Great Creator
Summary of the plot (spoilers throughout the book, read with caution)
Cautious warning first, this book has a lot of foreshadowing, supported by suspense, if you read this article before reading the whole book, it will seriously damage the reading experience.
Don't read this chapter until you've finished the book!
Don't read this chapter until you've finished the book!
Don't read this chapter until you've finished the book!
If you read this plot summary directly without finishing the book, you will not understand what the book is about. Because I am summing up based on readers who have "read the book".
Friends who have not finished reading the book and are interested in the closing testimonials can go to the "Concluding Testimonials" next door. No spoilers there.
This chapter is neither the main text of the novel nor a side story, there is no specific plot, it is basically a testimonial, and the content is terrible. Please read with a relaxed and happy mood.
Then I'm going to start.
When this book was first written, there was actually no outline.
When it was about 100,000 words, it was time for me to send the contract to Qidian, so I hurriedly compiled an outline and filled it in.
Well, I write happily according to my reading interests, where I write, and I have a general idea of how to develop in the future.
The idea, initially, was two key points.
First, "3D printed objects out of thin air, because I was too idle, I made a computer and designed some artificial intelligence to play with me.".
Second, "I couldn't get out in the early stage, but later I went out and met indigenous humans and became their guides."
Then I connect these two key points, and let the artificial intelligence become an indigenous god.
That's how the original idea took shape.
I mentioned a few words to everyone in the S1 online text group, and I started writing the next day.
After adding branches, leaves and flesh and blood, the story gradually became fuller, and the setting was changed while writing in the middle, details were improved, and new elements were added.
I have only written short and novelettes before, and this is the first time for such a long novel. The way I can think of to form a plot is to add small stories to the main line and string them together like grapes.
Before writing each short story, sometimes I just suddenly have a vague feeling that I want to write such a story, and I write it without any specific plan.
I don't plan too much in advance. Many times, I just sit in front of the keyboard and the story flows out of my hands naturally.
However, I found out later that it really has to be planned in advance.
Otherwise, some stories are really quite off the main line, and they are so confusing that they will die.
Let's talk about the first story first, those plots in the dark.
That paragraph is actually the most thoughtless. I wrote it completely instinctively. It is a reflection of my personal experience. For example, I was reading a mind map tutorial recently, and I just wrote it in, such as schedule planning and diary. , is also what I usually do. And I'm still taking IELTS...
Depression and the like, many people said that the writing was true, and some people even asked me if I had suffered from depression.
To be honest, there was a period of time when I was really in a bad state of mind and couldn't sleep well, so I found a depression scale and did it. It turned out that I was healthy and completely fine, so I checked the depression scale myself. With relevant medical knowledge, it suddenly dawned on me that I was far away from getting sick, and there was no need to go online to meet real patients. Later, I met many real depression patients in S1 and learned about their conditions. By the time it was finally written it seemed real.
As for the state of the protagonist's immersion, I have a deep understanding, because my character is that if I want to do something and want to do it well, I can concentrate on doing one thing for ten days in a day. a couple of hours. Of course, if you are studying, you will be tired. If you are reading books or writing novels and writing papers, you will not be tired. I have tried to write novels from the computer at 5 o'clock in the morning, and kept writing at a speed of 2,000 words per hour until 9:30 in the evening. Feel. As long as I have motivation and goals in my heart, and there is no interference from others, then I can overcome all difficulties and make it to the end. Take writing novels as an example. I know that for many authors, writing 4,000 words a day is a pain in the ass. I didn’t write much at first, but then I found out that others can do it day by day, so I tried to see if I could do it. One day at a time, dizzy and dizzy, and lay down the next day. But I was not discouraged, and continued to try. After practicing, the structure of the brain gradually adapted to this high-intensity and high-pressure state. The last 200,000 words of the book were written in more than half a month during the winter vacation. I wrote more than 10,000 characters, every day, and the highest day I wrote 22,000 characters. In fact, on January 22, I broke my leg and went to the hospital to have an X-ray taken. I had to rely on crutches to walk. But even so I wrote ten thousand words in bed.
If you find it difficult to persist in one thing, you can try this, directly increase your weight, and push yourself to the brink of collapse. You will find that your spirit and brain are really a very flexible thing, and you can press it no matter what , and don’t think about persistence, perseverance, planning and other things, get up every morning, automatically and consciously take your vocabulary, professional books, novels or papers to be written, etc., to your side, and start masturbating, That's it. If you find it hard, take the initiative to find fun in it. For example, when I memorize words, I use the app to memorize them. Scallops, Momo, etc. can be constantly challenged like games, allowing me to memorize 500 words a day. The same is true for reading professional books. I think it is quite good-looking. If it is not good-looking, it must be because the book is not well written, so read another one. Once you find the fun, you can masturbate for more than ten hours a day until you get sleepy at 10 o'clock in the evening and go to bed, get up the next day and continue masturbating for a whole day.
