I Can Extract Abilities From Antiques

Wang Chengfeng stood there and pondered for a long time.

Although he didn't figure out all the shortcomings that Hu Muzhi said so quickly, he has already made him realize his own shortcomings.

After a long while, Wang Chengfeng looked at Hu Muzhi and said gratefully: "Thank you, Muzhi. 99

"You're welcome, Mr. Wang." Hu Muzhi waved his hand.

"Muzhi, take the liberty to ask, what is your teacher's inheritance?" Wang Chengfeng asked.

The reason why I ask this is that self-learning calligraphy is a suicidal act when I have no discernment ability.

The teacher's guidance and guidance is the only way to go and cannot be bypassed.

When under the guidance of the teacher, you can see the shortcomings from the beginning to the last, and start to deny your own works. This is the real progress, and it can be said that you have truly stepped into the threshold of calligraphy. Only then can you practice on your own.

This is the principle of "the master leads the door, and the practice is in the "four eight seven" individual".

Although there are methods in the book, the book is dead and cannot find out the shortcomings for you. Furthermore, "it is better to have no book if you believe in the book". Every calligrapher has his own experience, but not necessarily for all. People, this is the reason why the contents of various copybooks are not the same.

3

Hearing Wang Chengfeng's question, Hu Muzhi didn't know how to answer for a while.

You can't tell him, I'm under Wang Xizhi, right?

The other party wouldn't believe him when he said this, and even thought he was talking nonsense.

After thinking about it for a while, Hu Muzhi could only say: "Old Wang, if I said I didn't have a teacher, would you believe me?"

"You can teach yourself without a teacher? And you have practiced calligraphy to such an extent?" Wang Chengfeng was stunned.

At this moment, he felt that Hu Muzhi was a genius among calligraphy geniuses.

Hu Muzhi didn't want to continue on this topic, so he pointed to the Yongle blue-and-white pen wash on the table, and took the initiative to turn aside: "Mr. Wang, can you tell me how you got this wash??39

Since Wang Chengfeng is not an antique dealer, and Hu Muzhi has no intention of accepting the money, there is nothing wrong with asking this question, he just wants the other party to share the story.

"You said this is a wash." Wang Chengfeng said slowly: "It was ten years ago when I went abroad to attend a Chinese calligraphy exchange meeting, and I saw it by chance in a shop in Chinatown.

"When I saw this wash, I felt that its shape was dignified and elegant, simple and fresh, and I immediately fell in love with it.

"But when I asked the price, it was $500.

"You also know that in the early 1980s, the $500 was incredible, and if you add a little more, it was enough to buy an ordinary courtyard house.

"So at that time I chose to give up."

"When the exchange meeting was over and I was about to return to China, I passed by that shop again, and the washing machine was still there."

"I went in and took another look, and the more I looked, the more I liked it. 35

"At the last bite, I took out all my belongings and bought this pen wash."

"At the time, I didn't know it was a blue and white piece of Yongle, because he didn't have a deposit, and I didn't know how to identify antiques. I only knew that the age should be relatively old."

"Later, when I returned to China, I asked my friend who was the team leader of the ceramics group at the Beijing Museum for identification, and only then did I know that it was a Yongle blue-and-white, and it was a famous imperial kiln product."

Imperial kilns are a special type of official kilns, which were only seen in the Ming and Qing dynasties.

The Royal Kiln Factory was officially established in the second year of Hongwu in the Ming Dynasty, and was renamed Jingdezhen Royal Kiln Factory during the Kangxi period of the Qing Dynasty.

In theory, all imperial kiln products should be given to the emperor, and others may not use them.

That is to say, this Yongle blue-and-white brush was probably used by Zhu Di for his daily review of memorials and poems and paintings in his spare time.

"Old Wang, is the friend of the ceramics group of the Beijing Museum the old man Chen Baoguo?" Hu Muzhi asked.

"Do you know?" Wang Chengfeng asked in surprise.

"It is my previous master in the ceramics group of the Beijing Museum. 35 Hu Muzhi said.

"Are you Hu Qin's grandson?" Wang Chengfeng's face became even more surprised.

"You know my grandpa?" This time it was Hu Muzhi's turn to be surprised.

"When I mentioned Hu Qin's name in Sijiucheng back then, no one knew about it." Wang Chengfeng said.

Hu Muzhi did not expect that his grandfather would be so famous.

"Unfortunately, before retirement..." Wang Chengfeng hesitated.

But Hu Muzhi knew what Wang Chengfeng wanted to say, that is, the fact that his grandfather became crazy.

"Old Wang, let's have some tea." Hu Muzhi poured the tea in Wang Chengfeng's cup.

"Drink tea, drink tea." Wang Chengfeng didn't continue the topic, picked up the teacup, and took a sip.

As Wang Chengfeng put down the teacup, Hu Muzhi said, "Elder Wang, I have an unkind request...""

"Muzhi, you can say what you want." Wang Chengfeng said.

"You Yongle blue-and-white pen wash, can you let me go for seven days? Of course, I can take something of the same value as a mortgage, and I will return it after seven days." Hu Muzhi said.

When Wang Chengfeng heard the words, he did not agree, but he did not immediately refuse.

Hu Muzhi felt that there was a drama, and continued: "Wait for me, I will show you my equivalent thing first, you are making a decision.

After that, Hu Muzhi went to the back room.

To say that there is nothing in the void ring that can be equivalent to this Yongle blue and white brush wash.

There are three pieces.

Secret-color porcelain, Zhang Daqian's blue-green landscape painting, enamel-colored porcelain bowl.

Of course, if it can be traded legally, the Western Zhou Jade Pendant is also considered a piece.

As for Wang Xizhi's cursive script "Ping An Post", its value is far more than this Yongle blue-and-white pen wash. What's more, Wang Chengfeng will definitely be fascinated by this thing once it is taken out, and it will not be easy to get it back. Not in Hu Muzhi's consideration.

Eyes wandered from the three antiques.

In the end, Hu Muzhi decided to take out the secret-color porcelain and Zhang Daqian's blue-green landscape paintings for Wang Chengfeng to choose.

As for the enamel color porcelain bowl, the ability has not been successfully extracted, so I will not consider it for the time being.

After making up his mind, Hu Muzhi took out the secret-colored porcelain and Zhang Daqian's blue-green landscape painting from the void ring.

Then returned to the courtyard.

Wang Chengfeng looked at Hu Muzhi holding a picture scroll and a 2.8 porcelain bowl, his eyes naturally fell on the picture scroll first, and asked, "Muzhi, this picture?

"You can appreciate it." Hu Muzhi handed the calligraphy and painting to Wang Chengfeng.

After Wang Chengfeng took it, he slowly opened it.

After seeing the signature, he looked shocked and said, "Zhang Daqian's painting?"

Hu Muzhi nodded slightly.

Wang Chengfeng began to appreciate it carefully.

After a long while, the scroll was slowly put away.

Seeing this, Hu Muzhi handed over the secret-colored porcelain in his hand: "Old Wang, and this porcelain bowl, you can also take a look.

However, Wang Chengfeng waved his hand and said, "Muzhi, don't look at it, I agree to exchange this blue and green landscape."

After everything was over, the two exchanged some experience in calligraphy.

We chatted until more than 9 o'clock before Wang Chengfeng left.