Hollywood Road

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There was silence in the humble temporary office. Jessica Chastain explained what happened just now. She just looked at Murphy. Murphy frowned slightly and didn't say anything right away. The Israeli woman sitting next to him , looked a little angry, but kept quiet seeing that Murphy didn't move.

"Jesse," Murphy finally said, "are you sure it's Sheriff Gatlin Collins?"

"Yes!" Jessica Chastain said firmly, "I fully confirm this!"

Murphy stood up and took two steps back and forth, as if thinking about countermeasures.

Jessica Chastain first looked at Gal Gadot, she frowned, and then looked at Murphy. This is not the first time she has turned to Murphy. She once chose between her agent and Murphy. Murphy, and then in exchange for the highest peak of his career so far...

"Thank you, Jesse."

If you pay, you will get something in return. Maybe Murphy is not a good person, but most of the time he still follows this rule. He nodded to Jessica Chastain and said, "Have you changed your mobile phone number?"

Of course, Jessica Chastain could understand the meaning of Murphy's words, and said quickly, "It was changed once."

"Give me your contact information."

Hearing what Murphy said, Jessica Chastain took out a piece of paper from her handbag and handed it to Murphy. Murphy took it and handed it to Gal Gadot behind, who also understood what Murphy meant. , Put away the piece of paper with only a string of numbers written on it.

Murphy said to Jessica Chastain again, "Keep your phone on."

"Ok."

Jessica Chastain nodded, knowing that it was time to leave, and said, "Then I will take my leave first, and if you still need it, please call me."

She left the warehouse set in no time.

After getting in the car, Jessica Chastain breathed a sigh of relief, because she had been Murphy's assistant before, and she knew some of Murphy's ways of doing things, and it didn't seem that much had changed now.

I should be able to get a generous return, right?

After seeing off Jessica Chastain and returning to Murphy's temporary office, I saw Murphy sitting there quietly, probably thinking about what Jessica Chastain said, she didn't interrupt Murphy's thoughts , but sat by and waited quietly.

After more than five minutes, seeing Murphy's frown loosened, Gal Gadot asked, "Is it troublesome?"

"It's okay," Murphy shook his head and said, "He can't find anything."

"No wonder the source of the bullet threat letter has never been found," Gal Gadot suddenly realized, "It turns out that there is something wrong with the police officer in charge of the case."

She couldn't help but asked curiously: "What did you do back then to be caught and not let go?"

Murphy smiled, and just as he was about to say something, Gal Gadot said again, "Forget it, let's not talk about it, the fewer people who know about this kind of thing, the better, it's better to rot in your stomach."

She knew very well that what Murphy did back then was definitely not very glorious, maybe it was the kind of thing that would die at the sight of the light.

Now that Gal Gadot said so, Murphy swallowed back the edited words. In fact, even if the Sheriff Gatlin Collins really went to investigate, he would actually find nothing, let alone Jessica Chastain With Carey Mulligan, even Karafis didn't know exactly what happened.

What Carafes saw was the final result, and he had no idea how he did it in the middle. Murphy never told her in detail.

However, being investigated in private like this would make anyone feel uncomfortable.

So, Murphy said again, "Gail, I'm going to work, you can call Bill and Robert for me, and ask them to come to our house tonight."

A bunch of people on the crew were still waiting, handing over these matters to Gal Gadot, and Murphy returned to the filming.

With Murphy back on set, filming began again, this time with Robert Downey Jr.'s Jordan Belfort and Jonah Hill's Doni Azoff opposite each other.

The scene is not complicated. Jordan Belfort, played by Robert Downey Jr., faced an investigation by the FBI, but handed a reminder note to Doni Azoff, played by Jonah Hill, but he did not Thinking that Doniazov was also facing the investigation of the FBI, and betrayed him without hesitation.

During Jordan Belfort's release on bail, Doni Azov came to his house and said he would help him or something. Jordan Belfort was touched. He wanted to privately protect Doni Azov when he was cooperating with the FBI. Show Doni Azov The note, when Doniazov saw the note, he became vigilant all of a sudden, then secretly covered the note with a towel, and handed it over to the FBI afterwards.

The FBI went to the mansion to arrest Jordan Belfort, Jordan Belfort understood everything when he saw the note, he was betrayed! At the same time, I also understood the reason why Wall Street has no friends. Doni Azov's betrayal made Jordan Belfort determined to confess others, and finally confessed all his accomplices.

This is also an ideal state that Murphy wants the film to achieve, that is, Jordan Belfort and his gang betray each other!