At first you will feel so tired, you will die. But you get used to it slowly, just like in the novel, after getting through the most difficult point, you will feel relaxed later, the human brain is adaptable, and doing a lot of things for a long time can make people happy The efficiency is getting higher and higher, and the pressure resistance is getting stronger and stronger.
I used to take classes in New Oriental, and I quite liked Yu Minhong's inspirational quotes, looking for hope in despair. In fact, if you have experienced a lot in life, you will know that many times you can't see hope at all, and the whole person lives in despair. How to do this? In fact, it means accepting despair, not caring about despair, what to do in daily life, doing what is necessary for survival (going to work, completing studies, etc.), and doing things that you like and are helpful to yourself in other time.
Anyway, despair has to do the same thing, and hope has to do the same thing, so what does it matter whether it is despair or hope? In fact, sometimes people just don’t want their nerves to be too sensitive and delicate. It would be nice to be a single-celled creature with thick nerves.
I won't repeat the main plot, let's talk about the small stories.
When writing a short story, I usually silently decide on a theme of the small story itself. This theme is the purpose of my writing this short story.
The first is the story of Heizi. The theme of this story is "religion", and the private goods in it are of course copied from old horses. By the way, I wrote about the cruel primitive society. I used to read novels, and I found that people often wrote primitive society beautifully, but in reality, of course, it cannot be so beautiful, it must be very cruel.
For the part of primitive society, I have prepared a lot in the early stage, and it is not specially prepared for this book, but I usually read some books on biology and human history, so I understand it better. Later, when I entered the feudal society, my shortcomings became apparent. I needed too much information, and I read very little. I didn’t even finish reading the vulgar book Yi Zhongtian History of China (cover my face), and only read the first 7 books. So from the beginning of the story of Lu Cuo, it seems false...
There are also Shuzi and Xiaohua in this story, and Xiaohua has also become an important female supporting role in the later period. But in the first story, Heizi is the core, he is the promoter of the whole story, and he is also a unique individual, selfish, sinister, ambitious, and thinking beyond the times. It's a pity, the interesting soul weighs 200 pounds, and in the end he also got the ending that a villain should have.
The second story is about dragons and flood control, the establishment of the country. The theme of this story is "sacrificial giving," or giving to the collective. The core is Cao Jiu. His character is consistent throughout the story. When he was a young orphan, he would give his life to save the slightest hope of the folks. After he finally established his immortal achievements and became the king of the human race, he still did not forget his original intention and was willing to use his life to repay the faults of the human race. Of course, I acted as if there was something wrong with it, so that it was very controversial.
The third story is about the famous generals stationed at the border. The theme of this story is "country". In fact, it is a feudal country to be precise (but the era I wrote is not the feudal era). The core character is Lu Cuo. This is true of treacherous ministers, but the content borrows some common phenomena in history.
The protagonist's words and deeds in this story are simply too troll, but in fact he is just tsundere.
From this story, I roughly determined the direction of the future short story... What is wrong is the world, the tragedy of inevitability, the deepest despair, the most painful realization, the power beyond the ordinary, breaking the rules of the world, the fire of life in hell Burning, the protagonist is on the bank of the long river of time, observing the flow of the entire river, and only occasionally intervenes.
And, even in the darkest plots, there are occasional laughs. It's not so much that I deliberately stuff jokes as that I have absolutely no way of avoiding jokes in my novels. Because my laughing point is too low, I often find that there can be a laughing point here when I write, so I write it, and write about myself while hahahahahahaha. This is the daily life of a person with a low point of laughter... As for the problem of the joke destroying the sense of tragedy, I am learning to solve it.
The fourth story is the story of the academy. Everyone should have noticed that the prototype of Ge She here is Confucius, but not entirely. It should be the part where Confucius compiled history books, taught students, and sorted out ancient rituals, but there is no Confucianism. So in the end, Ge She didn't complete Huang Si's original idea.
There's a branch in this story that's completely fairytale-like and ends up being full of adult twists that just don't fit. I can only say that this cat will pay attention in the future, meow!
The theme of the fourth story is "education". Whether it's Ge She's side or Zhong Yin's side, they all revolve around the theme of education. The last pretense is to pretend by the way.
I think education can solve many problems, but people who can be educated and an environment that can be educated are needed. For more information, please refer to some studies related to supporting education by the United Nations. Facts have proved that if people are not made aware of the important role of education, they will rarely take the initiative to receive education, and if they do learn, they will not study hard. The tragic experience of the female supporting role in it is telling about this situation.
There are some transitional chapters in between. In fact, I shouldn't write about the transition, the transition is really messy.
The fifth story is the story of Zhu Yao-Wen Ling. The theme of this story is "truth", and Zhu Yao's prototype is Lao Tzu, but it is not completely written according to historical figures, and I still add factors that I like. To be honest, the story is extremely boring. It is precisely because of this story that I learned to avoid boring later.
Too much theme first is not good.
In the sixth story, Huang Si takes Kong Yu out to play. The theme of this story is "chivalry". Because we are about to enter the era of martial arts, we have this story as a starting point. In fact, I often write the plot around the setting. This is not a good habit, but since I had a lot of fun with the setting in this book, I decided to get rid of this problem until the next book.
