godfather of tokyo entertainment
Chapter 132: 'Guhata Ren Sanlang' is officially broadcast
"Miss, the editor should have been killed because there were signs of being beaten on his head."
"This is absolutely impossible."
"Impossible? Why is it impossible?"
"...Because when I came, the basement door was locked, and the only people who could open it were the editor and me. Could it be that the editor accidentally trapped himself in the basement and accidentally knocked him down?"
Furuhata laughed and said: "You cartoonists have really different ideas. You think [the editor is trapped first, and then someone appears and beats the editor on the head], but when most people see this scene, they usually think [someone beats the editor]"
After killing the editor’s head, he locked him in the basement].”
"..."
In the subsequent investigation and conversation, Furuhata Rensaburo found more clues and loopholes, and finally forced the murderer played by Arima Katsura into a dead end.
Finally, the murderer admitted the fact that he killed the deceased.
After watching the entire episode, Chiba Shinichi thought for a while and wrote on a piece of paper: "This drama uses a very novel flashback reasoning model. The identity of the murderer is laid out on paper from the beginning, so the audience does not need to spend time to figure it out.
Guess the identity of the murderer. Instead, we can focus on the process of Furuhata Jinsaburo "playing" with the murderer. The logic of the reasoning process is strict and there are no loopholes. Although there is no too amazing trick design, it is obvious that the focus of this episode is not that. The viewing pleasure is acceptable. "
After finishing writing, Mrs. Chiba picked up the remote control and asked, "It's over. Can we change the channel now?"
Chiba Shen nodded, "Okay." Then he asked, "How about it, do you think it looks good?"
Mrs. Chiba didn't like watching mystery dramas, but she nodded without hesitation this time: "It's not bad, I think it's very interesting."
"Do you find it interesting? Can you understand how Furahata caught the murderer?"
Mrs. Chiba asked angrily: "Are you looking down on me too much? I just don't like watching mystery dramas. Do you really think I can't understand anything? Do you think I'm a fool?"
Chiba Shen glanced away and said nothing.
"Okay, you really think so. Do you think I'm a fool? I'm a college student!"
"...Don't you mean short and big?"
"Isn't a junior high school a university?"
My wife doesn't like to watch mystery dramas because she feels that the plots in mystery dramas are complicated and difficult to understand. But "Furuhata Shinsaburo" is very easy to watch, which also shows that this drama is different from the "puzzle-solving" of some traditional Japanese mystery dramas.
"Game" mode focuses more on telling a story and making it interesting for the audience.
If "Byakuya Walk" has a score of 98, and "Genius Detective Mitarai Kiyoshi" only has a score of 70, what about this "Furuhata Jinsaburo"? How much can it be rated?
Chiba Shinichi thought for a while and wrote a number on the paper.
About 85 points.
But this is just the score of the first episode.
…
The ratings report for the first episode of "Furuhata Shinsaburo" has been calculated, and it is as high as 28%, which is a very good result.
This result is much higher than the original version of "Furahata Shinsaburo" in the parallel world. The ratings of the first part of "Furahata Shinsaburo" averaged only about ten percent per episode.
It wasn't until the second season that the ratings suddenly rose to over 20.
Many Japanese dramas are like this, especially Japanese dramas in the unit drama mode, where different story segments are spliced together into a narrative mode. For example, "Furuhata Shinsaburo" and "Victory is Justice" all fall into this category.
The results of the first season were pretty good and it built a fan base. So the creative team left a lingering note at the end and then filmed the second season. Since they already have a fan base and the station attaches great importance to it, it will be released before the official broadcast of the second season.
, came up with various ways to promote it (such as promoting it on other programs, or making spin-offs), and finally the ratings took off directly in the second season.
It is relatively rare in China that the second season performs better than the first season. Most dramas do not have a second season, and even if they are filmed, the reputation and commercial results are not as good as the first season.
