Hollywood Road

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In the dilapidated and old warehouse, the lights on the ceiling gradually went out, only the shooting lights arranged by David Robbie were still shining. Under the lights was a huge iron cage. At a forty-five-degree angle, a 35mm camera was set up, and Murphy and the director of photography Philip Lascher stood behind each.

Looking from the camera, the iron cage is full of sharp barbed wire, and these fake things made of rubber by Baker Kleibert look real no matter how they look.

A fat man wearing only shorts came out of the temporary dressing room, James Franco whistled at his fat body, the fat man turned his head and raised a middle finger, strode to the entrance of the iron cage, Look towards Murphy.

This is not a formal shooting, but a rehearsal for experimenting with props, lighting, and makeup effects. Murphy didn't speak, and made an 'OK' gesture to the fat man.

The fat man lowered his head and got into the iron cage, as if there was a woman who was fatter than him chasing after him, he tried his best to get into the cage.

The barbed wire was hung on his body one by one, and the fat man let out a miserable howl, as if he was being raped by a female wolf, and the place where the barbed wire was stabbed also flowed out a dark red liquid, which looked so dazzling.

Afterwards, the silica gel attached to the fat man's body collapsed as planned, and the "wounds" were shocking.

"Stop!" Murphy turned off the camera, walked behind another camera, exchanged a few words with Philip Raschel, and said loudly, "The iron cage and wire are OK, and the set is also OK..."

The fat man had exited the iron cage and was looking towards Murphy. Murphy nodded to him, "Jonah's performance is also good."

Fatty didn't care to wipe off the bright red liquid on his body, and laughed with his mouth wide open.

Murphy has never been the kind of person who is so strict that he is perverted. He prefers to encourage actors rather than get angry with them.

After talking about the good performance, he also pointed out the shortcomings. First, he said to the lighting team, "David, this is a film noir, and the lighting you use is still a bit soft. I want the lighting to be harder. Also, Backlighting Jonah for the actual shoot, I wanted him to appear more pale in the shot.”

He turned his head and said to Jack Watson, "When Jonah's character dies, the makeup should be whiter."

The barbed wire didn't kill people directly, the fat man died only because he lost too much blood, in this case, the corpse would definitely be paler than other ways of death.

The others wrote down Murphy's request one by one, and began to discuss with his assistant how to solve it.

"That's all for today." Murphy looked at the time, "Before the filming officially starts, all the problems that arise this afternoon will be resolved."

He went back to the camera, and Philip Lascher was still replaying the shot of the fat man just shot, because the barbed wire is made of rubber, and when it is hung on the body, it will inevitably look fake in some places.

Editor Jody Griffith was also standing there, and he looked at it and said, "This could use a jump cut, where we keep the close-up of the barbed wire, and then the wide shot shows the actor crawling forward, ignoring the wire hanger." The physical process cuts directly to the horrific wounds on the actor's body."

Barbed wire looks real as long as no one touches it, and Jack Watson's makeup is guaranteed, which is undoubtedly a good solution.

Murphy nodded, "You can do that."

At the end of the day's work, Murphy packed up the film and walked out of the studio. When he came to the security room near the warehouse entrance and the crew's temporary office, three men, two fat and one thin, were sitting on chairs talking and laughing loudly.

"You don't know, Seth."

The fat man in the iron cage has already removed his make-up. He is wearing a large T-shirt and jeans, with his fat belly sticking out. He danced and said, "During the rehearsal of the scene where the father loves his daughter, Jim, who is mean and shameless, multiplied it by ten times. guy,

Looking at that Lily's eyes were straight. "

James Franco wanted to shut his big mouth, "Jonah, shut your stinky mouth!"

Since most of the people had left, the fat man named Jonah spoke unscrupulously and spitting, "Jim, don't deny it! Can you say that you were not hard at that time?"

He made an exaggerated movement of his lower body, "If you don't have one, I dare to cut mine off and throw it into Seth's mouth!"

"Hey! Hey! Jonah..." Seth Rogen jumped up from the chair, "You gay! Don't mess around with me."

Murphy stood at the door and knocked on the door. When the three guys saw Murphy, except for the fat Jonah who they didn't know very well, the other two were not embarrassed and were still laughing unscrupulously.

"Hi, Director Stanton." Jonah turned to greet him.

"You're welcome." Murphy nodded and smiled at him, "Just call me Murphy."

James Franco was not polite to Murphy at all, he came over and grabbed him, and said, "Okay, guys, there is a treat tonight, let's think of a place."

Murphy looked at James Franco, and James Franco pulled him away, "Don't hesitate, workaholic, you must know how to relax, and you will have higher work efficiency when you relax."

Jonah then followed, "I know there is a good place in Venice, and the show there is very good."

Seth Rogen walked at the end and said loudly towards the front, "Jonah Hill, you gay, don't you want to take us to a gay bar?"

"You fat guy!" Jonah Hill turned his head, swearing, "You are the gay! You fat gay!"

Tomorrow is the crew's day off, and Murphy did not refuse.

It can be seen that the relationship between these three people is very good. Murphy drove his own car, James Franco sat in the co-pilot, and two fat men squeezed behind him, waiting for him to start the car. Earl pointed at the road crookedly, not forgetting to say a few words about Seth Rogen and James Franco.

Listening to these people's unscrupulous swearing, Murphy suddenly felt his tense nerves relax a lot. In the past, he had been too tense. Even when he was resting alone, his body could relax and his mind could relax. But still tense.

From the day he left the prison, he knew that time was extremely precious to him. In order to become a top director, whether it was a freelance reporter running social news or switching careers to the film industry, Murphy had very strict requirements. I put a lot of pressure on myself, and the direct result is that I have headaches from time to time.

People can't always be tense and busy with work, and sometimes they need to relax.

Not long after the car drove out, Murphy could roughly tell that Jonah Hill, who was less than twenty years old, was the most outspoken one.

Of course, none of them are any better than this fat man.

The one who looks the most serious among the four is James Franco, but under his elegant and handsome appearance, this guy has a very different personality, and his behavior is sometimes absurd. The biggest shortcoming is that he is too timid. He likes to hide behind others when the situation arises.

Seth Rogen looks honest and honest, but the dirty jokes are endless. It is not too much to say that he is a bitch.

According to Jonah Hill's instructions, the black Ford sedan slowly stopped in front of an underground strip club.

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