By the way, the writing of the plot of Kong Yu is also the turning point for me to completely solve the insomnia caused by Calvin, because I figured out why I have to self-torture to tinker with the last one when I write about my favorite characters and plots. What about the boring and difficult content of the story? Just take it easy. And because I am a lolicon... so there is a cute little Kongyu.
However, the supporting characters in it seem a bit flat and unreal, which, to be honest, is mainly because I changed the plot too many times. I completely forgot how to write it later... I started a tough plot.
The sixth story, the story of Firefox. A very small story, told in an outlined manner. The theme of Mo De is mainly to satirize love across races.
The seventh story is Zhou Xia's story. This story is relatively large, and it is also the first time that I have planned to write a longer plot with more twists and turns. Zhou Xia’s prototype is Zhuangzi, and of course I also added my personal interests. From the very beginning, I declared in the group that I wanted to write about the beautiful girl of the sword fairy, and I wanted to let her die several times in order to conform to the book "Zhuangzi" content—especially in line with the content of Lu Xun's short story "Qi Si". In the end, because it was too miserable, she was only allowed to die once. It’s just this time that readers protested, blah blah. So I learned not to casually kill innocent, cute, brave and upright beautiful girls. The reason why the plot seems a bit wrong is because I decided to let her die once from the beginning, and I forced the plot to pass...
The theme of this story is "obsession that even death can't kill", or simply "freedom".
Has Zhou Xia finally been free? certainly. Because Huang Si didn't bother to care about her. She is also a great hero and has special privileges. She can't just go to the Three Realms and the human world except the Demon Realm, she can go wherever she wants.
The eighth story, the story of the historian. This story is not long, and it appears as a turning point in the middle of two large volumes. However, this is a story that I do enjoy. The theme of this story is "historical perspective". People with different amounts of information view history in different ways.
There is a little bit of the end of Wen Ling and Zhou Xia's story behind the historian's story, just to give them an ending. At the same time, the skill of quantitative eye is introduced.
Afterwards, there will be Beixuan's personal return. Beixuan has never had a sense of existence before. In fact, I have already decided on his role. He is a role in the middle and late stages, and he is also a natural leader.
From now on, we will still follow the main line, and Gu Yan will talk about the higher life. In fact, the story of higher life is the biggest foreshadowing behind the plot of this book. Of course, the process of the two secret realms here is really too watery.
Then there was another section of the main line that was not good enough, about the management of the Three Realms.
Next is the main line of the balancer. The main line of the mission system.
The ninth story, the story of the real martial arts society, I planned for a long time, trying to write a plot with three fronts going hand in hand. It feels good to write it out. At this time, I felt that the protagonist was too omnipotent, thrown into the human world and severely disrupted the balance, so I restricted him and made him only able to do limited things. In this way, he can live in the world in the same way as ordinary people. The three lines of this story, the lines of Huang Si and Mishui are bright and warm, so they merged in the middle period, and the lines of Song Hong and Xiaoqiu were too miserable, so they merged at the latest. The core characters in this story are Guan Meng, Song Hong, and Xiao Qiu. Guan Meng's character is a bit complicated. On the one hand, she has a firm belief, but on the other hand, her belief is too pure to stand the test. . I think Guan Meng is quite cute, so her plot is more funny.
Xiaoqiu, it's too miserable, all kinds of misery, and it's getting worse and worse. But only Xiaoqiu's plot reveals the essence of this novel as a science fiction... In normal martial arts novels, eating heaven, material and earth treasures will not cause acute radiation sickness. There are traces of the five-star story Aokesuo in Xiaoqiu's story, but it is estimated that not many people know about it, after all, it has been an old manga for so many years.
Song Hong is not worth mentioning, he doesn't like this kind of man very much. Xiaoqiu can't help it, the chick complex, the suspension bridge effect. Apart from Xiaoqiu, I thought that no woman would fall in love with him. Zhou Xia didn't take him seriously, she just gave him skills to let him take care of other people, especially Mi Shui.
I actually like Lu Cheng and Guan Ming, the two male supporting roles. One is a big boss, who looks stupid, but is actually quite capable, and the other is an old fritter.
The theme of this story is... Forget it, actually there is no theme. If I really want to say it, I am afraid that you will hit me, because my idea is too troll. I just want to express the contrast between the three lines. Song Hong Xiaoqiu is a romantic drama, Mi Shui's final tone is funny, and Huang Siguanmeng has a theme, which is faith. Guan Meng is really unlucky to meet a god like Huang Si.
After that comes a bunch of mainlines.
The tenth story, this is the follow-up plot of Guan Meng, but this is an independent story with a theme.
