Hollywood: Great Directors Starting with Saw

Just like Chinese, Americans are faceblind to Asians.

At the beginning, the use of Asians as the protagonists surprised some Americans, in their cognition, an American movie, from the beginning should start with the American story.

However, out of trust in Steve Kevin, these audiences temporarily put aside the doubts in their hearts, followed the story in the movie, and began to immerse themselves in the movie.

In the beginning story of the movie, Ambassador Han was hated by the criminal group as a police officer as a police officer before becoming an ambassador and being stationed in the United States.

When they learned that Ambassador Han had been sent to the United States out of state protection, the criminal groups immediately understood that this was the best time for them to take revenge.

Therefore, he instructed his men to kidnap Ambassador Han's daughter and extort a ransom of $50 million.

After learning of this, the FBI launched a full investigation.

However, Ambassador Han knew that the efficiency of the US police was very average, and he insisted on sending his old partner in Hong Kong, Inspector Lee, to help the FBI solve the case.

For the sake of its own face, the FBI decided to obstruct Inspector Lee from solving the case first, so it sent Carter, a troubled detective with the constant situation of the New York Police Department, to drag Officer Lee back.

Through editing and lens language, just a short plot at the beginning brings the audience into the world constructed by the film.

At the same time, it pulls up the audience's sense of anticipation.

The audience stared at the big screen, waiting for the follow-up, how the two police officers of China and the United States cracked the case and saved Ambassador Han's daughter.

The story rhythm of commercial films is often like this, which can only be said to be decent at peak moments.

Whether it can impress the audience and gain the reputation of the audience depends on whether the various arrangements behind are reasonable.

Soon, the plot entered the official stage.

Officer Lee and Carter, two happy and wrongdoers, couldn't look at each other from the beginning, and Carter was even more crazy and mocking.

Later, Officer Li used his kung fu to save Carter from the pursuit of the criminal group, so that the relationship between the two became harmonious.

The two then worked together to rescue Ambassador Han's daughter.

The context of the story is very clear, it is the story of two police officers solving the case.

But this ordinary story, in Jackie Chan's actions and Jim Carrey's funny skills, turns decay into magic.

It became very interesting.

This is exactly the credit of the director and the actor together.

This is how a good movie is born, and as for the script, it is less important for such a commercial blockbuster.

What matters is the kung fu of Jackie Chan as an actor, Jim Carrey's funny skills, and the ability of the two directors, Mitt and Zack Snyder, to blend the scenes of the two of them harmoniously.

More than an hour, no pee spots all the time.

Let the audience experience a visual feast from beginning to end.

At the end of the movie, Jackie Chan immediately looked nervously at the audience behind him.

If the film fails, he can obediently go back to Hong Kong.

Several times I want to enter the Hollywood market, and among them, I have succeeded in a red fan area, if the rush hour can continue to succeed.

It shows that his set of kung fu comedies Americans also like, then he can continue to wander in Hollywood.

Otherwise, then he can only obediently return to the small place in Hong Kong to dominate the king.

····

The audience was silent for a few seconds, until an audience member stood up and applauded, and the applause crackled like a lit cannonball.

"Congratulations, Jack Chen, it seems that this movie of yours has conquered the audience."

"And, of course, you, Jim Carrey."

Kevin congratulated Jackie Chan and Jim Carrey.

This kind of applause, only if the audience likes the movie, will do it.

Through this part of the applause, Kevin knew that the box office success of the film at Rush Hour.

Americans will not easily applaud the Chinese, and this movie with the Chinese as the protagonist, even if it is only one-half, can get the applause of these Americans.

It shows that Jackie Chan successfully conquered this part of the audience.

Jackie Chan also had a smile on his face.

"Thank you, Kevin!"

Although he is the protagonist, and is such a distinctive protagonist, he has a great influence on the film.

But Kevin as an investor, as well as a producer, and a screenwriter.

The impact on this movie is also huge, and it can be said that Kevin takes 70% of the credit.

The rest of him and Jim Carrey, and two directors are equally divided.

"Okay, now thank the audience, and then everyone go home and rest, the box office will come out in two days, if there is a surprise, I will give you red envelopes."

Subsequently, the main creative team thanked the audience and handed out some gifts, and the premiere officially ended.

The scheduling of rush hour has also begun to be launched one after another.

Some audiences walked into the cinema and felt the excitement of action blockbusters.

Under Kevin's guidance, the action scenes of this movie, compared with the original, have added some first visuals, so that the audience can truly experience the thrill of these climbs.

Make this action scene more brilliant than the original.

Many viewers, in order to experience this feeling, began to brush the second brush.

However, as a simple commercial blockbuster, it mainly relies on new audiences.

....

Inside Warner Bros.

Robinoff, looking at the staff, brought a word-of-mouth survey of the recently released film.

I couldn't help but let out a long sigh.

"Steve Kevin, still that Steve Kevin, still has a unique vision."

"Whether it's investment or as a director, it's so successful."

"Gerry, in the future, any of our films must avoid the schedule of Steve Kevin's investment and filming."

Among the executives, Gerry, who was responsible for communicating with the theater, nodded, deeply agreeing with the president's opinion.

Steve Kevin, through his success after success, successfully dispelled the idea that various film companies occupied the best schedule for him.

No way, my own movie can't beat.

Fighting hard is equivalent to losing money, and no one can stand it.

Not only Warner Bros., but also other studios are talking about this kind of problem.

In the speechless, everyone reached a tacit agreement, temporarily let go of Steve Kevin's movie, not to be an enemy of him.

The current Steve Kevin is obviously staying at the peak of his creation, and other directors have also had this period.

In such times, how to do it, how to succeed.

But no director will always succeed.

Everyone quietly waited for Kevin's most powerful period to pass.