godfather of tokyo entertainment
Chapter 179: The rookie crew is assembled
"Hello, teachers, my name is Sato Mei."
Mei Sato is 16 years old this year, and she still looks like a student. Unlike many people who have been in the idol industry for many years, her body has been soaked in makeup and powder, giving her an air of dust.
"Sato, how long have you been an idol?"
Mei Sato was a little embarrassed: "Actually, I just got into the stage last month."
"Aren't you going to study anymore?"
"Reading." Mei Zuo said, "It's just a public school..."
She was embarrassed to say the name of the school. It must be a shabby school, the kind full of gangsters, a preschool in a prison.
"Have you ever acted?"
Mei Zuoto nodded: "I have been a passerby actor, and I also studied voice acting for a period of time."
While saying that, Mei Sato tried to perform a part in front of Kei Fujiwara, and also read a part of the voice actor's lines from the cartoon.
Kyogoku, who was watching from the sidelines, was so impressed that she didn't have stage fright at all...
Kei Fujiwara tried to let her perform a lot of scenes and found that the performance effects were of a certain level. Although they were not comparable to actors of that level, they could still perform well in the camera with some training.
So the second character "Fujino" was chosen for this little idol.
"You two are in the same grade, so we can communicate more often." Fujiwara Keido.
"Hello." Kyogoku greeted the other person a little cautiously.
"Has the crew been assembled?" Kei Fujiwara asked.
It is certainly not possible for a crew to have only two directors and screenwriters, assistant directors, cameramen, editors, recorders, etc. Although it is common for some new directors to have one person with multiple jobs, but that is when the filming funds are not enough to hire people.
, so I had to sacrifice the director’s personal energy and shooting time to make up for the lack of manpower.
But for Ono Nagaharu and Fujiwara Kei, two wealthy people, funding is not really a big problem.
Fujiwara Keimoto wanted to directly bring over the professionals from the TV station for filming. These people are rich in experience and become more sophisticated as they get older. Calling them here can avoid a lot of trial and error costs and greatly save time and money.
But after some thinking, I gave up the idea and decided to find people in the school to form a crew.
The Peer Film Festival is designed to support newcomers. It is enough for Kei Fujiwara to join as a well-known screenwriter. If more professional teams are found to participate, it will inevitably lead to criticism.
Moreover, Kei Fujiwara had just approached the station director not long ago and claimed that he wanted to shoot a short film with his friends. Yoshida Kafumi thought that Kei Fujiwara was in charge of the budget of the TV station for investment, so he directly asked Kei Fujiwara how much budget he wanted.
Fujiwara Kei told Yoshida Kafumi that he did not want TV stations to invest. This is not a commercial work, but an experimental and public welfare short film. It was also created to support new directors and will participate in the peer film exhibition in the near future.
The reason for informing Yoshida Kashi was just because he was still under contract with Fukuyama Television, and in order to avoid any confusion regarding subsequent copyright issues, he informed the radio station in advance.
It didn't require investment, and it was a short film. Yoshida Kafumi didn't care, and directly asked his subordinates to make a supplementary agreement: "Suddenly Looking Back" is an independent copyrighted work of Fujiwara Kei and has nothing to do with Fukuyamadai.
Since it has nothing to do with Fukuyamadai, Kei Fujiwara can no longer use the manpower of Fukuyamadai. Although even if it is used, Yoshida Kashi will not say anything and turn a blind eye to the matter. However, Keishu Fujiwara has been in trouble recently, and the people in the station
People were watching him very closely, especially the people in the production bureau.
Seeing that the "Monthly Ninth" schedule is getting fatter and fatter, the production department is also a little dissatisfied with his way of occupying the time slot. If Fujiwara Kei uses the staff of the station to make his personal movie, there is no guarantee that these people will not chew it up.
maggot.
Since he couldn't find anyone on the stage, Kei Fujiwara turned his attention to his alma mater.
As a well-known alumnus, Kei Fujiwara went directly to the Film Research Society of Tokyo University of Literature and Art, claiming that he wanted to find a few people to shoot an independent short film.
I heard that Kei Fujiwara was also going to make a movie. There were many people in the imaging and video department who responded. Kei Fujiwara selected several professional talents.
, those who have personal works, serve as cameramen and assistant directors.
In Japanese film crews, most positions are collectively called assistant directors, and their responsibilities are determined in sequence. The fourth assistant director is responsible for planning and doing miscellaneous tasks, the third assistant director is responsible for scene notes and paperwork, and the second assistant director is responsible for Mei Daohua.
The first assistant director is responsible for cost, schedule and on-set direction.
During the interview process, Ogata Shinyo and Togata Nanako also came over. One of them is from the music department and the other is from the imaging and video department. They also hope to shoot with the group. Because Fujiwara Kei is now a well-known figure in the industry,
Having worked on his crew can be included in your job application resume.
A small crew composed mostly of students was quickly assembled and will officially start filming tomorrow.
"I heard that Fujiwara Keiya is going to participate in the peer film festival? Is it true?"
"It's true news. They have already started to form a crew, and in order to respect the film festival's original intention of supporting newcomers, the entire crew is composed of newcomers except him."
"Haha, has Fujiwara-senpai finally reached out to the film industry?"
"But movies and TV series are different after all... In terms of artistry, the audience has higher requirements for movies."
"Hey, you guy, don't underestimate the famous senior of our imaging and video department. His first film "White Night Journey" is a work with profound intentions. Alas, it's just that most of the subsequent works are entertainment-oriented.
’s work, I really hope he will come up with another work with far-reaching ideas.”
"Haha, wasn't there a debate in the school magazine about who is more important, the screenwriter or the director? Is it possible that Fujiwara-senpai is now working with a new director and participating in a film festival to show his strength as a screenwriter?"
"When you say that, it's really possible..."
Tetsuya Iwai was queuing up to buy fried noodles and bread. When he heard someone talking about Kei Fujiwara, he subconsciously listened. Then he heard that "Kei Fujiwara is also going to participate in the peer film festival." He was stunned at first, and then listened more carefully.
Got up.
After buying the fried noodles and bread, he lowered his head and walked on the road. He happened to see Nanako Togata and Shinyo Ogata. He was about to go up and say hello. But he saw Kei Fujiwara standing beside them. There were many people around them.
Some of his classmates in the imaging and video department were even in the same research class as him.
Tetsuya Iwai stopped and looked at Kei Fujiwara's profile, his desire to win the film festival became even stronger.
I originally thought I would have to wait at least a few years, but I didn't expect to meet him head-on so soon...
Tetsuya Iwai thought to himself, OK, in that case, I will defeat you head-on!
He looked at Togada Nanako's snow-white profile and strengthened his determination.
He has always been interested in this cute school girl Togata, and he is quite confident that he can conquer this cute girl. However, since he met Togata and Fujiwara Kei walking together at the last school festival, he
My confidence has been somewhat shaken.
Seeing the admiring look in Togada Nanako's eyes when she looked at Kei Fujiwara, she felt even more unhappy.
In addition, he was originally known as the number one talent in the imaging and video department of the 90th class. Due to the emergence of "White Night Walk", Kei Fujiwara kicked him into second place. Various reasons combined, making Kei Fujiwara gradually become
The inner knot of this talented man.
He must use the opportunity of the peer film festival to get rid of the knot in his heart so that his mind can become open again.
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