Hollywood Road

Uh... I've been busy with a headache recently. I can't guarantee five thousand words a day. Work or something is the most troublesome. Come and comfort me with a recommendation ticket or something.

More photo albums were found by Hailey from Jeff's bedroom. Some of the girls on it were bound, some had blurred eyes, and some collapsed to the ground. Although they were only photos, they could be understood clearly. These girls do not have the ability to resist when they are filming, they can only make people do whatever they want.

"Scum!" Daisy scolded in a low voice.

Everything shows that Jeff is not just a pedophile, but a very dangerous kind.

Hailey poured another glass of water and forced it into Jeff's mouth, and the picture went black again.

When the screen came on, Jeff was lying on his back on his workbench, unclothed, except for a large bag of ice in key places.

The little girl is going to castrate this pedophile!

Daisy felt very happy, but the corners of her male partner's mouth twitched.

At the end, I don't know when, Tony Guzman moved forward two rows, and he felt that the film became more and more interesting.

Unlike others, Jones-Butler laughed. As a working woman, she has suffered some unfair treatment because of gender issues. Seeing Hailey's upcoming castration drama, she felt inexplicably happy.

Baker-Larson is relatively calm because of his own relationship, and only looks at this scene from a professional point of view.

The director, Murphy Stanton, used an overhead shot to close-up Jeff's tied hands, moving the camera from top to bottom, scanning Jeff's body until the lower body covered by ice cubes, It clearly explained Jeff's state, and also laid the groundwork for the subsequent castration.

Moreover, Jeff was lying on the metal tabletop, and the dazzling reflection light on the metal tabletop was just captured by the overhead shot. It also made people feel the terrifying cold tone, indicating that something bad and scary was about to happen. occur.

Then there is the dialogue between Hailey and Jeff. The camera constantly switches between Hailey and Jeff, and they are all close-ups of their faces. This is a kind of psychological montage, which vividly shows the inner world of the characters. Let the audience feel Hailey's calm and Jeff's panic.

The director's 2-3 seconds of switching shots also accelerated the rhythm of the film and strengthened the psychological tension of the audience.

This part has always been shot against the light. The bright background and the darkness of the characters form a sharp contrast, creating a sense of gloom and mystery, and it is easy to make people nervous to guess what is going to happen.

This director is unique in the use of photography, editing and lighting, and he is not at all the people who are mad at the roadside of Park City.

When he saw this, Tony Guzman's eyes quickly wandered among the small audience in the theater, trying to find the director's location. This guy who has never heard of the name is a very thoughtful director, as long as If he can maintain the level, if time is passed, he will definitely not be an unknown person.

This guy is quite skilled in the use of camera language and doesn't look like a novice at all.

When Jeff asked, "What are the ice cubes used for?"

The camera immediately showed Haley pulling the curtains back, and the picture immediately became clear, indicating that the mystery was about to be revealed, and then the camera shot a close-up of Jeff's face. I also realized that Jeff knew something bad would happen to him, and switched to Jeff's perspective. By pushing the camera, the scope of the scene was narrowed, so that people and Jeff could see Hayley Desser's expression together. And get a scalpel.

The answer to the mystery is ready to come out here, and this sense of synchronization can make people feel Jeff's mood at this time.

When Jeff knew that Hailey was going to castrate him, he again took a close-up of his face with a panicked expression, while Hailey was sitting on the other side talking to him.

The methods used by the director are quite clever.

To Tony Guzman's satisfaction, all the techniques are simple and easy to understand, which is very important, because obscure shots are often a weapon to drive the audience away.

There are only three shots in this section, a close-up of Haley's face, a panoramic shot of Haley, and a long shot of Jeff's bust.

The information transmitted through the camera can easily make people read that Hailey has completely taken the initiative and is still calm and confident, while Jeff is the weaker under control, and the interesting thing is that when Hailey appears on the camera, the background is a blue wall , which is consistent with the tone of the surgical gown worn by Hailey. When Jeff's shot appears, the background is a red wall. The director clearly and skillfully used cool blue to set off Hailey's composure, and warm red to set off Hailey's composure. Jeff's nervous panic.

These are easy to say, but any director who wants to do it must have considerable ability.

There is no doubt that the ability of the new director Murphy Stanton far exceeds his psychological expectations.

The frequent short shots let Tony Guzman see the director's ability to control the rhythm, and the long shots that followed made him keep nodding. This new director's long shot narrative ability is also excellent.

When Hailey left for a short time, the picture returned to Jeff, and it became a long shot. The camera moved back and forth between Jeff, who was struggling frantically, and the mobile phone on the coffee table, which profoundly expressed Jeff's desire to escape.

After Hailey came back, Jeff narrated a memory. The whole memory used long shots again. The director panned, moved the camera, and used close-ups to express Jeff who was telling the memories, highlighting Jeff's sincerity and pitiful thinking. Impress Hailey with a sincere reveal and make Hailey let him go.

But the camera then turned to the nearby photo frame, and the figures of the girls appeared one after another, which showed that Jeff was just arguing and his words could not cover up what he did.

At the same time, the weird background music sounded, Hailey walked up to Jeff, Jeff stopped shouting, his eyes were full of despair, and the castration was about to begin.

The voices in the hall became creepy, Jeff gasped sharply, Hailey breathed softly, the knife slid through the characteristic tear in the skin, and something suddenly burst...

There was never any direct picture of castration on the screen, but through these voices, it clearly told every audience in the hall that an operation to cut off the source of Jeff's sin was in progress.

Coupled with the previous rendering, even if you don't look at the picture, just hearing these sounds can make the viewer feel extremely painful and cruel.

Of course, it's all men who think so.

Female viewers like Daisy have only one cool word in their hearts.

The action of the little girl punishing Jeff is so cool! All asshole men deserve this kind of punishment!

A stream of blood spurted out and splashed onto Hailey's surgical gown. The little girl showed a calm asymmetry with her age, but just put away the scalpel and said, "OK!"

The soundtrack was immediately replaced by a peaceful piano, which made the viewer feel relieved, as if the castration had finally come to an end.

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