I Became a God in a Horror Game
Chapter 341 Yinshan Village
Bai Liu looked up at the last mural on the ceiling.
This last mural is a long painting with a blood-red background, which is rather blurry. It seems to be a series of things that have appeared in the previous paintings.
The bride in the coffin jumped out, covered her head and rode on the shoulders of some dark-faced people, and the pagoda was walking somewhere, and some twisted ghosts, Bai Liu, were crawling on the ground next to the bride. Looking back, there are some bamboo racks raised high by ghosts. On the bamboo racks, there are many wine jars under the feet of Bai Liu.
The wine jars seemed to have been opened, and Bai Sensen's arms were clasped around the wine jars.
Some of the pictures in the middle are blurry, and I can't see what was painted. Only the inscription next to the painting reads [...The Gengzi Year, Renchen, Moon, Gui Chou, everything is inappropriate. Those who entered the village...]
A small line next to it reads [Specific matters, recorded in the village calendar. 】
Finally, there is the zombie Taoist. It holds the peach wood sword in its left hand and points to the sky, and the right elbow rests on the floating dust. Half of its face is a compassionate Taoist, showing mercy to all living beings, and half of it is a zombie with lisha and fangs.
It sits on the altar. Under the altar are countless twisted ghosts and ghosts. These resentful ghosts twist and roar in the black smoke under the altar, and swollen and drowned remains emerge, arching the altar. Go to the village entrance.
At the entrance of the village, there were innumerable people standing indistinctly. These people held swords, axes, oil pans, and iron chains. They wore some strange dome hats and short black boots in the style of cattle and sheep feet. Baring his teeth and looking disgusting, he was not so much a person as a kid who ran out of the eighteenth hell.
Judging from their appearance, these little ghosts are the little ghosts who pulled the men of Yinshan Village away before.
These little ghosts rushed straight to Yinshan Village, and they were meeting the zombie Taoist who came out of the village. The zombie Taoist raised his sword and slashed, and the brides and ghosts also rushed up to hold down the little ghosts.
The two "people" and horses seemed to be fighting fiercely at the entrance of the village.
The painting behind was blurred again, and Bai Liu looked towards the end of the mural.
The entrance to the village was filled with blood, and there were corpses everywhere, covered with white bones. The only one left was that man, who had all turned into zombies, supported his body with a sword, and stood in the center of the village entrance with a sinister face, with black hair growing on his hands and feet. His mouth was full of blood.
The inscription next to it [The descendants of Yinshan Village abandoned their ancestral tombs and built this tomb for the (fuzzy) Taoist priests and ancestors. 】
When Bai Liu finished reading the last mural, there was no place to rest around him. The wine jar was tightly pressed against Bai Liu's calf, and Bai Liu could be kicked down with a single move.
The wine jar has a thin mouth and a thick body, and the paper that seals it is extremely thin. If it has been left for so long, it is estimated that as long as it is dropped on the ground, the sealing paper will crack and the contents of the wine jar can climb out.
It's a secret room again, and is surrounded by these wine jars, and it seems that there is no way out.
Bai Liu calmly looked around while holding the candlestick, and suddenly stepped on top of a wine jar.
The wine jars that surrounded him swayed a few times and gathered in the middle. After they collided with each other, the wine jars seemed to feel that the white willow disappeared from among them, so they stood still.
Bai Liu also stood still, but after a while, a face was pushed out of the sealing paper of the wine jar.
The nose on the face of the person on the paper was moving, as if smelling the smell of Bai Liu, and then the wine jars slowly moved towards the wine jar where Bai Liu was standing.
Bai Liu waited until these wine jars were close to the one he was standing on again, and then changed to another wine jar to continue standing.
These wine jars are filled with the bones of drowned people, that is, the "body" of those ghosts. Those ghosts who run out are just ghosts, and their corpses are still here.
According to Taoist theory, after the soul leaves the body, the corpse is just the corpse, it will not transform into evil, and in short, it is safe.
As soon as Bai Liu and the others entered the tomb, they encountered a lot of ghosts near the loose-leaf door, which means that there must be many wine jars in the tomb that were "empty", that is, the wine after the ghosts left the body. earthen jar.
In other words, these wine jars will not move.
Bai Liu screened out the moving wine jars, and chose the unmoving wine jar to stand on. Even if he smashed the sealing paper of the wine jar, it would be fine, because it was just a dead body without a soul.
The moving wine jar is obviously trapped by the red thread of the sealing paper. According to Taoist theory, these things are femininity, and they need to use the yang energy of a living person to break open the mouth of the jar and see the sun again, so they try to use the white willow. The Yangjian broke the jar or the sealing paper.
If an ordinary person enters this partial tomb, as long as he walks around, those wine jars will be kicked in the way of the other party's walking unknowingly.
And as long as a ghost comes out, in order to avoid this ghost, the people who come in will move a lot, and there will be many broken wine jars.
After this person's yang energy is exhausted, he will be consumed by ghosts and die here, and he will also become a wine jar here.
That is to say, after entering this tomb, it is absolutely impossible to move.