The reason is that Japanese dramas are small in size, with only twelve episodes per season. Therefore, regular viewers
As soon as the foundation has been accumulated, the first season is over, and the second season is soaring. But this is not the case with Chinese dramas. A TV series often has fifty or sixty episodes, which is enough time to accumulate an audience. If no one watches it, then it is true.
No one watched it. Filming the second season of a work that no one watched has no other use than money laundering.
However, Fujiwara Kei's version of "Furuhata Jinsaburo" directly omitted the process of accumulating an audience, and the first season directly reached the results of the original second season, and even surpassed it.
This is mainly due to his status as a genius mystery writer. "Furuhata Jinsaburo" has attracted much attention from some mystery lovers before it was broadcast. Coupled with the joining of Konemon Matsumoto, the father-daughter drama in the first episode is very popular.
The novel narrative method... and other factors have attracted a group of readers.
The ratings for the second episode may drop, but that’s okay, it’s normal.
The ratings of "The Lonely Gourmet" have also begun to stabilize, but they have remained at a high level and have not dropped, which is quite good. Now that "The Lonely Gourmet" is halfway through the broadcast, the team's cooperation has begun to become more skillful.
.
From the small test of "Anthropology" to the great success of "The Long Vacation", to the steady development of "The Lonely Gourmet" and "Furuhata Jinsaburo", Kei Fujiwara has made the entire broadcasting industry aware of his strength.
, and slowly rolled up his sleeves, showing off his thick arms.
Even after the success of "The Longest Day Off," there are still discordant voices that believe the show's success is partly accidental.
But gradually, such voices gradually became smaller. Occasional coincidences are coincidences, but are successive coincidences still coincidences? No matter how unconvinced you are, you have to accept reality.
Therefore, recently, people from the Fujiwara and Mizuhara faction have become more confident when entering and leaving Fukuyamadai, and they no longer need to be as cautious in speaking as before.
In the past, if the employees of Shuibo Production had conflicts or conflicts with members of the production bureau, they would take the initiative to give in in order to calm the situation. But recently, gradually, some offenses and defenses have changed.
When encountering conflicts again, Mizunami Production will express dissatisfaction in front of the employees of the production bureau, and its arrogance gradually becomes arrogant. Director Kashi Yoshida seems to attach great importance to Mizunami Production now, so Mizunami Production will jump in the queue to handle any applications submitted by Mizunami Production, even during production
Before the bureau headquarters.
Due to the appearance of Kei Fujiwara, the reputation of Mizunami Production gradually became louder among production companies.
After another day of filming, Konemon Matsumoto suddenly found Kei Fujiwara and invited him to watch the performance of "Shirakakuya" this Sunday.
This is the tenth anniversary performance of his name [Konemon Matsumoto]. It is very important, and the tickets on that day were sold out very well. However, he reserved tickets for Kei Fujiwara, Yui Mizuhara and Hideaki Shibasaki.
Shibasaki Hideaki expressed his apology to Konemon Matsumoto, because there are not many reserved films. Just in case, he will further tighten the shooting process and strive to have three episodes of reserved films on hand. I have food in my hands, but I am not happy in my heart.
Well, Shibazaki Hideaki is a hands-on director and has to sit in front of the monitor all the time, so I'm afraid he won't have time to watch performances.
Mizuhara Yui agreed at first, but unfortunately, her grandmother's leg in the countryside was broken by a gang of bosozoku boys driving a motorcycle. She had to go back to take care of her mother for a few days, and the crew's affairs could be left to Fujiwara and Kazuzu for the time being.
It doesn't matter to Shibazaki, but I'm afraid I won't be able to go to the show.
Konemon Matsumoto expressed his understanding and gave the ticket to Kei Fujiwara.
Kei Fujiwara writes scripts very quickly, and after finishing the script, he goes out for a walk, or visits stores with Takagi Nobu Satoshi, looking very leisurely. He said he felt guilty even if he didn't have time.
In addition, since I came to this world, I have never seen a kabuki performance seriously, so I promised Konoe Matsumoto that I would be there on time.
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