The theme of this story is "faith". The source of this theme is the branch plot of the seventh epic of the mobile game "The Memorial of the Saint". Of course, I did not draw on the plot itself, but only on the divergent views of human beings on the belief in gods. Do you believe in gods wholeheartedly and entrust your destiny to the gods you believe in; or do you think that gods are not necessarily reliable and are determined to create a path with your own hands? Whether in the game or in my novel, the correct path is actually the former, but if it were you and me, how would you choose? Can we really stick to our faith without reservation and entrust our destiny to the unpredictable gods? Of course not, no. Therefore, whether it is Guan Meng's brother who left the gods to survive alone, or the actions of the villains in the seventh epic "Memory for the Holy Maiden", in my opinion, they are all very understandable. This creates a contradiction.
However, in literary works, everything depends on the world setting. The world is set to have a true god, and the true god cares for the world, then the former is the correct approach, and the latter will automatically become a villain.
Then the main line, the ambush pen. Lighthouse, balancer.
In the eleventh story, the war between the heaven and the demon world ends. I didn't write about the Millennium War in detail, but I could actually write about it carefully, but at that time, I was too busy. In fact, the martial arts story is one of the most well-prepared and carefully written stories I have ever written. But then there are exams, academic chores, etc., and I don't have the time and energy to prepare the plot carefully, and I'm not very good at wars and battles. At that time, both my mother and my tutor were urging me to finish it as soon as possible, and I had to hurry up to do academic work.... So in fact, since the Millennium War, I have been catching up with the plot in large sections, and only occasionally stopped to write a short story.
The core characters of this story are the son of the cheating mother, and Kong Yu. Sora is just too cute. This story is very short, and the previous plot blockbusters have nothing to do with the conflict, they are all about the situation in the heavens, so writing a story around the setting is like this...it really shouldn't be.
The theme of this story is "hate".
Then there is the story of the protagonist being a troll on the forum.
The stalks played here are all Chuanhuang stalks, including all kinds of remarks that Chuanhuang usually likes to say, such as the fact that there is no freedom of speech in the United States, MAGA, even Chuanhuang’s Twitter was blocked, and the incident of Twitter fire Secretary of State was also moved by me Once again, it can be seen that I am the true love (black) fan of Chuan Huang. My first book, I can play however I want, and I won’t mess around with the next book... I feel like playing too much is easy to 404.
Then Beixuan returned personally. No theme.
In the twelfth story, the story of sailing, the core character is Gu Jing. There probably isn’t a theme, it’s mainly because I thought of writing about the technological progress of the human race.
Huang Si is really a foodie. Resurrected from the dead for a string of oysters.
Then came the main line of the aura world, entering the age of fairy tales. Because I didn't bring the reference materials I read with me, Xianxia assumed that I was tinkering with it myself.
The thirteenth story, the story of Dragon Ball and Doctor. The core character is peace, and the theme is "people". It contains elements such as peasant uprising, religion, medicine, fairy tales and so on. As I was writing, I wanted to be in a hurry again, so the rest is really a bit brief. By the way, the previous plot was borrowed from "The Legend of the Eight Immortals", and I didn't even change the name Pinghe. It's just that the plot and setting have been changed a lot by me. Because I think the original plot makes people feel like shit.
In "The Legend of the Eight Immortals", Pinghe ate the dragon pill and turned it into a dragon. In order to prevent this from happening (besides, that thing is an artifact, not a real dragon pill), Huang Si deliberately put the The beads were made bigger than a human's throat, and no one could eat them now!
The habit of human beings is to eat everything, except for airplanes with wings and stools for four-legged ones. Cantonese still eat Fujianese!
In my setting at the beginning, Ping He's experience was even worse than the current one. Both his mother and his friends died on the day the city was destroyed and the country was destroyed. Dreams are beautiful, but in reality there are things he needs to do, so he must wake up. However, if in reality the person who needs his rescue has died and the country has perished, then should he wake up? Waking up to face a reality worse than death?
need.
Even if the reality makes life worse than death, people have to wake up from their dreams and face it all. this is the truth.
However, I couldn't bear to abuse him later, so I saved his mother and his friends.
Back to the topic, how can the people be saved? Studying medicine can’t save us, and neither can religion. In ancient society as a whole, it can’t be saved. It still depends on improving productivity and developing the economy (Marx’s face)! Huang Si talked with Wen Ling about this, the poor cannot escape the poverty trap, and ancient society is a cyclical process.
Behind is the main line. Until the story of Yingming.
Because I really don't have time, so I seldom branch out, and I just catch up with the progress of the main line.
The fourteenth story, the story of Yingming. The theme of this story is "sin".
Is the child of a third party sinful at birth? Yes, there is original sin in nature. But in the whole story, who is the source of the evil? Isn't it Yingming's father? Without his cheating, there would be no tragedy and pain in the future, his wife would not have to persecute his concubine, and Yingming would not have to suffer such a tragic fate. It is true that the main family who killed Yingming's mother and Yingming himself committed a heinous crime, but the indifference of the inaction father is even more terrifying. Yingming was actually at fault, and his fault was cowardice and evasion. Fortunately, he was finally brave once under the encouragement of his master.
The fifteenth story, the story of Bingberry. There is no theme to this story, but I think Huang Si is very suitable as a teacher, after all, he is quite knowledgeable. If you really want to find an implicit theme, it is probably "educational psychology". Whether it is her getting along with her grandfather, or the tragic childhood symbolized by the scary castle in the dream, they all reflect the theme of children's education.
