godfather of tokyo entertainment

"Fujiwara-kun, the results of the quick report are out, do you need me to inform you?"

"Yes, Mr. Itagaki, what's the result?"

"Ranked seventh, not too high, but not too low either, in the middle."

"Qiankun Chunqiu" has a total of thirteen long series and two short stories, and "White Night Journey" is stuck in the middle.

However, the beginning of "White Night Journey" is indeed not particularly fascinating. In other words, the writing method of this era does not pay attention to "getting the first word out", and there is no need to spit out the selling points to the readers. Readers still have to be patient.

If you do it too hastily, you won't be able to attract readers.

"The results of the quick report are just a reference. I will tell you after Xiaozheng has calculated the statistics after a while," Itagaki Kazuhiko said.

"Okay, please."

After hanging up the phone, Kei Fujiwara returned to the set.

After passing by a group of contemporaries, Fujiwara Kei subconsciously greeted everyone, but for some reason, the group of people actively ignored him, and only one person turned around and smiled at him.

Fujiwara Kei also lowered his head and smiled, but he didn't care much. He had experienced similar things in his previous life, which was normal.

He continued to play with Arima Katsura, who took out the script and read the lines to him word for word.

The plot seems to be developing in the direction of bitterness. There are a lot of crying scenes in Arima Keixiang. Arima Keixiang has a characteristic when performing crying scenes, that is, she likes to purse her lips, widen her eyes, tears streaming down her eyes, and then her shoulders tremble all the time.

stop.

In fact, this is Arima Guixiang's usual performance method, and it has formed a path dependence.

Many actors, especially actors with good acting skills, will have this kind of path dependence. This is because they have become proficient enough in acting methods and have even formed their own unique style. Once a style is formed, it is difficult to change.

This is the performance method of "Thousands of people are alike".

There is actually no obvious advantage or disadvantage between the two methods of "a thousand people have one face" and "a thousand people have a thousand faces". Both methods have produced great movie stars.

For example, Stephen Chow, Jackie Chan, and Jim Carrey are actors who look alike;

And Tony Leung Ka Fai, Simon Yam and Zhang Yi are actors with thousands of faces.

The one-size-fits-all approach focuses on showing off personal style and makes it easier for the audience to remember an actor. However, this approach also has a drawback, which is that it can easily bore the audience.

For example, an actor in Kei Fujiwara's previous life, nicknamed Jiaqian Jushi, was a person who, although his acting skills were very good, had already developed a style and routine, and was often criticized for whoever was playing him was playing him.

Therefore, Kei Fujiwara has been advising the actors he works with in his previous life. Unless you plan to become an actor with obvious personal style like Stephen Chow, you should try to choose the "thousands of people, thousands of faces" approach, and remember not to bring one kind of acting skills to all occasions.

Fujiwara Kei wanted to warn Arima Keika like this, but he thought for a while and didn't say it.

After all, he is still just an out-of-town AD, serving as a stand-in for the male protagonist. Don’t really think of yourself as a senior. It’s okay to give some opinions on the script, but pointing out the performance problems of a popular actor, he is now

Not qualified yet.

What's more, this drama has already been played for more than half of the show, and it has always been so "crying" before. It is inappropriate to suddenly change the style.

Arima Guixiang cried and suddenly started shaking more violently.

Not only were my shoulders shaking, my whole body was shaking.

Fujiwara Kei was stunned for a moment, she was shaking as if she was having an epilepsy. However, she glanced to the side with her peripheral vision and found that Arima Katsura's manager was also shaking.

He looked down at his hands and found that they were not the only ones shaking.

"earthquake……"

Japan is a country prone to earthquakes, and earthquakes are commonplace. The Japanese have always been trained to deal with natural disasters, and they will not panic when encountering such a thing.

After a brief daze, Arima Katsura and her manager realized what they were doing and began to evacuate quickly outside the studio.

There were about a hundred people in the crew who evacuated quickly after sensing the earthquake. However, the whole process was very orderly and there was no pushing or stamping. The evacuation process was very efficient.

