godfather of tokyo entertainment

Araki Kiko's sudden resignation made Mizuhara Yui very angry.

Twice, I was slapped twice in the face by Araki Kiko, no matter how good-tempered I am, I can't stand it anymore.

After losing his temper, things still had to go on, so Fujiwara Kei once again contacted actors for auditions. Just when Mizuhara Yui was busy in the company, she got the news that Fukuyama Etsuko came to visit.

Although Mizuhara Yui was dissatisfied with them, she still went to see her.

When Etsuko Fukuyama met, she kept her posture very low and kept expressing her apologies.

Now that the matter has come to this, there is no point in getting angry at her, but Mizuhara Yui still behaves indifferently.

Fukuyama Etsuko did not come alone today, there was a young girl standing beside her.

"Miss Mizuhara, she is also my artist, her name is Kono Aoi, and she is very interested in our new drama." Etsuko Fukuyama said at this time, "This child wants to try out the role of Kiko Araki, I don't know..."

After saying that, Etsuko Fukuyama looked around, as if she was looking for someone. Yui Mizuhara said directly: "Mr. Fujiwara is auditioning for the original role of Kiko Araki. If you are interested in this role, go and audition directly now."

It'll be ready in no time. As long as it's suitable and the acting skills are good enough, we'll do it."

Now that a main actor is suddenly missing, Mizuhara Yui is so anxious that ulcers are popping up. Now finding a suitable actor is the first priority.

Etsuko Fukuyama hurriedly brought Aoi Kono to the audition place, which was directly in the conference room. There was only Kei Fujiwara alone, Hideaki Shibasaki was busy setting the scene, and Yui Mizuhara was communicating with advertisers.

There were quite a few people auditioning. Kono Aoi waited for a while, then it was her turn and walked in.

Kono Aoi walked forward and handed over the information.

"Hello, teacher, I am Kono Aoi." Kono Aoi introduced herself respectfully, "I am 23 years old, 165 cm tall and weigh 45 kg."

Then, he turned around in a circle.

The first thing Kei Fujiwara saw was the name of Aoi Kono's company. He found out that it was from the same agency as Kiko Araki. He couldn't help but frowned. However, when he saw the name and himself, he was startled and his expression softened a lot.

"Kono Aoi, right? Don't be nervous, I'll give you a theme and you can play with it freely. Your senior has a crush on you, but..."

Kono Aoi lowered her head and thought for a while, then quickly entered the scene after a few seconds.

After the performance, Kei Fujiwara held his cheek and thought for a moment, with a smile on his face.

Not bad, well done...

It's a pity that the first film he debuted in was a film by Ohno Nagaharu...

"Okay, let's go back and wait for news." Kei Fujiwara said directly.

"Okay...thank you teacher."

Aoi Kono didn't dare to say anything. Fujiwara Kei gave people a strong sense of oppression. Being able to speak her lines in front of him without stuttering was already considered her professional ability.

After turning around and going out, Etsuko Fukuyama said, "How was it?"

Kono Aoi nodded, reacted, and then shook her head.

"What do you mean by nodding and shaking your head?"

"I think my acting is pretty good, but I don't know what Mr. Fujiwara thinks of me..."

"It doesn't matter, just work hard." Fukuyama Etsuko touched her head. Kono Aoi has a docile personality, does not act evil, and never wants to engage in evil. She had a clean resume before becoming an actress, unlike other actresses in the company, some of whom

Before becoming an artist, she also worked as a father. If she becomes popular, it will save her troubles in running a business.

But maybe it’s because of this non-competitive personality that it’s particularly difficult to become famous.

"By the way, did you ask him for his autograph?" Etsuko Fukuyama suddenly asked.

Kono Aoi stiffened for a moment, then suddenly made a sad face: "I forgot."

"Oh...it's okay, it's okay..."

After returning home in the evening, Kei Fujiwara made a special call to Ohno Nagaharu. His voice was lazy and sounded like he had been drunk.

"Hello……"

"It's me, Changzhi."

"I heard it...do you want to come to my house for a drink?"

"No more drinking. I have work tomorrow." Fujiwara Keimichi said, "I met someone today when I was auditioning for actors. He should be an old acquaintance of yours."

"Who is it?"

"Kono Aoi, you have worked with her before, right?"

"Boom!" The sound of falling came from the other end of the phone. After a while, Ohno Nagaharu's voice came again, "Kono Aoi? Have you met that kid from Kono? Great, maybe she can cooperate with you.

Can become red..."

"She just came for an audition...I haven't planned to work with her yet..."

"Kei Fujiwara! I treated you so well!" Ohno Nagaharu almost yelled on the other end of the phone, "And Kono has great potential. Not only is she talented, but she is also very hardworking. If you don't choose her, she will definitely be yours."

loss!"

"She only auditioned for a scene with me. How do I know how good her acting skills are?" Kei Fujiwara said, "She has participated in too few film and television works before. So, hasn't she participated in your movies before?

Do you still have the original film? Let me take a look."

There was silence on the other end of the phone for a long time. After a long time, he said, "Okay, I'm going to give the disc to you. Just wait. Her performance is really good. It was me who directed it."

Fujiwara Kei was startled for a moment, is this guy serious?

"It's too late today, tomorrow..."

Before he finished speaking, the phone was hung up. Almost forty minutes later, there was a knock on Fujiwara Kei's door. Ono Nagaharu was wearing a windbreaker, breathing heavily and standing outside the door in the cold.

"Here." Ohno Nagaharu directly handed over a disc. After Fujiwara Kei took it, he turned around and left.

Fujiwara Kei looked at his back, sighed, and returned to the room. Seeing that it was not too late, he turned on the TV and played the disc.

Halfway through taking it, Kei Fujiwara fell asleep on the sofa.

In the morning, Kei Fujiwara woke up from the cold.

He quickly got into bed and slept for more than an hour before dragging his somewhat tired body to the bathroom to wash up.

While brushing his teeth, Kei Fujiwara silently admired the power of Ohno Nagaharu's films.

When I was at the Cannes Film Festival in my previous life, there were all kinds of blockbuster literary and artistic films from various countries, as well as films in small languages, but they didn't make him fall asleep. As a result, it was Ohno Nagaharu who achieved this achievement with one film.

Kei Fujiwara himself is a person who doesn't like literary films. His aesthetics are popular and he likes to watch commercial movies. Even if it's a serious subject, he likes to watch movies like "Schindler's List" and Wong Kar-wai.

He couldn't watch any of the movies.

The story of Ohno Nagaharu's film is too stream-of-consciousness, and it is also full of scenes discussing politics, philosophy, and art... At first glance, it was shot by a *** college student, and I wanted to stuff everything I knew into the work.

, while doing it, he imagined that the audience would praise his talent after seeing it.

As a result, the truth is that the audience watched it for less than two minutes, frowned, thought about something, and turned around and left.

Hearing him say that he also wrote the script for this film, it can be seen that this person has never been associated with the screenwriting industry in his life. But as a director, he does have merits.

For example, in terms of storyboarding and art, they have surpassed the level of an ordinary newcomer. If the story hadn't been too ugly, Kei Fujiwara might have been able to finish watching it based on the language of the shots.

If there is a good script, maybe Ohno Nagaharu can really make a good movie?

Let’s talk about Aoi Kono, it’s extraordinary that she can speak such embarrassing lines with such conviction.

It's her.