After telling the fifteen side stories, let's talk about the main story.
The foreshadowing of this book has been laid since the first chapter, and I will briefly summarize it.
In the first chapter, Huang Si crossed over. After he was stunned by the soul fragment "Chu", his parents rushed to save him, but the Book of Creation judged that the self-made higher life was approaching, and it was extremely dangerous, so he was sent immediately. to the legacy space. This is where it all started.
Chapter 6, Huang Si's illustrated book in the book is 102 pages. This should be the most obvious foreshadowing in the early stage. As I'll mention many times later, the Pokédex for other creatures never exceeds one page, and neither does any race. Huang Si's illustration book has 102 pages. He is definitely a species that is very different from the human race.
At this time, Huang Si's state is a superimposed state of dual forms, appearing as a human being, and so are his parents.
The Elders sacrificed four high-level lives, and used a special method to superimpose human forms on Huang Jia and Shen Jing, making them a dual form of life. As the son of the two, Huang Si inherited this feature and also has dual forms. It's just that his age is too young for a higher life, and he can only appear in the form of a human on earth. By the end of the book, he has no way to change.... (In the final analysis, it is still too good.)
In Chapter 35, Huang Si discovered that artificial intelligence also has a soul, and it has become a special form of life. This is actually because his advanced life specialty is "soul" plus "life". Originally, he had only one specialty, and the Elder Council set it to be the soul. Later, he inherited the inheritance of the Lord of Creation to produce the second specialty. Ordinary people cannot create artificial intelligence life. Huang Si can do it because he is not a human being, but an advanced life with dual specialties of soul and life. Twelve AI beings were born under his unintentional influence.
Chapter 60, the first time I met Gu Yan, the two had a conversation about appearance. I think this foreshadowing also has a clear direction, but most people read the text quickly and pass by without paying attention to that sentence. But I have a hint later that there is a problem here, and readers will notice it if they turn the book back. Huang Si's birth was the result of careful design, so his appearance was very similar to Gu Yan's race.
In Chapter 64, the core of the world has become life, and it has the characteristics of personification, and the reason is also related to Huang Si. The green world is really too small, Huang Si stayed there for a while, his specialty "soul + life" affected the world itself, causing the core of the world to evolve into an independent life.
The core of the world was actually just born during that time, so it was extremely naive and didn't understand anything. It can indeed be regarded as Huang Si's child. Huang Si thought he was lying to it, but in fact he was not. He is really the father of the core of the world...
The core of the world originally had a side plot, and it was a three-person plot with Kong Yu and Shi Fang, but I felt that the writing was too deviated from the main line, and I cut off 10,000 characters.
In Chapter 68, Gu Yan was very surprised to find that Huang Si's soul was promoted too fast.
At this time, he hadn't noticed the problem on page 102 of the illustrated book, and Gu Yan discovered it very late. It was the discovery of the problem in the illustrated book that made him confirm that Huang Si was actually a higher life, but it was a done deal, and he didn't want to say it .
Chapter 209 finally begins to talk about the history of the Lord of Creation. Here is the background of the whole plot. In fact, there was also a foreshadowing. Huang Si told Gu Yan that he felt that the beliefs of the two factions were very good and could be integrated seamlessly. He was open-minded and thought that the two factions could be united and prosper together, which nearly drove Gu Yan to death.
In fact, the masters of creation in the past dynasties are all firm creators. Huang Si’s difference already implies that his true identity has his own standpoint-he is a higher life and the master of creation at the same time. He can accept both schools at the same time. This is the opportunity for the two factions to unite.
Chapter 226, I want to go home. This is not a foreshadowing. Huang Si's family relationship is really good. So that he was in a hurry to go back.
Chapter 302. At this time, Gu Yan has discovered the truth. The essence of the sixteenth Lord of Creation is a higher life, and it is very likely that the whole thing is a conspiracy by the faction. He saw with his own eyes that the inheritance of the Lord of Creation seemed to be It is very painful to cut off. However, he could see that Huang Si himself didn't know, and he couldn't blame a child who didn't know and could be called kind. What's more, Huang Si cares about Gu Yan very much.
Emotions are two-way. Gu Yan hates higher life, but he can't hate Huang Si, so he can only persuade him not to return to Earth.
Here, it is emphasized again that Huang Si's own illustration book is 102 pages, and no other creatures have more than one page at all. Very obvious clues, of course, I covered it up.
Chapter 313, the last clue given by Gu Yan: the first sentence of the meeting, your picture book. Gu Yan said that if you can guess it, please don't feel guilty. It is because Huang Si himself did nothing wrong, but his identity determines that his existence is a major threat to the inheritance of the Lord of Creation, but Gu Yan does not want to harm him, and even wants to help him, because Gu Yan has teachers and students for him. Love, but also friendship, he sees Huang Si's character in his eyes, and doesn't want him to die.
