anyway, please read this document first and then we can discuss the next step. thing."

"Well, I would like to ask Master Shen to wait for a moment. If this script is indeed very good, then I am willing to give the job of script creation to Master Shen.

Although I personally think that you are more suitable for the position of screenwriter than me, because Teacher Shenzhu, you are the original author of this work, and I believe that no one is more familiar with this work than you. "

The speaker was a slightly thin man with a shiny 37-year-old hair. He looked about 27 or 28 years old. He gently pushed the black glasses frame as he spoke, matching the stubble on his chin and his face. The serious and indifferent expression makes people feel like a programmer who has worked overtime for three days and three nights and has lost the smile on his face.

Wang Hao remembered that the other party's name was Kubo Seiichi, who was responsible for the script creation and other tasks of this project, and was responsible for the screenwriting duties.

The name Kubo Seiichi is also very famous in the industry. Even Wang Hao had heard about it before he came. He has created many excellent scripts based on his own strength and is now considered one of the gold medal screenwriters in the industry. one.

The role of the screenwriter is to concretize the requirements of the producer, director and script coordinator into interpretable text. It is very difficult to do this. It can be said that the script of a work is the most important part of the work. Pass.

The script can be said to be the foundation of the work, and the painting is the soul of the work. Many bad movies currently rely on scripts to be saved, but painting cannot do this.

And there are a lot of things involved in animation scripts.

To put it simply, after the text is written, it must be drawn into a picture. However, it is not a real animation artwork. It is just a series of small pictures that detail the characters, story locations, photography angles, and dialogue that appear in each picture. The content, the time of the screen, what actions were taken, etc., and then there are a lot of things that need to be completed.

It can be said that the more troubles there are, the more troubles there are. Most people have no confidence to take on script creation, let alone Wang Hao, who has no experience.

But Kubo Seiichi just said that Wang Hao is more suitable, and he has his own unique reason. Wang Hao also knows this.

Why did Gen Urobuchi, Jun Aseda, Fumiaki Maruto, and Makoto Shinkai look so good as screenwriters in their previous lives?

Because before they are “screenwriters,” they also have a title called “original work,” and that’s it.

That's right, just like Kubo Seiichi said just now, Wang Hao is the person who is most familiar with Five Seconds in this world, no matter from which aspect.

When most authors create their works, they already regard their works as their own children. How can any normal parent not be familiar with his or her children?

What's more, before Wang Hao wrote Five Seconds, the ancient book in his mind had already taken him to deeply experience the world of five centimeters per second. Although the time in the outside world may only have passed by a short one or two seconds, he was indeed I have spent a lot of time in another world, this cannot be faked.

Wang Hao guessed that his ability to gradually become so mature was definitely related to the magical function of ancient books. Otherwise, no matter how adaptable he was, his personality would not have undergone earth-shaking changes in a short period of time.

Of course, the factors that caused the change in his personality were not just ancient books, but also included the reasons why his memory and personality gradually began to assimilate with those of his predecessor. The surrounding environment was also very important.

The script Wang Hao prepared this time is a text script. He took the time to complete it recently. It is also very heavy. Everyone has a thick stack in their hands. This is just a text script.

After confirming that the text script is approved, Wang Hao will start to change the text script into a picture.

The atmosphere in the conference room was very quiet, and nearly forty minutes passed. While everyone was reading the script, Wang Hao, who had nothing to do, also took the responsibility of serving tea and water to the thirsty people.

It is normal for an animated meeting to last about four or five hours, and some may even last for half a day. Wang Hao is also a patient person, so he certainly has no complaints about this.

After a few more minutes, everyone put down the documents in their hands one after another and looked at each other, and they could see the shock in each other's eyes.

Kubo Seiichi gently rubbed his eyebrows, and then slowly raised his head to look at Wang Hao, who was drinking tea leisurely. A rare bitter smile finally appeared on his serious face: "This time, the screenwriter's responsibility is It seems like I don’t have to worry about it anymore.”

"Wait! Kubo-san, are you kidding?"

Kawaguchi Shinnosuke looked at Kubo Seiichi in astonishment, with a look of disbelief. On the other hand, Takami Yuichiro next to him grinned bitterly: "Actually, I think after seeing the character design drawings of Mr. Kamushi, the art director Maybe I don’t have to worry about my responsibilities anymore…”

Hearing the words of Seiichi Kubo and Yuichiro Takami who almost surrendered, Michiko Yoshida could not sit still on the bench, frowned slightly and said: "I admit that Mr. Kamushi's text script creation and character design are very good, but Screenwriters and art supervisors have to do more than just that, such as creating storyboards, art boards, etc. These may be indispensable. Is it a bit too sloppy for you to give up so easily? If you really don't want to, you can ask for a replacement like the one above. So can people.”

"Yoshida-san, are you questioning me and Takami-san?"

Hearing this, Kubo Makoto showed a sneer on his face, and before waiting for the other party to answer, he continued to mock: "Women are indeed big-breasted and brainless, with long hair and short-sightedness. It seems that the ancients did not deceive me.

If I just read this script and character design, I would naturally not hand over the screenwriter job easily, but you should know that the recent comic titled "Dragon Ball" in the weekly jump was also written by God Master, right?

Let’s not discuss the plot content of “Dragon Ball”, but in terms of storyboarding, “Dragon Ball” is indeed excellent, and even I am ashamed of it.

In addition, the manga version of Second Five was also written by Shiina Mashiro-sensei, and Kamizu-sensei provided the script, which was finally completed by the two of them, and the matter was so popular that it made international news.

There is no doubt that Teacher Shenzhu’s painting skills have reached the level of proficiency! Do you still think the reasons I gave are sloppy? "