I Can Extract Abilities From Antiques

The next day, noon.

One person came to the courtyard.

It was Tian Guiqin, the original householder of the courtyard house.

Since Yang Enhui went out in the morning and Hu Muzhi didn't come back to sleep until 4 o'clock this morning, Tian Guiqin knocked on the door for a long time before Hu Muzhi heard it.

"Muzhi, why are you still sleeping at this point?" Tian Guiqin asked, looking at Hu Muzhi's sleepy eyes.

Hu Muzhi didn't say anything about going to the stall at night. He yawned and said, "I slept late last night."

"Elder Tian, ​​come in and sit. 55

"I won't go in." Tian Guiqin waved his hand and said, "I came here today to ask if you are free tonight. 35

"I held a calligraphy and painting appreciation meeting at Xieli Tea House in Wu Hanhai, all of my friends who like to collect calligraphy and painting."

The so-called painting and calligraphy appreciation meeting is different from the shopping yard. There is no business here. Some people take out their own collection of paintings and calligraphy together for everyone to appreciate.

In order to improve the appreciation of calligraphy and painting.

Hu Muzhi is naturally interested in this kind of "May 10" painting and calligraphy appreciation meeting.

But soon, Hu Muzhi realized that he currently only has two paintings and calligraphy in his hands.

One is Wang Xizhi's cursive "Ping An Post", and the other is Liu Bowen's words on a red sandalwood folding fan.

Naturally, Wang Xizhi's cursive "Ping An Post" could not be taken out. If it was taken out, it would cause a great sensation.

I am afraid that the threshold of this courtyard will be stepped down.

As for Liu Bowen's words on the red sandalwood folding fan, the ability can be extracted tonight, and if it is taken out, it will have to wait for seven days, which is not worth the loss.

Hu Muzhi could only look at Tian Guiqin with a bitter expression, and said, "Elder Tian, ​​but I don't have any calligraphy and painting works.

"The appreciation meeting, the master is appreciating, you don't have to bring calligraphy and painting works." Tian Guiqin smiled.

Seeing that Tian Guiqin had said this, Hu Muzhi nodded and agreed.

"At six o'clock in the evening, on the third floor of Xie Li Tea House, private room 666." Tian Guiqin told Hu Muzhi the time and the box number, and then left.

At 5:50 in the afternoon, Hu Muzhi came to the Xie Li Tea House, and he entered the private room 666 on the third floor.

At this time, there were already six people sitting in the private room. Except for Wu Hanhai and Tian Guiqin, Hu Muzhi did not know each other.

Originally, Wu Hanhai wanted to stand up to greet him, but he thought that Tian Guiqin was the organizer today, so he just smiled and nodded at Hu Muzhi, which was considered a greeting.

"Come here, Muzhi, sit on my side." Tian Guiqin got up and waved to Hu Muzhi, placing Hu Muzhi on his left.

After being seated, Tian Guiqin also introduced: "Let me introduce to you, Hu Muzhi, brother Hu.

"Don't look at the young age, but the appreciation of calligraphy and painting is not bad at all.

"Didn't you guys keep asking me where did Zhu Da's "Fish" come from? It was bought from Brother Hu."

As soon as these words came out, everyone looked at Hu Muzhi carefully.

"Muzhi, let me introduce you, this..." Tian Guiqin also introduced everyone to Hu Muzhi.

Every time he introduced one, Hu Muzhi nodded at the person.

Following the introduction of Tian Guiqin.

Wang Sicheng, who was about the same age as Tian Guiqin but much thinner, opened his mouth to Hu Muzhi.

"Brother Hu, I wonder if you still have a painting and calligraphy like Zhu Da's "Fish"? I also want to collect one."

When Hu Muzhi heard this, the corners of his mouth twitched. This painting and calligraphy is not cabbage, how could it be so easy to obtain.

He shook his head and said, "Old Wang, there are very few paintings of this kind of famous artist left, it is my luck to get one, if there are still, then my luck is too good, right?

"That's right." Wang Sicheng laughed.

While the two were chatting, a woman came in outside the box.

Hu Muzhi recognized this woman as the waitress of the Xieli Tea House.

"Xiao Cui, what's the matter?" Wu Hanhai asked the waitress.

