Horrible! Actually playing this kind of game!

Let me tell you something about the producer's stamp collection.

From the author's perspective: One of the selling points of rebirth novels is the interaction with characters from the past.

Otherwise, it is not much different from being empty.

One of my favorite authors [You Turn Gray While You Sleep] once said that the most interesting thing is interacting with celebrities from the past, especially when the celebrities have not yet become celebrities.

From the reader's point of view, first of all, they are more familiar with famous historical figures, and it is better to write about these figures than to write about some self-created figures.

If Shinji Mikami develops games, everyone will have a sense of expectation and think that he is powerful and real.

Let an unknown character develop a game. In fact, the writing can be reasonable and brilliant, but the sense of expectation may not be so strong.

Even if the writing is not good, it will be easily distorted.

Also, I don’t want to copy games just for the sake of copying them. Qing Zhiyuan can’t produce all games by himself, right?

Copying all the famous works is not in line with the development reality. What I hope more is to use Qing Zhiyuan as a [mentor] to guide these experts to create their own works.

It is also fun to allow creators to create their own games and transform them, and to complete and magically modify some flawed works.

It's even more interesting to create new works that are applauding.

Of course, this is also a great test for the author's own strength.

At least so far, I think my original "Reverse Degree Man" is quite good.

"The Witcher" had a very high intention, but unfortunately it didn't grasp it well, but it can still be regarded as a work that is not satisfactory but has flaws, but it is good, right?

Another point is that some readers may think that the producer's stamp collection is magical, and they feel that they lack the original experience and experience, and may not necessarily have the original ability.

This is actually explained in the book:

Whether it's Gen Urobuchi or Shinji Mikami... the later big names, in fact, Qing Zhiyuan didn't let them serve as producers at the beginning, but carefully cultivated them over time and helped them grow.

But as famous producers, they must be talented. With the experience of the project and the cultivation of Qing Zhiyuan, even if they cannot make the game of the previous life, they will definitely have considerable abilities.

Authors like Lao Xu and Ma Zhizhun are talented, and their abilities will mature earlier.

Nasu Mushroom had already conceived the idea of ​​the type moon when he was in high school.

Ma Zhijun also wrote many excellent works when he was in high school.

What they lack is game development experience, but they do not lack creativity and writing skills...

Qing Zhiyuan plays the role of a company boss, production guide and mentor, instilling his knowledge of the future into them, helping them grow, and at the same time allowing these people to develop their own strengths.

In order to reflect the role of different people, each of my games is carefully selected and polished.

For example, the games created by Lao Xu must embody a sense of suspense, hair-cutting, and a sense of fate.

As for Ma Zhizhun, it is necessary to embody warmth, nature, and campus style. And as their life experience and age increase in the future, some things with more depth and social significance may be added to the games they create. I have Designed.

They can see growth and change, and it is their own growth and change. In fact, it is quite difficult to write it, and it is very brain-consuming.

So so far, I think the writing is pretty reasonable.

I didn’t say that Shinji Mikami would be the producer to develop Biohazard from the beginning, nor did I ask Kyon to make Puella Magi Madoka Magica from the beginning. I actually considered character growth from the beginning and tried my best to rationalize it. .

…

So stamp collecting is definitely still about collecting stamps, and I probably won’t change this.

Maximizing and rationally utilizing the character resources of a good era is what the author should consider.

…

By the way, because this book was targeted and the supervision was very strict, some masterpieces could not be written.

For example, Shinji Mikami's "Resident Evil" series,

Almost none of Lao Xu's works can be written, not even the magical adaptation. (I have already been banned twice because of Lao Xu, so I won’t struggle pointlessly)

I can’t even write about Miyazaki Hidetaka’s Bloodborne and Dark Souls series.

If I write these things, I will be reported and banned. There is nothing I can do about it. I have already been reported twice and I don’t want to do it a third time.

So if there are no such works, I can only say that it is very regrettable, and please forgive me.

…

above.

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No updates today

thank you all

See you tomorrow