godfather of tokyo entertainment

The movie tells the story of a middle-aged loser who accidentally gets a four-leaf clover that brings good luck.

After getting good luck, his life changed drastically, but at the same time, he was not targeted by gangs.

The whole movie lasts for thirty minutes, and I have to say that it is indeed good. Among student works, it is already considered to be one of the best.

After the movie ended, applause broke out in the screening room.

"very good!"

"Iwai-kun, you really have the grace of a famous director!"

"Encore!"

"Idiot, it's not a concert, why are you calling for an encore..."

"It seems that Iwai will become the second famous person among the 90th class..."

The first one is naturally Kei Fujiwara.

After hearing this, a boy sitting in the front row glanced behind him dissatisfied, then stood up and walked to the stage.

The boy had fair skin, looked thin, and wore a pair of glasses. He took the host's microphone and said: "Hello everyone, I am Tetsuya Iwai. "Lucky" is my directorial work. In this movie, I want to

What it expresses is...I'm sorry, I have nothing to express, I just want to tell a story that I find interesting."

This sentence suits Fujiwara Kei very well.

"And this film is also the most proud of all the films I have made. Today is just a preview. Soon, I will officially send this film to the peer film festival."

"Thank you for your support."

After saying that, Tetsuya Iwai walked down.

The movie continued to be screened, but the audience seemed not to pay much attention to it. Some people even left the show early. Many people probably came because of Tetsuya Iwai.

The subsequent works were indeed relatively mediocre and had little appeal to the audience. By the time the last movie was broadcast, half of the audience had already left. And Tetsuya Iwai's box was already heavy.

After Kei Fujiwara left, he thought about it and put a table tennis ball in Iwai's box.

After leaving the theater, several people were about to leave when they saw Tetsuya Iwai walking over with a smile.

"Nanako, long time no see." Tetsuya Iwai greeted with a smile.

"Iwai-senpai." Togada responded.

"Iwai-senpai, you didn't see me." Ogata Shinyo said dissatisfied.

"Sorry, Shinyo." Tetsuya Iwai said with a smile, "Thank you for coming to watch my movie, haha, I almost didn't recognize you when I saw you dressed like this..."

"Iwai-senpai's film is very interesting. It will definitely win this film festival!" Ogata Shinyo said.

"Haha, let me lend you some good words."

Just when a few people were about to continue talking, two other students and a camera came over, "Senior Iwai, we are from the Information Department and would like to conduct a simple interview with you. Is that okay?"

"Well, of course. Just wait for me and let's have dinner together tonight."

Just when Nanako Togada was about to decline, Tetsuya Iwai walked aside and began to answer reporters' questions.

"Iwai-senpai, I just watched your new movie. It's very interesting. I would like to ask you where the inspiration for this story came from?"

"Haha, it comes from my father. He has always had the habit of buying lottery tickets, but he has always had bad luck. Once he said to himself: It would be great if I could find a four-leaf clover that can bring luck. This is me

The source of inspiration for the film."

"To be honest, it's such an interesting story. In this movie, you are not only the director, but also the screenwriter. I would like to ask, for a movie, which one is more important, the director or the screenwriter?"

"It's such a sensitive issue. The peer film festival I'm about to attend has a slogan called [Film is the director's thing]. So it seems to be a consensus that movies are the director's art. Of course, a good script is also very important.

important."

"But after all, the director is more important." The reporter emphasized the other party's point of view.

"This is not just my opinion, this is the current film industry

The consensus." Tetsuya Iwai spread his hands, "After all, movies are comprehensive arts and contain profound expressions that cannot be summarized by a simple script."

The reporter smiled, got closer, and suddenly changed the subject: "Senior Iwai, have you heard of your title on campus? Many students call you [the second talented person of the 1990s], you

Do you know about this?"

Tetsuya Iwai frowned: "I've heard a little bit about it."

"Do you agree with this statement?"

Tetsuya Iwai felt a little unhappy and didn't know whether to agree or disagree. In fact, he had always been unhappy with this title. The key was that the word "second" was too harsh.

A talented person will not like the evaluation of "second", let alone Tetsuya Iwai, who made bold claims during his freshman year that he would become the first person to become famous in the 90th class of Imaging and Video Studies.

However, what he didn't expect was that while he was still preparing to enter the graduate school to continue his studies, a person who was in the same class as him suddenly became a rising star in the literary world.

Not only that, this man also entered the broadcast industry and produced several hit dramas. He became a hot figure in the mystery literature and television circles.

Therefore, Kei Fujiwara naturally became the "number one". Even if this movie made him famous in one fell swoop, he could not get rid of the title of "number two".

Forget it, since you are lagging behind others on the timeline, let’s find a way to surpass them in terms of achievement! Tetsuya Iwai secretly made up his mind.

Tetsuya Iwai somewhat avoided the question: "Talented people and so on... There is no shortage of talented people in Eastern literature and art."

The reporter continued to ask: "Fujiwara, who is known as [the first talented person in the 1990s], is a screenwriter. Do you think he applies to the theory you just said that the director is more important than the screenwriter?"

Tetsuya Iwai was stunned, and after a long time he said: "Fujiwara is still a screenwriter for TV series. Compared with movies, TV series are relatively simple. They don't need too deep expressions, so for TV series, maybe screenwriters are more important."

As soon as this statement came out, the eyes of the school newspaper reporter shone brightly.

Tetsuya Iwai also felt that what he just said was a bit inappropriate. He was about to add a few more words, but the reporter said at this time: "Thank you, Iwai-senpai, I have no questions."

Tetsuya Iwai was a little depressed and walked to Nanako Togada. At this time, the reporter targeted a new interviewee.

He walked up to Kei Fujiwara and asked, "Hello, have you just watched the movie?"

Fujiwara Keimichi: "I have finished watching it. The movie is very exciting."

"Who did you vote for?"

""Lucky"."

"May I ask which department you are a student in?"

"In the imaging and video department."

"What a coincidence." The reporter looked at Kei Fujiwara and then at Tetsuya Iwai, "Are you in the undergraduate class or the graduate class? What grade are you in?"

"I am an undergraduate student and have not continued my studies. It has been one year since I graduated."

"So what are you doing now?"

"Some simple artistic creations."

"Huh?" The reporter was startled, "What is that?"

"TV screenwriter."

Ogata Mayo couldn't hold back her laughter, and Togata Nanako quickly pinched her waist.

Tetsuya Iwai's face turned red and he wanted to say something, but there was no chance.

The reporter smiled: "Haha, it seems you heard the interview we just had. Sorry, no offense intended. But it seems you don't agree with what Director Iwai just said, right?"

"It can't be said that I disagree. There is no problem in saying this from his point of view. If I were a director, I also think that the director is the key to a drama. Unfortunately, I am a screenwriter, so I think the screenwriter is the key to a drama.

Soul. But if I were a recorder, I would feel that the recorder is the core of the crew. Only when you think your work is vital can you do your best."

The reporter was silent for a moment. This guy was obviously much smoother than Tetsuya Iwai and seemed to be a social person. He asked again: "You

You are a TV drama screenwriter. What works are you currently broadcasting?"

"There is one."

"Is it convenient to say your name?"

Fujiwara Kei scratched his head: "It's not inconvenient. "Homeless Children" will be broadcast on Fukuyama Taiyue on the 9th. Please support it."

Inoue Morimata also bowed at the right moment: "Please support me."

The reporter suddenly fell silent and opened his eyes wide, "Are you...Kei Fujiwara?"