But then a discordant voice sounded in my ears.

Sato Wataru was so anxious that he made a shrill voice like a shemale: "Protect the camera!"

The cameramen quickly ran out holding their cameras. These cameras and lenses are the most precious possessions of the crew. When necessary, many staff members are willing to protect them with their own skulls.

Kei Fujiwara turned around and saw a lone camera ten meters away from him, so he ran over and planned to escape with it.

However, he accidentally bumped into Arima Katsura, and Fujiwara Kei didn't care about his gentlemanly behavior. He grabbed Arima Katsura's arm and tried to pull her away.

At this moment, a lamp stand staggered down, facing the place where Arima Keixiang had just stood. The base of the lamp stand rubbed against the floor, making a sharp and sharp sound.

Kei Fujiwara also dodged the light stand sideways, but was still rubbed by the light stand. Kei Fujiwara's sleeve split with a huge cut, exposing his flesh, leaving a white scratch on his arm, slightly

Somewhat itchy.

Arima Keixiang was startled, and subconsciously crawled into Fujiwara Kei's arms like a frightened cat. After reacting, she stepped back slightly and thanked Fujiwara Kei: "Thank you, are you okay?"

As soon as she finished speaking, Arima Guixiang was stunned, her hands were covered with blood.

What's going on? Am I hurt?

Fujiwara Kei picked up the camera, and without saying a word, took Arima Katsura and quickly evacuated the building.

Only then did Arima Keika realize that the injured person was not her, but Kei Fujiwara. Kei Fujiwara's arm had a large gash, the skin and flesh were turned out, exposing the muscles and fat, and blood continued to overflow in streams.

Kei Fujiwara's lips turned white from pain, but his face was expressionless. When he left the set, he just found a drinking water tap to wash the wound, and then waited for the doctor from the TV station's infirmary.

Forget about waiting for an ambulance. If an earthquake breaks out, there will definitely be many injured people. If you have a minor injury and try to rush for an ambulance with a seriously injured patient, you will be looked down upon.

"Fujiwara-kun, you are seriously injured..." Arima Keixiang came over, her face turned a little pale, and she began to stutter a little when speaking.

Kei Fujiwara took a look and said, "It's nothing serious. I'll just go to the hospital to take care of it later."

Arima Keixiang's face became a little defeated, "Thank you, you did it to save me..."

Fujiwara Kei didn't say anything and lowered his head to hide his embarrassment. It was indeed because of you, but not to save you. He thought you were in the way and wanted to pull you aside, but he didn't expect... Oh, bad luck.

After the injured received emergency treatment, Kei Fujiwara and several others went to the hospital for tetanus and sutures.

Taro Nishimura told Kei Fujiwara that he could recuperate in the hospital during this period and his basic salary would still be paid. Japanese companies are still somewhat humane in this regard. Of course, they are also afraid of legal punishment and injured employees smashing high-rise car windows.

The epicenter of this earthquake was Saitama, and Tokyo was also affected. Kei Fujiwara didn't know if there was such an earthquake in the original world. It was really difficult to count the number of earthquakes in Tokyo.

The next day, Kei Fujiwara did not go to the TV station to report on his work. Instead, he went home to rest. The TV station and the production company gave injured employees a few days of leave.

In the evening, Fujiwara Kei bought a bowl of beef soba noodles downstairs. After rubbing the chopsticks open, he was about to eat when something suddenly occurred to him.

"Beef is a fat food, right...can I eat it?"

In fact, in his previous life, Kei Fujiwara had never cared much about traditional Chinese medicine concepts such as "hair growth". However, since he came to Tokyo and was alone, he began to cherish life very much and did not dare to take risks.

Kei Fujiwara looked at the steaming soba noodles in front of him and hesitated. Wouldn't it be a waste to just throw them away?

Just when he was hesitating, the doorbell sounded again. Fujiwara Kei stood up and opened the door. He saw Arima Keixiang wearing sunglasses and her manager standing outside the door.