godfather of tokyo entertainment

"Fujiwara-kun, I think Kinpachi is quite tired." Mizuhara Yui looked a little depressed.

Kinpachi refers to the time slot at 8 or 9 o'clock in the evening on Friday (Friday). As expected, the station did not agree to Mizuhara Yui's time slot application, but gave this time slot to Takada Kenji.

Fujiwara Kei had already expected it, so he just said "hmm" and didn't say anything more.

Mizuhara Yui occupied Fujiwara Kei's chair, holding her cheek, looking troubled. She is a producer and the backbone of the team, so she cannot show negative emotions easily, lest this emotion spread to other people and ultimately affect

to program progress.

But in front of Fujiwara Kei, she didn't care about this, and seemed to know that Fujiwara Kei would not be affected by her.

"If Kinpachi is no longer available, just change the time slot." Fujiwara Keimichi said, "Is there any other prime time day that would be more suitable?"

"On Thursdays and Fire Sundays." Mizuhara Yui said, "There are free time slots at 9 pm on Thursdays and 80 and 90 pm on Fire Sundays, almost a month and a half later."

Fujiwara Kei pondered for a moment: "Where's Sunday?"

Mizuhara Yui said: "At nine o'clock on Sunday, there are still three episodes left until the broadcast ends, but for us, time is too tight."

"Can't you shoot one episode in a month?"

"...It can be filmed, but at least two episodes should be saved, right?"

"Just save one episode, and make adjustments as the filming progresses," Kei Fujiwara said. "Can we get the nine o'clock time slot on Sunday?"

Mizuhara Yui was stunned for a moment: "Do you really want to choose this time period? It's too hasty. The audience base on the moon is actually about the same as that on the fire sun."

"Mizuhara." Kei Fujiwara said, "I plan to create an ace time slot exclusive to Fukuyamadai. After thinking about it, only Yuejiu has this potential."

In the parallel world, Moon 9 has become a special term for Japanese dramas, also called Moon 21, which refers to the program that Fuji TV broadcasts every Monday at 9 o'clock in prime time. All the highlights of Fuji TV will be broadcast strongly during this time period.

It is also the trend vane of Japanese dramas of the season.

Many familiar Japanese dramas are Yue Jiu's works, such as "East Love", such as "Hero", and "Long Vacation" currently being filmed...

Since Fuji TV made Moon Nine its flagship time slot, Moon Nine has also become a hot time slot that surpasses the weekend prime time slot, but it has also become a sad time slot for other TV stations.

The reason why Fuji Channel was able to create the miracle of Moon 9 is that, in addition to the excellent quality of the program itself, this time period seems to be a hidden treasure. There are a large number of hidden viewers that have not yet been discovered, but no one in this world is aware of it.

Kei Fujiwara decided to give it a try.

Mizuhara Yui tried to persuade Fujiwara Kei for a long time, but Fujiwara Kei seemed to be very determined, and in turn advised her not to miss the spring festival.

Only then did Mizuhara Yui realize that she was the producer and the highest decision-making power rested with her...

Although she still had doubts in her heart, she always felt that Kei Fujiwara was too obsessed with Yuejiu and had to risk not meeting the deadline to chase this time. But when she looked at Kei Fujiwara's determined look, she felt "winter" beating in her heart.

In her impression, Kei Fujiwara has never failed whether he is writing books or producing programs.

The youngest winner of the Naoki Award, a super best-selling author, and the main planner of a popular variety show, so many titles are combined into one, and this is just his achievement in just one year.

perhaps……

Mizuhara Yui bit her lower lip, and finally looked at Kei Fujiwara with the same firm eyes: "Okay, Fujiwara-kun, I will apply to Taili."

"Okay, thank you for your hard work." Fujiwara Kei stood up, "Now that it's confirmed, we can't waste a moment."

"This afternoon is a script meeting, Fujiwara, don't forget it."

Fujiwara Kei nodded, I will be there on time.

Mizuhara Yui didn't urge Kei Fujiwara to write the script as soon as possible, because there was no need. When Kei Fujiwara wrote the script, he was like a printing press. He usually had fun fishing, but once he started working, he could get it in two hours.

A very good episode

Looking at the complete script, neither she nor Shibazaki can see any problems.

Mizuhara Yui recalled that when she was still working as a producer's assistant, the producer she was following at that time would scold the creative writer once a day, scolding him for not being able to write a script.

Sometimes the chief creative writer keeps his head down and writes silently, and sometimes he is scolded for being too quick-tempered and gets in the way and scolds the producer. After all, the chief creative writer is not a small role, so how can you be allowed to scold you whenever you want?

This incident left a big shadow on Mizuhara Yui. At the beginning of her cooperation with Fujiwara Kei, she was worried that she would inevitably make the same mistake as the producer. Of course, her biggest worry was that she would not be able to scold Fujiwara Kei.

This dear friend had scolded all the famous screenwriters, and no one dared to say that he was the first because Diao Yan was so clever.

However, this worry did not last long. She was pleasantly surprised to find that Fujiwara Kei's writing process could be described as smooth. If she had not witnessed the difficult creative process of other screenwriters, she would have thought that writing scripts should be so simple.

At noon, Shibasaki Hideaki, a married man, ate a love lunch in the company, Mizuhara Yui also bought rice balls to eat, and Fujiwara Kei ran out to eat omelette rice.

There is a small shop one mile away from the production company. The omelette rice and pork cutlet rice there are so delicious that Kei Fujiwara even wanted to film an issue of "The Lonely Gourmet" to promote him.

However, after finishing the meal, when I passed a coffee shop on my way back, I suddenly spotted two familiar figures.

The bespectacled secretary of Kiko Araki and Kenji Takada.

Kei Fujiwara was stunned for a moment, said nothing, and returned to the company.

In the afternoon, there was a script meeting, which went smoothly overall. However, Kiko Araki seemed a little absent-minded at times, and Kei Fujiwara scolded her several times. She just nodded and apologized, not daring to show any dissatisfaction.

Mizuhara Yui felt sorry for Kiko Araki, and quietly pulled Kei Fujiwara aside to ask him to be a little kinder to Kiko Araki. She had not been in a good state these past two days, maybe it was during those days...

Fujiwara Keinori kept frowning and suddenly asked: "Mizuhara, have you signed the contract?"

Mizuhara Yui was stunned and said casually: "Not yet, I plan to sign a contract with them tomorrow."

"It's too tedious." Fujiwara Kei couldn't help but said, "There is so much preparation time in the early stage, why not get the contract done early?"

"Hug...sorry."

Kei Fujiwara felt a little uneasy, but he had some guesses that he couldn't say out loud.

However, on the second day, the day of signing the contract, Fujiwara Kei's imagination came true in reality.

"What do you mean?!" Mizuhara Yui's face turned red with anger.

"I'm very sorry." Araki Kiko's agent Fukuyama Etsuko lowered her head and said, "The child is really embarrassed to come to see you and feels ashamed of you, Miss Mizuhara, so I can only discuss this matter with you two."

Because Fujiwara Kei had a certain degree of anticipation, he didn't act as angry as Mizuhara Yui, but his face didn't look good either.

"Producer Takada... admires Kiko very much, so he invited her to play the second female lead in the new drama. And Kiko... thinks that Mr. Takada's new drama may be more suitable for her. So please let me resign to you two."