godfather of tokyo entertainment

Chapter 168: School Festival (Part 1)

Inoue Morita seemed a little hesitant, Fujiwara Keido said: "Morimata, what do you think the performance is?"

Inoue Mori was startled again. She realized that Fujiwara Kei was testing her on a professional question. She immediately sat up and answered seriously: "Teacher Fujiwara, I think that acting is to create a new soul in one's body."

"It's very well said, but it can also be said more straightforwardly." Keimichi Fujiwara, "Performance is an actor's imitation of the external world. The behaviors that actors see in daily life are imitated and restored on the set. This It’s just a performance.”

"The biggest difference between a good actor and a bad actor is not the difference in expressiveness, but the difference in observation ability. An actor who doesn't know how to observe the external world will slowly decline in his acting skills."

Kei Fujiwara touched Morimata's head and said, "Performing on the set is a process of consumption. Leaving the set to experience and observe in different situations is the accumulation. So going out to relax at the right time is also a process of learning acting. Don't think so. I'm just lazy. Your junior high school's school festival is over, right? Then go to our school and have a look, it'll be tomorrow."

"There should be many famous painters and designers returning to school that day. You should be very interested, Morimata."

Inoue Morimata's face turned red, and he bowed to Kei Fujiwara and said, "You really took the trouble, Mr. Fujiwara."

Fujiwara Kei looked at Inoue Mori's sensible appearance, and thought of Arimama Sai's evil demeanor. He couldn't help but sigh in his heart. They were both children, but the gap was really big.

On the day of the school festival, Kei Fujiwara drove to Tokyo University of Literature and Art.

Inoue Mori put on her school uniform again, sitting obediently in the back seat of the car, holding a cute wombat wallet in her hand, which her mother gave her, telling her to spend her own money as much as possible if she wanted to buy something. It always costs Kei Fujiwara money.

"Morimata, when did you like to draw?" Kei Fujiwara asked casually along the way.

"When I was in elementary school," Inoue Mori continued, "My mother bought me a comic book at that time. I thought it was very cute and I fell in love with it."

"Are you still painting now?"

"Sometimes when I'm in a bad mood...but I won't affect the shooting."

"That's not what I meant..." Kei Fujiwara glanced at her in the rearview mirror and couldn't help but smile bitterly. This child is very sensitive, so it seems that you need to be careful when talking to her.

Soon, the two of them arrived at the gate of the university, and there was a lively scene.

From the nearby subway station to the gate of Tokyo Bunge University, there are people wearing theatrical makeup and anime cosplay costumes.

The School Festival, also called the School Cultural Festival, is similar to the campus open day in China. On that day, other schools and even nearby residents outside the school are invited to visit. It is a grand campus celebration.

The school festival is all organized independently by students. On that day, the student union holds various activities on campus. Float parades, various performances, live portraits, haunted houses, food courts, and even blind date parties, etc.

On the day of the school festival, the leadership will not be too involved, nor will they express their will on this occasion. Japanese campuses adopt a student autonomy model. Whether it is sports meets, school festivals, or club activities, all are controlled by the students themselves. To operate and manage.

However, taxes will be collected. Fifty percent of all income earned by students on the day of the school festival must be handed over to the school, but the school will not provide any financial support to the students. Therefore, for the school, holding the school festival is also A business that is sure to make a profit without losing money, can make a little money, and can also improve the reputation of the school, so why not do it?

There were many people watching the excitement around the school. Kei Fujiwara and Mori Inoue walked in again. There was a bustling scene, and a doll dressed as a mascot bent down and stroked Morimata's head.

"Yeah, it's a bell."

"What Suzu? Homeless kid, Aizawa Suzu!"

Within ten minutes after entering the campus, Inoue Mori was recognized again. Two female college students pointed at Inoue Mori and said.

"Who is that man next to you? Is he her father?"

"Nonsense, this person obviously looks very young... He seems to be Keita Sima! The author of "White Night Journey" and "The Explorations of Mitarai Aoi"!