"Mr. Wu, a person came downstairs and said that he has a catalogue of famous Qing Dynasty families. I want to ask you if you want to accept it." The waitress said.

When everyone present heard the words, they all showed curious expressions.

Catalogue refers to a collection of images of ancient cultural relics and works of art, and it also belongs to a type of painting and calligraphy.

In normal times, Wu Hanhai, who is not good at painting and calligraphy, would definitely have to think about this kind of thing, but today is different.

Everyone here is a collector of paintings and calligraphy. All of them have good eyesight. So many people help with their eyes.

So without hesitation, Wu Hanhai said directly, "Bring him here."

"Okay, President Wu. The waitress responded and left the box.

"Everyone, please help me hold hands and eyes. Wu Hanhai bowed to everyone.

"That's for sure." Everyone responded.

After a while, the waitress walked in with a man.

The man was about forty years old, of medium build, with a square face, and his eyes were deeply sunken, as if he hadn't slept peacefully for several nights.

In the man's hand, he was holding a box.

Seeing so many people in the box, the man frowned slightly.

Seeing this, Wu Hanhai opened his mouth and said, "My friend, don't be surprised, I just made an appointment to have dinner here, and you came to me again. In order not to waste your time, I asked someone to bring you here directly.""

For Wu Hanhai's watertight words, the man nodded to show his understanding.

"Friend, what's your surname?" Wu Hanhai asked.

"Don't give your surname Zhao, just one name." The man replied.

"It turned out to be Brother Zhao." Wu Hanhai said politely, then looked at the box in his hand.

Zhao Yu stepped forward, put the box in his hand on the table, and opened it.

I saw a picture book inside it.

From the surface of the album alone, it is not well preserved

Because it is covered with water stains and mildew.

It is such a picture book of extremely poor quality, but it deeply attracted the attention of Hu Muzhi.

There is no other reason, because in the picture book, you can vaguely see three words.

Cultivation diagram.

Anyone who has an understanding of porcelain knows the value of cultivating pictures.

Pottery map, porcelain catalogue.

The first picture book in Longguo that completely records the whole process of porcelain making in the Jingdezhen Imperial Kiln Factory and combines pictures and texts.

In April of the eighth year of Emperor Qianlong's reign, Qianlong handed over twenty pieces of [Tao Ye Tu] to Tang Ying, the kiln supervisor.

Tang Ying was asked to explain these pottery diagrams in text according to the firing steps of official kiln porcelain, and to write down the sequence.

The steps must be detailed, and the text must be elegant.

The address of the mountain where materials and water are taken and soil is taken must be indicated.

The twenty pieces of this picture are then listed in the order of cultivating.

These 20 pictures are respectively quarrying and making mud, scouring mud, smelting ash and adding glaze, making saggars, gardening molds, gardening blanks, cutting tools making blanks, collecting green materials, selecting green materials, and printing blanks. Milk materials, blue and white garden ware, painting and cutting utensils, dipping and blowing glaze, digging the feet of rotary blanks, forming blanks into the kiln, firing blanks and opening the kiln, gardening foreign colors, bright furnaces and dark furnaces, Sok grass barrels, worshiping gods and making wishes .

It can be said that "Tao Ye 2.8" is a catalogue that records the production status of Jingdezhen Royal Kiln Factory in detail with landscape as the background.

Among the "Tao Ye Tu" in the past dynasties, the one with Tang Ying who wrote the picture is the top grade, commonly known as the eighth-year version of Qianlong.

Tang Ying, courtesy name Jungong, was a member of the White Banner of the Han army, and was a member of the Ministry of Internal Affairs. In the sixth year of Yongzheng, he was appointed to supervise the kiln work in Jingdezhen, Jiangxi.

He was the most powerful superintendent of pottery from Yongzheng to Qianlong.

Tang Ying was born in the Ministry of Internal Affairs and is a family slave.

At the age of 16, he entered the palace to serve.

His background and his experience of entering the palace as a teenager formed him a submissive and cautious character.

In fact, this is also quite normal. Working in the court and not having such a noble background will naturally form such a character.

Therefore, Tang Ying acted strictly in accordance with the will of the leader.

I'll do what you want me to do, and I'll even do it better.

Therefore, all the porcelains produced by Tang Ying's supervision are all fine products.