But at this moment, Li Er suddenly felt his heart shake.

Not the original body, but the body he is now possessed by, which is the body of a flesh and blood god puppet.

At the same time, Li Er could also clearly feel a vibration of the same frequency coming from the depths of the ground, and the entire cave seemed to tremble.

This feeling couldn't be wrong, because Li Er could clearly detect a secret connection between the two.

It was as if somewhere deep underground was weakly echoing or even calling him.

Li Er subconsciously probed his current consciousness towards the heart of the flesh-and-blood god puppet.

This is actually not complicated. From the moment the flesh and blood god puppet appeared, Li Er was able to detect everything inside the flesh and blood god puppet through his own consciousness.

It's just that he always thought that he had a spiritual fear of the flesh and blood god puppet. After all, the appearance of this thing seemed to him to be abnormal.

At least there is no way to escape the various backhands of the resurgence of the gods.

And he was also the back-up man of the ancient god king.

Therefore, even if the flesh and blood god puppet relies on his divine fire, it seems that there is no secret at all from him.

But in the past, Li Er did not dare to really let his consciousness penetrate into the depths of the flesh and blood god puppet.

What if there is some kind of trap hidden in this weird body made up of several pieces of divine bones?

This is not difficult at all for gods, let alone god kings.

Therefore, in the past few times, Li Er was possessed as little as possible.

Of course, it was also related to the fact that Li Er's divine fire had not been completely ignited at that time, and there was still a slight gap between him and the divine fire.

If Li Er wanted to probe his consciousness deep into the flesh and blood god puppet's body before, it was like drilling into a quagmire. Now, if Li Er wanted to probe his consciousness deep into the flesh and blood god's body, it would be like diving into the water.

As soon as Li Er's consciousness flickered, Li Er didn't come back to his senses at all. This time, his consciousness easily penetrated into the depths of the flesh and blood god puppet.

A space that is both illusory and real.

Li Er came in so easily, so logically, as if he just had to jump into the water.

But when Li Er's consciousness clearly saw everything in front of him, he was completely stunned.

This is a place similar to the divine fire space that Li Er entered before.

But compared with the divine fire space that Li Er entered before, the space in front of him was more like a haphazardly put together puzzle space.

In the center is an ancient bone tablet that seems to have only its base and a small part of its body.

This bone tablet actually doesn't look very eye-catching.

It is gray in color and the whole body is made up of a large number of bones of different shapes and sizes.

Just like the entire space in front of Li Er, it is the product of patchwork.

But only this bone monument still has a dim, but at least clear, or complete divine inscription.

prison!

Almost as soon as Li Er saw this divine inscription, he knew the origin of the prison byte in his divine name.

There is no doubt that it was influenced by the divine text in front of me.

The dilapidated-looking divine bone tablet in front of me is undoubtedly the center, or even the center, of the entire space in front of me.

Even to a certain extent, it completely replaced the role of the Divine Fire Space Altar.

If Li Er could not see at this time that the space in front of him was actually a place similar to the divine fire space, or even equivalent to the divine fire space, then Li Er could only be a fool.

But compared with the empty and narrow divine fire space of Li Er's body, the divine fire space in front of him is larger and contains a lot of weird things.

Next to the dilapidated ancient monument is a giant broken knife.

This giant broken knife was like a canine tooth, inserted directly into the ground of the space.

Although the entire hilt of the broken knife was broken, the broken blade inserted into the space was covered with strange bloody divine patterns.

Anyway, these divine patterns did not eventually form divine inscriptions, but looking at the divine patterns on them, Li Er could still clearly feel a bloodthirsty and cruel aura.

Compared with the bone monument that has almost lost its breath, the momentum of this broken knife is undoubtedly much stronger.

Although it also looks dull and lifeless.

On the opposite side, there is a dead tree with only half of its stump left. Unlike the broken knife that can still feel the breath and see the divine patterns, this stump now not only cannot see the divine patterns, but even has no traces of the divine patterns. The breath is already vague.

However, this tree stump and broken knife are the closest to the central bone monument.

One on the left and one on the right are like guards guarding the bone monument in the middle.

In addition to these three items, there are five other strange objects in the entire space.

A blob of colored water.

In fact, it should be called water droplets, which are suspended in mid-air above the bone monument, almost at the edge of space.

A bird that looks like an eagle and a kite.

This is the only living thing, or in other words, moving among the eight strange objects in the entire space.

Because this bird that looks like a kite and an eagle is obviously not a real creature, but more like a bird-shaped stone.

Both the water and the bird have faint divine patterns on them.

Although it is far from the broken knife and tree stump below.

There was also a real stone, a dead leaf, and a piece of wood that looked very much like a fragment of something.

If it weren't for the fact that the entire space was empty and there were only these eight foreign objects in total, based on the performance of the last three objects, Li Er would never have given these three objects a second look.

Li Er's consciousness floated in mid-air and watched these eight items for a long time.

At first, Li Er was still a little afraid to get too close, but after a while he realized that the eight objects were indeed not only dim but also lifeless, and finally he tentatively moved closer to one of the objects.

Li Er did not choose the most eye-catching bone tablet, nor did he choose the least eye-catching piece of wood.

