Huang Ting

The reason why Wang Kaixuan is still carrying this big goose is because he thinks that he will use it as emergency rations in case he cannot get out for a while.

He really didn't expect that the big goose could be useful. Hu Bayi took the big goose and tied the rope to the wooden basket containing the goose.

"Come on, Mr. Goose, if this one works, I'll treat you to the best feed."

After Hu Bayi finished speaking, he waved his hand and threw Mr. Goose down.

It could be felt that Mr. Goose was beyond love, and he didn't even cry out when Hu Bayi threw him down.

Hu Bayi lowered the rope, and Master Goose's figure gradually disappeared.

Although the figure of the big goose was no longer visible, the big goose did not appear from the top of the hanging ladder like the Langyan flashlight.

Hu Bayi grasped the rope and moved downwards. At a certain moment, he found that the rope was no longer strenuous and seemed to have touched the ground:

"By the way, it looks like this is it."

After tying the rope to the steps, Hu Xiuwu and the others climbed down along the rope.

Hu Xiuwu grabbed the rope and slid down. Within a few meters, he seemed to have slipped past an invisible boundary.

What was originally a pitch black abyss turned into a tomb.

As soon as he landed, Wang Kaixuan said happily: "Okay, Commander Hu, you are really smart and your training by the country was not in vain. How did you find this exit?"

Hu Bayi said reservedly and sarcastically: "I'm just saying that you, a little fat comrade, don't study hard."

Then, before Wang Kaixuan could argue, Hu Bayi spoke first, holding back Wang Kaixuan's words:

"After Xiuwu and I studied it, and combined with the Big Gold Tooth, we found this exit."

This Qimen Formation·Xuanhun Ladder is the most primitive Qimen Formation. It is based on the Zhouyi Bagua and it does not have too complicated principles.

The reason why this formation was so difficult to understand in the Zhou Dynasty is that

This is because before the Spring and Autumn Period, this sixteen-character hexagram was a secret knowledge that was not passed down to the royal family of the Zhou Dynasty.

So at that time, no one except the royal family knew the secret to liberating the formation.

After the Spring and Autumn Period, when the Emperor Zhou was weak, the bamboo slips recording the secrets of the sixty-four hexagrams were circulated from the royal family's treasury room.

After the Warring States period, hundreds of schools of thought contended. During the Han Dynasty, Huang Lao's school had become a prominent school and was highly praised by the emperor and the empress dowager in the early Han Dynasty.

Bagua and the Book of Changes naturally spread throughout the world.

Therefore, this hanging soul ladder is useless.

After the Zhou Dynasty, no large tombs used this simple Qimen formation anymore.

As mentioned before, the Eight Formation Diagram created by Prime Minister Zhuge not only combines the sixty-four hexagrams, nine gates and eight palaces, but also changes over time.

If it were really such a complicated Qimen formation,

Based on Hu Bayi and Hu Xiuwu's knowledge of the Yi Ching, I'm afraid it won't be that easy to come out.

Da Jinya praised: "Master Hu is really full of wisdom and tricks, he can be called the reincarnation of Lai Buyi. In addition, Master Kai is extremely brave, brave and resourceful. No wonder the two of them can always avert danger and take out the underworld weapon from the tomb.

"

Wang Kaixuan waved his hand: "What the heck, you've got it! Mr. Jin, you also know everything about antique treasures, and I want to learn more from you."

Hu Xiuwu said with disgust: "Okay, why are you two out of breath before we go out? Why don't you hurry up and see where this place is."

After looking around with a flashlight, Hu Bayi said: "The sky is round and the place is round, this is a typical Tang tomb."

The style here is completely different from the Hades Palace just now.

The top of the tomb is like a yurt, with the stars in the sky painted on it, and the positions of the three constants and four elephants in the twenty-eight constellations are exactly the same.

The tomb has walls but no doors, and only eight walls seal the place. The walls are covered with murals just like those in Zhou tombs.

The railings in the tomb are carved with auspicious clouds and peaches, and sacred birds stand on the pillars.

Around the center of the hall, eight strange-shaped stone statues of galloping horses, lying oxen, flying dragons, golden roosters, fat hogs, wild pheasants, hounds and sheep are placed in eight directions.

The laying method of the trapezoidal blue bricks on the ground is also very strange, starting from the eight walls and converging towards the center.

And each piece is exactly the same size, as if the owner of the tomb has obsessive-compulsive disorder.

Like above, there is no coffin here.