As for Bai Liu, he looked at the murals for more than half an hour after he came in. No matter how the wine jar was moved, his feet didn't move at all. It was only after Bai Liu could basically see the moved wine jar in the tomb that he could see clearly. I chose one of them without haste, and stepped on it slowly.
Moving left and right will hit the wine jar, but moving up and down will not.
And now Bai Liu is moving on a plane higher than these wine jars, it is these wine jars that are chasing him, and the more these wine jars run, the more conspicuous those unmoving wine jars are.
Bai Liu remembered that when the candle went out when he entered the tomb, there were five ghosts imitating him and five ghosts imitating Mu Sicheng.
Assuming that the ten ghosts all came out of this partial tomb, it can be inferred that there are about ten jars in this tomb that are safe.
Bai Liu glanced at the immobile jars in the tomb, there were exactly ten.
Although it does not rule out the possibility that his inference is wrong, if one of these ten jars is not fond of moving, Bai Liu will be instantly stunned when he steps on it, but Bai Liu feels that he does not seem to care about this risk when he does things. Go in the direction of the greatest possibility and the greatest benefit, and don't care much about whether you will die halfway.
Bai Liu felt like a consequentialist.
He glanced at the ten jars, connected them into a line with his eyes, and then paused.
The ten jars are connected together to form the word "out", but the word "out" is a little less, and it does not appear. That point is in the southeast direction, and the jar that is constantly moving at that point "walks" back and forth.
This feels like a mechanism that requires a jar in every place, but there are only ten jars that don't move, and there is one less.
Bai Liu raised his brows slightly - is this forcing him to step on a jar with something?
Seemingly aware that Bai Liu stepped on the jar, these movable jars became more and more restless, and the faces that were deforming continued to appear on the sealing paper, opening their mouths and roaring silently.
In the sealed tomb, the gloomy wind swept back and forth, and a disgusting smell of rotting corpses emerged from the jar.
Bai Liu took another step, and he turned to a new jar.
The wine jar that Bai Liu had stepped on before was pushed by another moving wine jar the moment he lifted his foot, and the seal was broken, revealing a twisted corpse curled up in the water.
The corpse was facing up, and its face was so rotten that only a pair of eyes were left intact. The eyeballs were foggy, like they were covered with a layer of gauze. .
This should be the corpses of those ghosts.
The ghosts have corpses and their power is multiplied. If these ghosts and corpses are allowed to drill directly out of the jar...
After imagining that scene, Bai Liu estimated each other's combat effectiveness. He objectively felt that he would most likely die here.
Bai Liu was constantly changing the jars under the pursuit of the wine jar, and the seals of the jars were damaged one by one, and Bai Liu finally approached the southeast corner of the last missing point of [Exit].
The wine jar was like a shoal of fish smelling the bait, almost swarming in the direction of the last point of [Out].
Bai Liu calmly stood on the wine jar closest to the point where [Exit] was missing and looked around, looking for a way out.
When he stepped on the wine jar, in case there was no exit, and the contents of the wine jar also climbed out, when Bai Liu needed to chase the ten jars, he should pay attention to the orientation, not during the chase. Time to knock down other jars.
Bai Liu stared at the shaking wine jars in the southeast corner of the room at [Exit]. He stepped on one of the jars quickly, then turned and stood on a corner jar with his back pressed against the two walls.
The jar that was stepped on by Bai Liu shook twice, stood still, and then began to tilt slightly and irregularly in one direction. Five pale fingers slowly stretched out from the torn red sealing paper. Slowly he held the edge of the jar.
A head was exposed, its head was bent ninety degrees and stuck at the mouth of the altar, as if it was completely disconnected from the body, with a sinister smile on the dead white face, long, dark and wet. Hair came out of the mouth of the jar, and the rest of its body and limbs were pulled out of the mouth of the jar at a twisted and weird angle.
Standing on the diagonal line, Bai Liu could hear the sound of the bones crunching and deforming. He glanced at the four walls and sighed regretfully in his heart.
He seemed to guess wrong, not what he thought.
At least there is no mechanism in this partial tomb, which means to make room for Bai Liu.
Bai Liu didn't feel that he guessed the meaning of [Out] wrong, and the hint was quite obvious.
But there is no [way out] now, unless it is... something is missing.
Bai Liu looked up at the ceiling, the jar he was standing on was right below the loose-leaf door, and the loose-leaf door directly above him made a rattling sound.
The pale faces protruded from behind the loose-leaf doors, and ghosts crawled in from outside the loose-leaf doors on all fours.
Bai Liu clicked his tongue and said in his heart that it was true.
The eleven jars had to be jars with ghosts in order to be opened, so not long after he stepped on the jar, the ghosts who left would come back.
These ghosts who came back were going to crawl towards Bai Liu, but not long after they came in, they seemed to smell something, their faces cracked blood red, showing a weird smile, and then quickly moved towards those who were caught by Bai Liu. Stepped on the jar and climbed in.
Then, the ten jars that were stepped on by the white willow, stretched out their pale arms and soles one after another and slapped the vermillion jars, and their twisted heads made a clucking sound in the jars.
The drowning corpse's rotten face stared straight at Bai Liu who was standing in the center, and the smile at the corner of his mouth became bigger and bigger.
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