After that, Huang Si made a lot of guesses, but he couldn't guess the truth.
Chapter 402, Computer Science. It is mentioned here that the professional direction was chosen by Huang Si's parents. In fact, his parents did it on purpose, because this major is indeed helpful to the creation of the world. The professional habits of computers will involve the low-level code writing and the interface between different layers.
Chapter 465, Jieyuan Auction House login interface. In fact, Huang Si can log in automatically if he tries to click the automatic entry button of "Advanced Life Special". Too bad he never thought of trying it.
Chapter 467, Foreshadowing. In fact, Huang Si will not be killed by the power of the source, he also has the power of the source, and although he is young, the power of the source is stronger than the "Supreme", which is already weak, a higher life, after all He is the son of two strong men. When the godhead blew himself up, his instinct protected him. . It can only be said that Zhigao's calculations were too precise, and he didn't leave a way out. He didn't think that Huang Si would rather die than drag him into the water. Huang Si is the kind of character who never shrinks back and compromises when things happen, and can be cruel to herself.
The protagonist's personality is partially influenced by his race.
In the previous battles against the Lord of Creation, the reason why so many high-level life forms died was mostly because only the power of the source was the best weapon to use, so many high-level life forms blew themselves up directly.
When I asked Gu Yan to talk about history before, I mentioned that higher life has no desires, but to find the meaning of life, so I have faith. Because they have few desires, they will dedicate their lives to their beliefs.
The person by the river is Hua Ye, the master of the first generation of creation and the creator of the book of creation.
He knows that Huang Si is a higher life, but he also silently observes his life, knowing that his parents love him very much, and that Huang Si is open-minded and firm-willed, and will not be influenced by the elders of the self-owning faction. Not bad, so give him a hand.
Originally, I planned to write a side story with Hua Ye as the villain, but I couldn't write it... I'll see when I want to write it later.
At that time, if Hua Ye didn't help him restore his godhead, the spiritual universe would collapse immediately, and everyone else would die except for Huang Si himself.
PS, although the supreme phantom is a woman, it has no gender. Higher beings have no gender, because they have no reproductive ability, and naturally there is no need to distinguish between sexes. The higher life forms of Huang Si's parents also have no gender. Only the human form has gender.
Chapter 469, it's too difficult for me. I conceived this plot point when I was 20W characters, and I just wrote it now. Huang Si's parents have been looking for him all the time, and they bought the trumpet from Jieyuan Auction House. Although it is said that one person has one number, this user can also be someone else. Parents and mothers randomly find a few gods they know. They don’t need to use the auction house. Let them help register the auction house, fill in the user name in Chinese, and then help put the goods on the shelves.
By the way, so many worthless small commodities with a price of 10G are put on the shelves, which really disturbs the order of the auction house. Fortunately, the auction house is operated by artificial intelligence, and only checks for fake and shoddy goods that violate the trading order, and does not check for disorderly listings. Case. Otherwise, the trumpet would have been banned long ago...
In Chapter 470, Huang Si discovered the truth, but his thinking was in the wrong direction, thinking that he was a pinched prop. In fact, if he was a prop, Gu Yan wouldn't be so worried. The main reason why Gu Yan became so worried was because he discovered that Huang Si himself is a higher life. At that time, Gu Yan didn't know why Huang Si didn't know his identity at all, and also looked like a human being. So he didn't say anything.
Chapter 473, at first the old couple didn't notice that Huang Si had arrived on Earth, and they didn't resume the paused time in time. Later, when Huang Si's mental force field unfolded, his father found out and quickly recovered, and the two pretended nothing happened.
The reason why Huang Si's father bought Erguotou in the supermarket downstairs was actually because he found out that his son was back, so he specially bought a bottle of wine to celebrate with him.
The old couple pretended not to know anything, but they were actually very happy. His mother also specially bought spare ribs and made them for her son.
Chapter 474, Shen Jing knew that her son liked roast pork ribs with citrus mushrooms the most, so she bought them specially. All over the country, many places do not have the habit of eating shiitake mushrooms. Jiangsu, Zhejiang and Shanghai eat more here. And some people don't like to eat shiitake mushrooms very much, because it feels astringent, but I like it very much. But because of the astringency, it is generally used to burn pork belly. There are very few cases of burning ribs.
Chapter 479, The reason why the old couple are not willing to go to cultivate immortals is because they are afraid of revealing their secrets. In fact, the talent of cultivating immortals is related to the strength of the soul. A powerful soul will inadvertently gather aura. The soul strength of the old couple is actually stronger than that of Huang Si, so in order to avoid revealing their secrets, the old couple usually keeps the aura in the air. Such a state outside the body. If you don't reject them, their human form will really ascend to Immortal Emperor in minutes, faster than Huang Si. Later, Huang Si kindly wanted to pour spiritual energy into them, but the two forgot about it. Huang Si found out that the spiritual energy could not penetrate, so he revealed his secrets. Although the two made amends in time and wanted to pretend it didn't happen, Huang Si still noticed it.