What is different from the Zhou tomb is that here, an exquisite and gorgeous armillary sphere is placed where the coffin should be.

The base is like the word "Tian", with a horned dragon made of copper blocks as the frame. The horned dragon holds a ball ring composed of copper rings and rails.

Outside there are the double rules of the celestial meridian (double rings of meridian and meridian), the golden and Hun latitude rules (horizontal ring), and the golden regular rules (equator ring). There are also twenty-eight constellations, ten stems, and twelve celestial bodies engraved on them. They are called Liuheyi.

There are three tracks of yellow, white and red inside, which are called Xuanji Rules and Moon Travel Rules. The orbits of the constellations are engraved on them. The paths of the seven rays represent the orbits of the sun, moon and stars, which are called the Three-Chen Instrument.

Finally, at the innermost part of the ring is the movable four-wheel instrument, which is composed of two movable four-wheel rings.

(These are the two rings that Hu Bayi moved in the drama version. Later Shirley Yang said that one ring was missing, which meant that the moon travel guide was missing, which was the Bai Dao ring.)

There are three layers on the outside and inside, and the bottom is based on the base, shaped like a cross, and the bottom is a tree with a foot.

The big gold tooth looked at the armillary sphere in the center and marveled:

"Could this be the armillary sphere that was improved by Li Chunfeng in the legend? Today is really an eye-opener."

Wang Kaixuan wondered: "Master Jin, how do you know this is Li Chunfeng's improved armillary sphere?"

Big Golden Tooth pointed at the white ring on the armillary sphere and said:

"Master Jin, you see, it is recorded in the history books that Li Chunfeng added a lunar guide to the original armillary sphere, which represents the moon's orbit in one year."

"Before Li Chunfeng, the armillary sphere did not have this orbit."

After finishing speaking, Da Jinya said with emotion: "Historical data records that Taizong ordered it to be placed in Ninghui Pavilion for weather forecasting. Since it was in the palace, it was found and lost."

"I didn't expect that the Armillary Sphere that disappeared in the Tang Palace would be here."

Wang Kaixuan Tuqiong saw: "That must be very valuable."

Big Jinya said funnyly: "Master Jin, as long as you can get it out, then this will be a priceless treasure!"

Looking at the armillary sphere that was taller than him, Wang Kaixuan was a little embarrassed, but he still didn't give up:

"Then what if I break one off and take it away instead."

Hu Bayi was furious at the side: "Well, we haven't even found the exit yet, and we're talking about breaking things?"

Wang Kaixuan said: "What do you have to say, old man?"

"You say you, let's make progress. If you don't make progress, look at Xiuwu. Where are people studying murals? It's not like you here with Lao Jin, making coughs and performing cross talk."

Hu Xiuwu ignored the movement over there and was still studying the surrounding murals.

This time Big Gold Tooth also looked at the contents of the painting carefully with him.

Like the mural above, the mural here also tells a story.

However, unlike the above, the murals here do not introduce the life of the tomb owner, but a past event in the Tang Dynasty.

In the Tang Dynasty, officials from Si Tianjian also discovered the hidden pits here.

Emperor Taizong of the Tang Dynasty ordered that the emperor's concubine be buried here, and royal craftsmen came to build the mausoleum here.

However, before the construction of the mausoleum was completed, the Si Tianjian official responsible for the feng shui layout of the mausoleum disappeared.

After his disappearance, the craftsmen and coolies who worked there disappeared one after another. Emperor Taizong of the Tang Dynasty sent Li Chunfeng here to investigate the cause.

After Li Chunfeng’s calculation,

It turns out that there was already a Zhou Dynasty mausoleum before this inner cave.

However, time has passed, the sea has changed, and the tomb has been destroyed over time.

But I didn't expect that the mausoleum would turn into a kind of ghost tomb by some unknown chance. Not only did it regain its shape, it could also switch between reality and reality like a ghost.

The officials of Si Tianjian arranged the Qimen Formation here, disrupting the surrounding Feng Shui layout, disturbing it, causing it to reappear in the world, and sucked the person who set up the formation into the ghost tomb.

As a result, the craftsmen and coolies suffered a terrible disaster and were trapped in Zhou's tomb.

Li Chunfeng found and rescued the craftsmen, and reported the matter to Emperor Taizong of the Tang Dynasty.

As the saying goes, one cave cannot bury two masters.

Therefore, Emperor Taizong gave up the idea of ​​building a mausoleum here.

After the incident, Li Chunfeng did not destroy the ghost tomb. Instead, he transformed and built an empty tomb based on it.