godfather of tokyo entertainment

"Fujiwara-kun, I didn't expect you to know so much about lighting equipment." The lighting engineer was surprised. Looking at the operation of Fujiwara Kei's hands, he looked like an old craftsman who had been immersed in the crew for many years.

In Japan, anyone who has rich experience and exquisite skills in a technical position in a certain industry is called a "craftsman". Japan respects craftsmen very much. Even if it is fried shrimp, as long as you fry it for more than fifty Years ago, I wish I could leave a memorial tablet for you in the temple.

The God of Sushi, the God of Tempura, the God of Rice, etc... I have heard of Kei Fujiwara a lot in his previous life. Although there is a lot of hype, I have to say that this trend is more beneficial to society, at least. Many seemingly ordinary workers have gained respect from society.

And these staff members of the crew, whether they are directors, cameramen, lighting engineers, or an ordinary AD, are also called craftsmen.

"Haha." Fujiwara Kei smiled honestly and started to make nonsense: "I study this kind of major in college, and I participated in the film club at school..."

Before he finished speaking, Nishimura Taro's voice sounded behind his head: "Fujiwara-kun, please come here."

Kei Fujiwara looked back at Taro Nishimura, who looked like he had died suddenly, but found that in addition to Taro Nishimura, the director, producer and even Katsura Arima were looking at him.

Fujiwara Kei frowned, feeling an ominous feeling.

Kei Fujiwara ran over, "Director Nishimura, Director Sato, what's the matter?"

Sato Wataru didn't say anything. He looked Fujiwara Kei up and down and said, "Turn sideways and take a look."

Fujiwara Kei was a little surprised, but he did as he was told and turned sideways.

"Turn around and look."

Kei Fujiwara turned around.

Sato Wataru nodded subconsciously. Is this person actually an ad? I hadn't noticed him before, but his body proportions are really good.

Of course it’s good, otherwise why would I be targeted by Mrs. Yoshihara?

Kei Fujiwara looks pretty handsome, but no one cares about him. He is just a stand-in and his face will not be shown.

"Fujiwara-kun, what is your height and weight?" Katsura Arima asked.

"Height 181 centimeters and weight 71 kilograms."

"Change his clothes... Fujiwara-kun, Kimura-san is injured and can't come to the set for the time being. We plan to find a stand-in to take the role. Thank you for your hard work."

Kei Fujiwara didn't show too much surprise and just asked: "Can't you choose one of the passerby actors?"

"Their body types are very different from Kimura-san. Of all the people, your body shape is the closest to Kimura-san's."

"I see."

Seeing Kei Fujiwara accept it so quickly, Wataru Sato was a little surprised. If it were anyone else, although he would be happy to have close contact with the big star Keika Arima, he would still be unconfident for a while. After all, the Japanese are all like this. .

——"Eh? Is it me? Can I really do this?"

——"No, I can't do it. I'd better change the director to someone else..."

——"Eh? Eh?"

He even thought of words to encourage him, but unexpectedly Kei Fujiwara agreed directly.

Sato Wataru continued: "Although he is just a stand-in, he will have performance interaction with Ueto Terumi (the character played by Arima Keika). You'd better memorize the lines and actions in these scenes to be more familiar with your performance and lines. There are no acting requirements, but the general content must be memorized. Otherwise, if Ueto Terumi reads the lines alone, her acting skills will be affected. Also, don’t make mistakes with your positioning, and don’t block Ueto Terumi’s lens.”

"No problem." Kei Fujiwara said.

Sato Wataru glanced at his face. Fujiwara Kei had no expression, no trace of nervousness at all, and seemed very confident.

Sato Wataru pulled Nishimura Taro and asked: "How is this person's work ability? Is he smart?"

Nishimura Taro is very protective of his subordinates: "He is very smart. Although he is a newbie, he seems to be very experienced. He has never made any mistakes when entrusted to him."

At this time, he thought of something again and added: "I have watched him instruct passerby actors in acting, and I feel that he seems to have a lot of acting experience. If he is just a stand-in, there will be no problem."

Sato Wataru nodded: "That's good."

Kei Fujiwara got the script for the male lead and started to read it, while Wataru Sato shot the other people's scenes first.

The lines played by Kimura Hayato's character are not too many in these scenes, so they are relatively easy to remember.

What's more, the director doesn't have too high requirements for his acting lines. It doesn't matter even if he reads the lines in Kansai accent. Anyway, his voice will not appear in the feature film in the end. Let him participate in the performance like the leading actor, just to maintain a

Normal rhythm, so as not to affect the performance of Arima Guixiang.

But Fujiwara Kei still had to do his best, because he seemed to vaguely smell the opportunity again.

Although the plot of being a stand-in, being admired by the director for his acting skills, and thus embarking on an acting career is really a bit bloody. But even if such a bloody plot does not happen, it is always right to leave a good impression on these creative staff.

of.

Kei Fujiwara was a stage actor in the theater in his previous life, so he must have good acting skills and line skills.

The lines were memorized quickly. Fujiwara Kei walked up to Arima Keixiang and asked politely: "Ms. Arima, shall we review the lines?"

Arima Keixiang put down the script, looked at Fujiwara Kei, and said expressionlessly: "Okay, let's rehearse it first."

The two of them each took their scripts, found a secluded corner, and recited the lines.

"Terumi! There are so many good men in Japan, why do you have to like a man who has cheated on you!"

"Who else can I like besides him?"

"You can look more at the men around you, maybe they are looking at you too..."

That's right, "In the Name of Love" is a TV series about cultivating one's self.

This style seems to be very popular at this time of year?

Arima Keika looked down at the script, trying not to make eye contact with Fujiwara Kei.

It's not that she's embarrassed. She comes from an acting family and has been on stage with her father since she was very young. She has absolutely excellent professional and psychological qualities, but not everyone is like her.

Many newcomers who face the camera for the first time often have sweaty palms, itchy scalp, and stuttering when reciting their lines. For an actor, the biggest technical difficulty is not to understand the emotions of the character, but to face the camera and dozens of jobs.

The staff is not nervous.

Kei Fujiwara is not even a casual actor. He was picked up temporarily and was hired as a supporter. He is surrounded by some acquaintances, so he must be more nervous. Keika Arima hopes that he will adjust his mentality and avoid eye contact as much as possible to prevent him from being nervous.

.

Many new male actors had swollen tongues when they first acted with her, which she was helpless about.

However, after reciting the lines for a while, Arima Keika found that Fujiwara Kei's voice was very magnetic, and the rhythm when reciting the lines was also very accurate, which made her feel like a stage actor.

She was a little surprised and subconsciously looked at Kei Fujiwara, only to find that he was looking at her with burning eyes.