Chapter 481, Huang Si is too preconceived. In fact, the kindergarten can't see it because he is also a higher life. If he went to the middle school and university he studied, and the place where he worked, he would find that he couldn't see it. Because the personality of divine arts is lower than that of higher beings, they cannot see higher beings. He only noticed that his parents were higher life forms, but he didn't notice that he was too.
In the finale chapter, in fact, Hua Ye is considered to be the main combat faction, the first elder is considered to be the peace faction, and the second and third elders are both the main combat faction.
The Great Elder wanted a peaceful solution, but the others were not happy, so they fought. In the end, Hua Ye still died, and the Great Elder was very heartbroken.
Later, I learned from Huang Si that Hua Ye was still living in negative time, but the elder was actually very happy.
Negative time is not going to be written in this article. Leave it to Gu Yan's exclusive episode.
That's pretty much all the foreshadowing.
The identity of the protagonist has been hinted at desperately from the very beginning, but if it is not connected later, it is impossible to think that it will be a foreshadowing. To be honest, it took me more than half a year to write the truth behind this, and it was quite difficult for me... I really wanted to give spoilers to someone halfway through.
But this is a foreshadowing that must not be spoiled. Parents are the enemy faction, and my own identity also has a hostile position. No one can accept it.
In fact, Jieyuan Auction House has the clue of the coordinates of the earth. I planned it a long time ago. At that time, I just wrote more than 50 W.
At that time, it was planned to be placed in the position of 700,000 words, and then there will be 300,000 words in the follow-up, just a million copies.
As a result... Mo didn't expect, alas, the writing became longer and longer.
I always want to write as fully as possible, so the plot is constantly delayed.
In the later period, in order to finish writing as soon as possible, I had to rush to catch up with the progress. Higher life forms appeared as bosses early and returned to Earth early.
The original plan was to write a few more dungeons in Jieyuan to upgrade a level, but the result was that he returned to Earth before the level was completed.
The original plan was to forcibly prevent the parents from escaping, and to put them under house arrest and slowly persuade them. Later, I found out that this kind of portrait is really...not in line with the original setting of a good family relationship.
It just so happened that Huang Si was still good at returning to Earth just after he was a novice, so he simply changed to a slightly more flexible way to deal with the parent-child relationship.
In terms of the main plot, I wrote two places where I cried. One is where Huang Si found out that Gu Yan knew the truth, and he finally realized the teacher's love for him. I grew up in the school system, and my relatives are also teachers. I have a very deep understanding of the relationship between teachers and students. I know that a good teacher’s love for his students is really selfless, and he is good for the students wholeheartedly. Will give a lot for his students. There is a saying that there is no discrimination in teaching. In fact, a truly great and kind teacher does not care too much about who the students are. He not only educates knowledge, but also teaches how to behave. He is a real engineer of the soul. I wrote out the teacher in my heart, which is the image of Gu Yan.
Another point is the relationship between Huang Si and his parents. In fact, parents and children often have various misunderstandings, quarrel, escape, and hurt each other, but the love between them is inseparable. Huang Si still chose to take the initiative to communicate and eliminate the estrangement when faced with the possibility that his parents may have been lying to him, and that both parents may be enemies. When the parents were avoiding all this, they chased after them desperately and tried to resolve the relationship. In the end, he also won the victory, and the family reunited.
I thought about the ending of this story long, long ago, when the book had less than 200,000 words, and I have hinted at it many times.
Huang Si has a very good relationship with his parents, and his parents also sincerely love and respect him. The relationship between them is the power to overcome estrangement and hatred.
Gu Yan has said to Huang Si many times that he does not want him to take revenge, but wants him to live a good life. In fact, it leads to the ending of the two factions eliminating hatred in the future.
And it's impossible for Huang Si to let go of Gu Yan, so almost all of his time will be spent on researching how to revive Gu Yan.
By the way, there are two ways to measure the strength of a higher life form. One is the standard strength, which is equivalent to its own strength. Higher life forms have their own attack and defense methods, as well as many special abilities. I didn't expand on this point. But it does exist. The group of higher beings in the Elder Council can be said to be the group with the strongest standard strength, and the strongest among them is the Great Elder. The standard strength of Huang Jia and Shen Jing is about the same as that of the third elder, and the second elder is slightly stronger than the two of them. The standard strength of "Supreme" is very weak, it can be regarded as the weakest high-level life form, it has almost no attack and defense ability, and no special ability, it can only use psychic attack.
The second is expertise strength. It is related to the type of specialty direction. Time and space are the two strongest specialties. Therefore, Huang Si's parents are much stronger than most of the high-level beings in the Elders' Council. From the perspective of advanced life, Huang Si's specialties are not very good. The two specialties of soul and life belong to auxiliary specialties, and they have no combat ability. In fact, until the end of the book, none of his abilities are combat-related. (This is also mainly because the author of this book can't write about combat.)
His parents ran away mainly because they didn't want to confront him head-on. If the family really fought, Huang Si couldn't beat his parents.
But as the master of creation, he still has a lot of room for growth, and he will not be limited by expertise, and can study any field.
