Hollywood Road

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In Murphy's memory, the former director completed the preparations in less than a week, and finished the shooting in more than two weeks. He didn't know how the other party did it. Lionsgate also played an important role behind it, after all. This is also a second-tier company in Hollywood, and its strength is beyond doubt.

Leather bag companies like Stanton Studios are no match for Lionsgate Films. Except for Bill Rossis, Murphy does not have much support, and can only rely on his own strength more often.

By the end of March, with the cooperation of Bill Rossis, Murphy had basically taken over all the positions on the crew. Most of them were from CAA. The staff is close to 30 people, not counting the interns introduced by Paul Wilson.

Paul Wilson brought in three classmates. Even if they are graduates of USC Film School, there are not many opportunities to actually participate in the production of formal feature films.

In addition, Murphy's lawyer Robert will continue to serve as the crew's legal counsel.

With the arrival of the staff, the preparatory meeting was officially held in the Stanton studio. He, the director, will communicate and discuss with the main creative staff on the creation, ensure that there is a unified artistic conception to guide the preparation work, and also give a director's explanation to all the staff. , the purpose is to unify the creative thinking.

After the meeting, Murphy stayed with the confirmed actors to discuss some things about the script.

He has been revising the script, but he is still unsatisfied with some things, and he also wants to hear the thoughts of the actors.

In the study room on the second floor of the studio, Paul Wilson temporarily acted as a waiter, pouring coffee for everyone, Murphy sat behind the desk, and James Franco and Seth Rogen, who walked closer recently, sat On the opposite couch, Bill Rossis stood under a shelf for cameras and other equipment, and Carey Mulligan moved a chair and sat next to the water cooler to Murphy's left.

"Everyone has read the script." Murphy tapped the desk lightly to attract everyone's attention, and said, "There will be various tricks and killing methods in it, and these are also very important parts of the film."

Pointing to his head, he said, "I can only think of a limit. Do you have any more novel ways of killing people?"

There is ambiguity in this sentence, which makes other people look at each other in dismay.

James Franco crossed his arms and said with a surprised expression, "Do you want to kill? Who do you want to kill? Hurry up and kill, I'll call the police now."

"Jim, this is not a joke." Murphy glared at him, "I'm serious, the mechanism in the movie kills."

"I have!" Carey Mulligan held up his hand. "I thought of one."

Murphy nodded to her, "Say it, Carrie."

Carey Mulligan's eyes turned to James Franco, "You can design a chair where the victim ... like Jim, ah, I mean the character of Jim, is strapped to the chair."

The corners of James Franco's mouth were trembling, as if something bad was about to happen.

"There's a combination lock on the chair," Carey Mulligan continued, "and if he doesn't open it within a certain time, a knife will pop out of the chair and put him..."

She smiled at James Franco, "Castrated!"

Clenching his legs subconsciously, James Franco felt his lower body was icy cold, as if a knife had really been shot out, and stood up unconsciously.

After he stood up, he realized that everyone was staring at him with strange eyes. He opened his mouth and forced a smile, "I... my legs are a little numb. Stand up and walk."

Murphy turned his head and looked to the side. Carey Mulligan had a serious face, but he couldn't hide the smile in his eyes.

"Any more?" he asked the others.

In order to hide his gaffe, James Franco took two steps back and forth, rolled his eyes, and said suddenly, "Murphy, don't you think Carrie's role is too small?"

He said it as if he was thinking about Carey Mulligan, "Her character passed the test too easily, and the way to find the key was to hurt others, not herself."

Murphy looked at James Franco and nodded slightly. What Fu Lanlan said made sense.

He made a please continue gesture.

James Franco turned his head, and soon had an idea, "I think it is possible to set up a passage between Carrie's character and the key hider, and the passage is filled with..."

This character was meant to survive, not knives and the like. He had read the script and had to say that Murphy was very biased. So many people died, but the role of Carey Mulligan was left behind.

"Inside the tunnel..." He had an idea, "It's full of needle tubes with needles. If Kerry wants to survive, he has to go through these needles."

After hearing what James Franco said, Murphy picked up a pen and quickly wrote it down in his notebook. He didn't care if it was a fight or not, as long as it was of substantial help to the script, he would use it.

Carey Mulligan stared fiercely at James Franco for a while, then peeked at Murphy, saw that he was taking a pen to record, swallowing the words he wanted to say, and made a wise choice silence.

Carey Mulligan would do nothing to affect Murphy's opinion of her.

"Can you tell me what I think?" Seth Rogen raised his hand.

Murphy smiled, "Seth, if you have any ideas, just say it."

"One time in a chemistry experiment class," Seth Rogen touched a scar on his hand, "dilute sulfuric acid accidentally splashed on my hand, the burning pain, I still remember it clearly Chu."

He organized his language a little bit, "I think it is possible to set up such a device, a person is locked on the fatal device, and the key that can save life is placed in the sulfuric acid bottle at his hand, and if he wants to live, he has to put his hand into it. Inside the sulfuric acid..."

Paul Wilson, James Franco, Bill Rosses and Carey Mulligan all looked at this fat man. No one thought that this simple-looking guy would come up with such a perverted idea.

Seth Rogen helped his new partner's eyes, showing an embarrassed smile, "I... I'm just a suggestion."

Murphy also took notes seriously.

Although the main focus of the first part of this series is not the mechanism killing show, it is also a good way to attract the audience.

Later, this brainstorming discussion directly turned into a seminar on homicide. Even Bill Rosses mentioned several perverted methods, such as hanging people with a hook, cutting with a chainsaw, and piercing with a sharp needle. Popped out of everyone's mouth.

Many of them are valuable, and Murphy will adopt them appropriately and continue to revise the script.

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