After the shooting started, Murphy called to stop quickly. He watched the replay on the director's monitor again, and then said loudly to Phil Lascher, "Change to a 100mm medium focal length lens to shoot Joe and Don." Ni's portrait!"

When shooting with a medium focal length lens, when the shape of the object in the foreground becomes larger and larger, the focal length of the lens becomes longer and longer. When the object in the lens frame moves faster and faster, the focal length of the lens becomes longer and longer.

It's a classic camera push, and one of the cinematographic tricks Murphy uses in this film.

Pushing the lens is a common method in film shooting. The camera lens is gradually approaching the screen, the frame of the screen is gradually shrinking, and the scene in the screen is gradually enlarged, so that the audience can see a certain layout from the whole. Pushing the camera can guide the audience to a deeper Feel the inner activities of Jordan Belfort and Doni Azov, and enhance the emotional atmosphere.

Having shot so many rich and varied movie themes, Murphy's movie shooting skills have become more and more proficient, he has his own understanding of lenses and pictures, and he has become more proficient in shooting techniques.

In addition to pushing the lens, he also frequently used shooting techniques such as follow-up lens, over-the-shoulder lens, wide lens and mirror lens in this shooting.

Follow-up lens is one of the classic techniques in film shooting, but Murphy has given this technique more interpretation in practical applications, forming a very recognizable black follow-up lens style. Generally, Murphy will use long-term follow-up The shot records two characters walking and talking. In order to pursue excellent visual texture, Murphy will arrange props and extras in various ways between the characters and the camera to enhance the visual richness of the picture frame and character activities.

Also, at the end of the two characters walking and talking scene, in which Jordan Belfort is about to convince another character, Murphy would ask the two actors to move closer to the camera and record their staring at each other.

The over-the-shoulder shot is an ordinary shooting method that can no longer be ordinary, but Murphy also has his own style of use. He usually uses a wide lens to shoot across Robert Downey Jr.'s shoulder, which can make the image of Robert Downey Jr. appear on the screen. He is taller than other characters, thus highlighting the role and status of the protagonist and achieving a strong dramatic effect.

In some over-the-shoulder shots, Murphy will also make Robert Downey Jr.'s shoulders occupy most of the frame, so as to squeeze the subject that wants to be highlighted to the edge of the frame of the shot, thus emphasizing the special meaning of the scene.

In the filming of this film, Murphy especially prefers wide shots, whether it is over-the-shoulder, follow-up shots or other various shooting techniques, as long as he wants to highlight the foreground in the background of the picture, he will definitely use wide shots, and His handling of wide shots is much bolder than many directors, just like the subject matter and theme of the film, he is extremely adventurous.

The use of a wide lens is also beneficial for Murphy to express the story scene through mirror shooting. Mirror shooting is generally handled through a wide lens, and slowly transitions to a close-up shot of the character. With this method, the transition on the camera is logical and does not miss trace.

This can also highlight the protagonist Robert Downey Jr. in the shot.

Of course, shooting is not a simple list of shots. Most of the time, a variety of lenses are required to shoot uninterrupted. Murphy is now well versed in various lenses. By constantly changing shooting positions, he can use wide lenses, The close-ups, the over-the-shoulder shots, and finally the close-ups are all shot in one go, without stopping.

The day's filming ended smoothly. Robert Downey Jr. and Jonah Hill did not remove their makeup, but walked over.

"You guys did a good job." Murphy put down the work at hand and said to the two of them, "Especially the passion scene, it's even better than I expected."

"No way, the movie is a sublimation of reality, but the reality is more exaggerated than the movie." Robert Downey Jr. shrugged and said, "You asked us to contact the middle and low-level people on Wall Street more during the preparation period. What we saw... ..."

He shook his head and said, "A female schoolmaster I admired in middle school is now working in a peripheral company on Wall Street, and she can be calm on Wall Street."

Jonah Hill also echoed, "I have come into contact with the same thing. I talked with the account manager of a small company. He said that the company held a meeting. A group of people gathered around a round table to have a video conference with the boss. When the boss was speaking on TV, One of the analysts called a lady to come in and start working on the spot, and everyone was very calm."

Murphy didn't find it strange either. Any place full of money would never lack some messy things.

"By the way, Joe and I plan to go to the nightclub tonight." Robert Downey Jr. invited, "Together?"

"No," Murphy shook his head, "I have an appointment with Bill and Robert tonight."

He packed his things and was about to go to Gal Gadot, when Jonah Hill suddenly said mysteriously, "I also learned a big secret from people on Wall Street!" To be continued. Mobile users please open: