Horrible! Actually playing this kind of game!

Chapter 94 94 KyoAni

Chapter 94 94. KyoAni

Speaking of KyoAni, Qing Zhiyuan is very familiar with it.

In the past life, KyoAni produced many masterpieces, and you can easily count a lot of famous ones.

For example, the well-known "Violet Evergarden" is also called Jingzi.

Then the healing "CLANNAD" and "AIR" are also produced by KyoAni, which can show their exquisite painting style and become eternal classics.

In addition, there are also a lot of "The Melancholy of Haruhi Suzumiya", "Full Metal Panic", "Chunibyou Wants to Fall in Love", "Kobayashi's Dragon Maid"...

Simply not too much.

The core advantages of Kyoto Animation lie in the high level of original animators, a complete talent training mechanism, stable salaries, as well as the independence of production and the stability of the team.

Kyoto Animation's works are characterized by beautiful backgrounds and exquisite images.

Unlike most companies in the industry, which mainly pursue output and commercial benefits, Kyoto Animation has always adhered to the principle of meticulous creation, ensuring the super high quality of its works in terms of graphics and lens language with the "low efficiency" of one to two films per year. quality.

But that's the complete KyoAni.

The current time is 1991.

At present, KyoAni, although one of the founders, Yoko Yata, once worked at Osamu Tezuka Studio as a colorist for final animations, the only thing KyoAni can do is coloring.

This company has been doing outsourcing work before.

That is to say, I work for other large animation production companies, help with coloring, and draw and complete the remaining content based on the storyboards completed by others.

After seeing the tender for pokeni this time, President Hatta (Hideaki Hatta, the husband of Yoko Hatta) plucked up the courage to give it a try.

Mainly because I feel that my painting skills and production process have probably reached the point where I can complete a work independently.

The game Onmyoji itself also has a strong dramatic effect. If it can be done well, it will also be a good opportunity for Kyoto Animation.

That’s not nice to say——

Who would want to outsource forever if they could?

They have prepared a lot of work for this.

…

"President, this is the supervisor of our studio, Masuji Kigami. He is responsible for the storyboarding and animation production this time. He will show you the planned content we provide."

Why?

Qing Zhiyuan was slightly stunned when he heard Masuji Kigami's name.

Wow, it took me a long time to figure out that the man traveling with me was Masuji Kigami?

Masuji Kigami can be said to be the driving force behind KyoAni, the real boss.

Born in 1957, he is only 34 years old now and looks quite young.

This man is hailed as a genius in the animation industry. If he hadn't returned to the studio to take care of his sick mother, he would still be in Tokyo now.

Masuji Kigami is to KyoAni what Hayao Miyazaki is to Ghibli and Hideaki Anno is to G Society.

It can be said that without Masuji Kigami, there would be no future KyoAni.

Masuji Kigami is a true genius. After graduating from Tokyo Designer College in 1980, he joined the then very young cutting-edge animation.

Although Xinrui has only been established not long ago, the list of big names in the company is really scary——

Hayao Miyazaki, Yasuo Otsuka, Isao Takada, any one of them is a dean-level figure.

Moreover, the neon cartoonists of that period implemented a step-by-step mentoring system. Under the cultivation of the masters, Masuji Kigami grew rapidly.

Only two years after his debut, Masuji Kigami was promoted to the drawing director of "Sarutobi Ninja".

Supervision in animation production is equivalent to the producer position in a game company.

Think about it, it took just over two years to climb to this position, how exaggerated and terrifying Kigami Masuji's talent is.

…

Masuji Kigami, who was supposed to shine in Tokyo, learned last year, in 1990, that his mother was seriously ill and needed care, so he resolutely returned to Osaka.

I found a job nearby. Of course, it was also because of Hideaki Yata’s earnest plea that Masuji Kigami joined KyoAni.

Hideaki Yata is also a very courageous president. In order to pursue breakthroughs in the company, he gave Masuji Kigami very high authority and treatment——

Mu Shang is fully responsible for the establishment of the company's internal production system and talent training.

Onboarding is a senior executive.

Moreover, Uji City, where KyoAni is located, is very close to Kigami’s hometown of Osaka.

After Kisami joined the company, he taught newcomers step by step, whether it was the most basic intermediate cutting, original painting, animation, storyboarding, or photography.

He even participated in every detail of the script. It can be said that this person has no shortcomings and is a real all-round talent.

After Masuji Kigami joined KyoAni, he formulated many rules for the company——

1. Abandon the elimination training system and insist on not dismissing any newcomers.

Provide them with a guaranteed salary that exceeds the industry average and effectively protect the rights of newcomers.

The piece-rate system that kills people does not exist in Kyoto.

Second, employees are constantly told to incorporate their emotions into their characters.

Use animation to convey the power of dreams.

Third, no matter what position you hold, you must devote your all to every frame of animation and fully implement your own ideas.

Have a fighting spirit to take on challenges.

Oh my God, Masuji Kigami, what kind of divine supervisor is this?

…

Later, there were many top original animators brought out by Kigami, and it was precisely because of his training system that he laid a solid foundation for KyoAni in the future.

To be honest, if it were not for Masuji Kigami, the current Qing Zhiyuan would not consider KyoAni as an animation production company at all.

But if this person is here, everything will be different.

After inserting the videotape, a beautiful picture appeared on the TV.

Under the cherry blossom tree, Yue Kurai held the baby in her arms, with sadness written all over her face.

A piece of cherry blossoms flew up in the wind, and the camera also moved up. The petals of the cherry blossoms were flying, leading the camera to rotate.

In the next second, the entire scene changed drastically.

In the midst of the blazing flames, Yumuling held a bow and arrow, and shot out an arrow, and the cherry blossoms were swept away by the airflow...

The camera changes again, and the Yamata no Orochi stands proudly on the sea.

Asakura Yuan held the magic sword in his hand, and the shikigami behind him, as well as Yumuling and White Wolf, swarmed towards him.

…

Wow, Qing Zhiyuan still couldn't come back to his senses until he finished watching it.

In less than 20 seconds, he showed excellent and perfect lens language.

At the same time, the color matching and character modeling are also impeccable.

Um……

Qing Zhiyuan looked through the storyboards of the script they produced.

Although there is only a simple one-sentence content, the extremely high level of animation can be seen from the storyboards alone.

As expected of KyoAni, worthy of Masuji Kigami!