"

It didn't take long for viewers and readers to come up and ask for autographs and photos. Inoue Mori saw the enthusiastic people gathered around him. A trace of fatigue flashed in his eyes, but then he showed a business-like smile and walked towards everyone.

The person responded with a warm smile.

"Teacher Fujiwara, I like the work "Homeless Children" very much. I watch it every week. Can I take a photo with Suzu?"

"Sorry, just take a photo." Kei Fujiwara refused with a smile. When Kei Fujiwara refused the request, Inoue Mori looked up at him in surprise.

Kei Fujiwara is a person who attaches great importance to the relationship with the audience and readers. Even when he is eating out, if he encounters someone asking for an autograph, he will quickly put down his bowl. It is almost impossible to see him rejecting such a request from the audience.

"We secretly went out to play without telling the crew today. It would be bad if the producers found out." Kei Fujiwara joked with a smile, and quickly changed the topic: "Are there any activities worth looking forward to in this year's school festival?

?』

"Yes." The rejected college student was not angry and replied patiently: "Starting at two o'clock in the afternoon, there will be a joint performance by multiple groups in the auditorium and it will last until six o'clock in the afternoon. It is very exciting."

"The manga club also has a portrait sketching activity. You can draw a portrait for 200 yen, and you can make a fine painting for 500 yen. It is very popular. Many people from the neighborhood come to our manga club."

"The orchestra is the ace group of our art college. This time, the ace musicians from the conservatory will perform together. Today, many managers of well-known orchestras will take this opportunity to select powerful orchestra players, so those who can perform on the stage

They are all top-notch people, and they have given professional-level performances, which are worth looking forward to.”

"There are also our students' independent films, which will be broadcast in the campus theater..." The college student glanced at Kei Fujiwara and said with a smile, "I remember that Mr. Keita Sima is also in the film and video department, so I won't introduce it further."

"Thank you very much." Kei Fujiwara thanked him politely.

Fujiwara Kei again refused other people's request to take a photo with Inoue Mori, and pulled Inoue Mori and left.

Inoue Mori was a little uneasy again, "Teacher Fujiwara, actually I can take a photo with them, it doesn't matter."

"I took you out to play today, not work." Kei Fujiwara said.

When Inoue Sen heard this again, he stopped talking and lowered his head, not knowing what he was thinking.

People in strange costumes often walked nearby. At this time, two people with oil paint on their faces walked past Kei Fujiwara. One had a curly beard on his face, and one eye was blackened to form a pirate's one eye.

There is a big scar on one cheek, but it looks real at first glance.

On the other hand, the face of another person has monster scales painted almost all over the lower half of his face. The blue-purple scales look very real, and it can be seen that the person who painted this painting has good skills.

Kei Fujiwara and Mori Inoue walked behind these two people again. Kei Fujiwara looked at the back of one of them, and the more he looked at it, the more familiar he became. He tentatively called out in a low voice: "Togada?"

The one-eyed pirate stopped immediately, turned around, and when he saw Kei Fujiwara, he felt a little embarrassed. He covered his face with both hands and said, "Oh, Mr. Fujiwara..."

The other one is, of course, Ogata Shinyo. When Ogata Shinyo saw Inoue Morimata, his eyes lit up: "Oh, it's Suzu. It looks better than on TV."

"Today she is not Suzu, she is Inoue Morimata." Kei Fujiwara smiled, then pointed at their faces and said, "Who painted this on your faces?"

"Haha, this is the special effects makeup that my senior gave us. It's not far away. Mr. Fujiwara, do you want it too?" Ogata Shinyo said enthusiastically.

Kei Fujiwara hesitated: "Will it not be able to be washed off?"

"No, they use special pigments, and there won't be any traces when wiped with alcohol!"

"Well, I'm sorry to trouble you." Fujiwara Keido then lowered his head and whispered to Inoue Mori: "Draw one so that others won't recognize you."

Inoue Mori raised his little face again and nodded.

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