godfather of tokyo entertainment

Togada Nanako once again opened the forum for mystery enthusiasts.

Almost out of every ten posts on the forum, at least four of them discuss Sima Keita.

On the one hand, the influence of Sima Keita's "White Night Journey" has not dissipated. On the other hand, it is because of the collection of tricks he published in a documentary program not long ago, which temporarily attracted many mystery enthusiasts and even mystery writers.

Serve as a model.

"I wonder who would dare to say that Sima Guitai is not good at devising tricks."

"I am also a mystery writer. In my opinion, Sima Keita's behavior is simply too extravagant. It is very difficult to create these tricks, and he has no sense of confidentiality."

"Is it possible that designing a trick is difficult for us, but it is very easy for him."

"Stop talking about it. My ideal is to become a mystery writer, but now I have lost a little confidence in entering the industry."

"Don't lose confidence. After all, not all mystery writers are at this level."

"It's so interesting that a socialist writer who is looked down upon by the true-style writers has surpassed most of the true-style writers in terms of trick design. Is Mr. Sima Keita deliberately flexing his muscles to those who criticize him?"

"Oh, speaking generally, who can't? It's one thing to be able to create tricks and ideas, but it's another thing to be able to incorporate tricks into them."

"You're right. I heard that Keita Sima has turned into a screenwriter. I guess it's because reasoning is too difficult to write. If he writes a new work, his true level may be exposed."

"Not being jealous is mediocrity. Keita Sima is a uniquely talented writer, and time will prove it." After some consideration, Nanako Togada typed this sentence on her computer.

After Yukie Minamizu, who was dozens of kilometers away, saw this comment, he sneered and tapped on the keyboard with his hands:

"At first glance, they are young readers without literary literacy and social experience. It is because there are too many people like you that people like Sima Keita with no creative talent came into being. It is a pity that the world of mystery literature has declined a lot now.

Twenty years ago, when mystery literature was at its peak, his works could only be used to pad table legs!"

Yukie Minakami has limited talents in this area, but he has extraordinary talents in trolling people.

Togada Nanako replied unconvinced: "I am not a young reader. I am already forty-five years old."

"Haha, there is a smell of milk in the words, stop pretending."

Seeing that the other party stopped replying, Yuki Minakami closed the forum with satisfaction. There were two manuscripts on the table, one of which was a book review and the other was his latest creation.

One-third of this fresh book review is still directed at Kei Fujiwara, "Recently, a TV series written by Keita Shima was aired. Last time I bluntly stated in the article that if Keita Shima is not good at shaping

I suggested him to write romance. It seems that he has deeply considered my suggestion and can listen to other people's sincere suggestions, which is also an advantage."

He folded this book review and prepared to send it to the newspaper office tomorrow. The manuscript on the right is also his latest one. The first chapter has been published and this is the content of the second chapter.

Since the last creative crash, the original trick could no longer be used. In desperation, Yuki Minakami had to re-imagine the content.

This time, he planned to adopt a "change style" writing method and focus on character creation. For this purpose, he carefully designed two character images, one is a chuunibyou and the other is a perverted murderer.

Yukie Minamidao: Although the new story setting is much weaker in terms of deception, it can still attract readers through charming characters.

He stood up, stretched his waist, picked up the "Spring and Autumn Literature Appreciation" just released today from the desk, opened it and started reading.

He opened the directory, and a line of text came into view.

"Character Creation in Reasoning—Excerpts from Keita Sima's Study Course"

Yukie Minakami swallowed subconsciously. Since the last time Sima Keita ruined his new TV show with one sentence,

Later, his hatred for Sima Guitai became stronger, but at the same time, he also had a hint of fear.

"Forget it, what are you afraid of? What else can he say this time? Could it be that he can still collide with my trick this time?" Yukie Minami comforted himself and then opened the page.

This page talks about some thoughts and feelings about the character creation in the novel. As Mizuki Jiang looked at it, he made a sound of disdain, but he subconsciously wrote down the content of the article silently.

It wasn't until the end of the article that Xing Jiang's expression suddenly changed.

"Finally, let me tell you that many authors now have a bad habit in character creation. You should pay attention to avoid it. That is to create perverted characters and chuunibyou characters. They seem to have distinctive personalities, but in fact they are downright stupid. This is

A trick that is only used when technical capabilities are not met."

Yukie Minakami stared at those few lines of words, his eyes almost ready to bleed.

It was as if this guy was deliberately sniping at him...

After this article is published, if he still writes according to the original idea, he will definitely be ridiculed by readers.

This guy might have done it on purpose.

Minakami Yukie clenched the pages on both sides of the magazine, pulled hard, and tore the magazine in half. Then he squatted on the ground, grabbing his hair in distress.

It seems that Chapter 2 needs to be rewritten, and not only that, the entire outline of the book needs to be changed...

Damn Sima Keita!

…

The third episode was also aired quickly, and the ratings dropped slightly by a few tenths, but this is normal.

The overall situation is stable and improving.

The crew, both the work team and the creative team, were all excited, and the employees' motivation was immediately aroused.

It’s late May now, and the spring season is coming to an end. So far, only a handful of spring season battlefields can compete with the early “Long Vacation”.

The biggest rival so far is "My Exes," a weekend family drama broadcast by the Japanese Broadcasting Company NBC. The ratings of this drama are also very high, but it is still slightly lower than "Holiday."

Kei Fujiwara has watched this TV series. The main audience is housewives and middle-aged women. These people are easily robbed by "Long Vacation". However, the basic base of young viewers of "Long Vacation" is not easily attracted by this TV series.

The drama was leveraged.

So Kei Fujiwara is not too worried.

Now the entire crew is united from top to bottom, vowing to win this spring war and even win the championship for the whole year. You know, before the filming of this drama started, their goal was just to enter the top ten in the spring season.

, now the goal has become much more ambitious.

They are not worried that the ratings will drop significantly, because it is unlikely that the few people on the creative team, especially the most important screenwriter and director, are as steady as old dogs, so the ratings should not be

There will be big fluctuations.

Unless there is a plane crash in the sky, and the plane falls directly into Mizunami Productions, killing all the creative team members, and it must also kill Kei Fujiwara, otherwise the final result of this drama will not be better than it is now.

Too much difference.

As for "Tsukihime" next door... Although Wataru Sato has made changes, it still failed to reverse the decline. The ratings for the third episode dropped particularly sharply, and were already below 20%.

When Mizuhara Yui went to the TV station for a producer meeting, she met him and found that this man looked very poor recently, and a sad look appeared on his usually high-spirited face.