Instead, I chose the colored water over there.

The reason is very simple.

Because only this ball of colored water made him feel the most intimate.

In other words, the faint calling that I felt before came from this water.

In fact, it should be called water droplets.

Of course, another reason is that this water droplet is closest to the edge of space.

Li Er's conscious body can completely feel this drop of water at a close distance from the boundary of space.

After pondering, Li Er's conscious body slowly moved closer.

It wasn't until Li Er's conscious body could touch the drop of water at any time that Li Er's consciousness finally slowly came into contact with it.

As soon as Li Er's consciousness touched the water drop, a messy and weak message immediately poured into Li Er's consciousness.

In an instant, Li Er felt as if his consciousness had sunk.

A piece of knowledge, or rather a certain racial magic, flooded into his consciousness.

Knowledge also has weight.

Only then did Li Er truly understand the meaning of this passage.

Zhenbo.

This is a racial magic, and it is also a unique magic of a specific race that Li Er is not unfamiliar with.

The sea-suppressing magic of the Clam Clan.

Li Er never thought that one day he would come into contact with the sea-suppressing magic, which was famous even in historical legends.

And it came so easily, even casually.

Whatever it is, it has a value that makes it difficult for Li Er to distinguish its due value.

Among the Clam Clan, the most disgusting, even fearful, and even hatred thing for the Ocean Gods is this magical technique.

Li Er immediately remembered what his teacher said when he first came into contact with the Clam Clan in class in junior high school.

"If the Clam Girl's crime is the Clam Girl Pearl, then the way to die is the sea-suppressing magic. The Clam Girl Clan will almost certainly perish."

Li Er didn't actually understand this passage at the beginning.

But later, as his study deepened, or in other words, his experience increased, he slowly understood this passage bit by bit.

But it wasn't until he actually obtained the sea-suppressing magic that Li Er truly understood why the Clam Clan had fallen into its current situation.

Suddenly, a flash of lightning flashed in Li Er's mind.

A feeling that was originally vague suddenly became clear.

He looked at the other seven strange objects, and suddenly made direct contact with the kite bird that happened to fly by.

Similarly, a piece of knowledge, or secret technique, poured into Li Er's consciousness.

"Snake control."

Then Li Er's consciousness fell directly towards the stone.

This time it is a combat technique, or a training technique.

"Ashes."

Then there are the leaves.

"Turn into rain."

This is a technique that is both divine and mysterious.

The effect is also very simple, it just rains.

However, this is a rain-making technique performed underground.

tree stump.

"Refining poison."

This is a combat skill, a combat skill specifically designed to resolve toxins in the body.

It can also collect toxins and use them as combat skills.

Behind it is the dental knife.

In fact, at this time Li Er basically knew what was going on.

"Battle of the Eight Desolations."

This is also a combat skill, and it is also a very powerful ancient combat skill of the prison dog demon clan.

Li Er is almost certain that the dog demon family under his name has long lost the inheritance of this combat skill.

After receiving this combat skill, Li Er's consciousness was almost exploded.

In the end, he had to break away forcefully to avoid the consequences of his consciousness being exploded.

Although under today's New God system, there will be no major damage if the consciousness body is exploded.

At most, he will not be able to come back to his divine domain during the repair period.

Li Er gave up contact with the last bone monument very simply. He was basically sure that if he came into contact with this bone monument, his consciousness would be completely exploded, and he would get nothing in the end.

Because the thing in front of you is obviously what the world commonly calls the godhead, and without exception, all of them belong to the original gods, or even the ancient godheads of the original ancient gods.

In fact, the use of the word godhead by gods today is not very standardized.

The fragments of the godhead are the godhead, and the eight strange objects in front of you can also be called the godhead.

Even the entire space where Li Er's consciousness currently resides can be called the Godhead.

But the culprit is not the entire world of gods today.

But divine text.

In terms of divine expression, all of this can be called the godhead.

The only difference is that the lines of the divine characters are slightly different.

What is the Godhead?

The true expression should be that what believers can perceive is something like a grid.

In the perception of believers, what they can feel about their belief in divine magic is a small grid, or in other words, a small hole.

Through these grids, the holes are connected with one's own beliefs.

For the gods, the space in front of them is also equivalent to a grid.

The grids are placed for believers to sense and use, especially various magical spells that priests can directly perform through their belief in the divine power.

Godhead.

eight.

This should be the description of the situation in front of me.

Suppressing waves, controlling snakes, bathing in fire, turning into rain, refining poison, fighting against all kinds of wasteland, and the last and most inconspicuous thing, Li Er almost uses him as the soul of the scraps of wood.

Among them, calming waves, turning rain, and calming souls are magical arts.

But sometimes the boundaries between magic and occult arts are not so clear.

Divine arts that are acquired through one's own cultivation and can be performed through one's own abilities can be called secret arts.

And the secret arts that can be performed by borrowing the divine power of gods can be called divine arts.

These three are almost universal in Li Er's perception.

Controlling snakes and refining poisons obviously have more knowledge attributes.

Because it contains a lot of related knowledge, although there are also parts that require practice and practice.

Bathing in fire is a typical practice method.

As for Zhan Bahuang, it is a typical combat skill.

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