Huang Si has no standard strength until the end of the book, because his advanced life form has not yet awakened, and it is actually about to awaken by the end of the chapter. At this time, Jie Yuan can't hurt him much. Only after awakening will there be standard strength, and now it all depends on the inheritance of the Lord of Creation.
Also, the protagonist of this book is actually reproductively isolated from all the female characters in this book... This is close to the original intention of this book without a heroine. The reason is very simple, because he is a higher life, and higher life has no fertility, and It is no longer possible to sacrifice other higher life forms in order to cultivate offspring, and there is no need for this. The protagonist doesn't really need offspring or anything. The population of higher life is born very strong, and its lifespan is endless. It is normal for them to have no reproductive ability and no corresponding desire. As for Huang Si liking the wives of the two-dimensional paper man, it is only because he is an otaku with normal hobbies. In my setting, he likes to play two-dimensional mobile games like most of the two-dimensional mobile games. A bit of lolicon (limited to 2D, not involving 3D), and will also play mainstream games such as King of Glory League of Legends with friends.
Summarize the pros and cons of the plot of the book.
This is the newcomer's first full-length novel, and of course it is full of various flaws.
One of the problems is that the foreshadowing is buried for too long, and it is too inconspicuous. The clues at the beginning are only recovered at the end after a million words, which is terrible.
The second problem is that the writing of the supporting characters is too many and complicated, some of the characters are relatively unsuccessful, and the interaction between the characters is not realistic enough. This is indeed my big problem. However, this is not because I am not serious about writing, but because I don't know how to pinch people.... I have been reading and studying recently, and it should change in the future.
The third problem is that the character of the protagonist is not unified before and after. This is mainly because I write the text too casually. At the beginning, I didn’t have a particularly clear character creation for the protagonist. I just wanted to write a cool and awesome protagonist, so I wrote There will be many descriptions of indifference and cruelty. Its essence is probably the refraction of the middle school complex in my heart. Well, in the final analysis, I am still immature, I have noticed this, don't let your secondary school interest wander when writing a book (cover your face deeply...).
The later stage is also very casual. I judge what the protagonist does according to my instincts, or I follow the plot completely, and I don’t pay much attention to image shaping. What's more, let's use my own habits as an example. In fact, the person who doesn't know me the least is me. The consequence of doing this is to write the character of the protagonist very erratically.
In the initial setting, Huang Si is a bit arrogant, with a hard mouth and a soft heart, a straight man of steel, with a low EQ and a high IQ, it probably feels like this... As for not shaping it well, it is indeed inexperienced and willful.
The fourth problem is the direction of the plot. In fact, this book is not a creation text. Although the title of the book gives people such an illusion, but the direction I set at the beginning was invincible flow + behind-the-scenes text, but as I wrote it, it was in front of the scene. I was also thinking, why is this, I'm out of control....
I read too few behind-the-scenes articles. To be precise, I read too few new Internet articles in recent years. But I really like this genre, maybe it has something to do with my liking to play strategy games. My book is also written along the line of Civilization 4. Including cutting population, robbing miracles, climbing technology and so on... There will be some shadows in the book. Since I finished writing, I have been reading other people's books to make up lessons.
My positioning of the protagonist is a strategy game player, although it may not be well reflected, and the real world is also different from the game world that can continuously save and read files. Regarding these, if I still write about the subject of behind-the-scenes in the future, I will try my best to coordinate.
According to the opinions of the author friends in the group, this book should be written directly as a science and technology farming article, creating some special biological forms, climbing black technology trees, and so on. The issue is! I have been away from science for a long time! I used to be a tech enthusiast who used magazines like Scientific American as casual reading, but since I started studying liberal arts, I've become lazy. I don't read the latest technology information often, and I don't teach myself science and engineering. Knowledge, I am already a useless cat! (I will definitely make up for it in the future!)
The fifth problem is dealing with emotions. The tone of this book at the beginning is that there is no heroine, and there is no emotional line other than family and friendship, but I almost couldn't restrain it in the middle. Fortunately, some unknown sense of responsibility kept me in control. I promised to have no heroine at the beginning, and there must be no heroine until the end. The emotional line is unpredictable, and the ending is to return to the family. However, due to the author's lack of experience, the writing is still very immature. This will be improved in the future.
The sixth problem is that there is no villain, no danger, no tension, and no persistent main line. Some people told me that time travel texts generally don't take home as the ultimate goal, but I have already used it... Not only that, but going back is the main line of this article and an important plot element. What can I do? I have committed a lot of taboos (covering my face).
My good gay friend told me that it would be easy to collapse without a villain plot, and it is true.
Avoid it in the next book!
The seventh fault is that there is no detailed planning, and every thought is one. And many of the plots are thunderous and poisonous... It's really because I wrote them without thinking about them.
The eighth problem is that there are too many private goods, and the preaching element is too strong, but the plot is not well planned.
Thank you very much for supporting me who is so immature. It is you who let me learn a lot.
In the next book, I will definitely not make so many mistakes again!
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