I Can Extract Abilities From Antiques

Both Sun Fugui and Yang Enhui showed deep envy.

But it's just envy.

Especially Sun Fugui, he understands that even if this thing is put in front of him, he will not be able to see that he is ugly, let alone pick it up.

"Hey, it would be great if I could pick up a random piece from Brother Ru's decision." Hu Muzhi sighed lightly.

The reason why I say this is not to hold a cup. It is because there is too little extraction of the ability of Song porcelain at present, and there is only one secret color porcelain.

Of course, Yaobian Jianzhan ability can also be extracted tonight.

"Brother Hu, you are not as irritating as you." Sun Fugui said.

Because Ru Guan Ge Jun Ding's reputation is too great, Sun Fugui, who doesn't know anything about porcelain, also knows a little bit.

"That's right, why didn't you say that you missed Song paintings? Yang Enhui couldn't help but rolled his eyes.

"Song painting..." Hu Muzhi shook his head.

He had never had extravagant hopes for picking up the Song paintings.

Because this is basically impossible.

First of all, it is because the painting materials, especially paper, are difficult to preserve for such a long time, and the social changes of the past dynasties and dynasties can be preserved very little!

According to the statistics of professionals, there are less than 1,000 works of Song Dynasty paintings (masterpieces) handed down all over the world, and most of them are collected by large museums at home and abroad. !

Moreover, every Song painting is inherited in an orderly manner, and it is definitely not explained by "ancestral inheritance". Therefore, those who want to dream of picking up missing Song paintings on the street are basically daydreams, and they may even be deceived into bankruptcy. .

Every painting of the Song Dynasty can be sold for a staggering price at an art auction.

Hu Muzhi remembers that in 2009, Song Huizong's "Sketch of Rare Birds from Life" had a starting price of 38 million yuan. After nearly an hour of bidding, it was sold for 62 million yuan (including commission).

In the same year, a Song painting "Rui Ying Tu", which had been included in "Shiqu Baoji" by Qianlong, was auctioned 32 times and finally sold for 58 million yuan.

In 2015, the Song Dynasty painting "The Tomb of the Song Dynasty Guo Zhongshu Four Hunters and Horses" was finally signed by the big collector Liu Yi (the one who won the "Ming Chenghua Doucai Chicken Cup" for 280 million yuan) after intense bidding. 80.5 million yuan to take home.

In 2010, the Song painting "Autumn in the Han Palace" sold for a sky-high price of 168 million.

In 2012, a Song Dynasty painting "Wenlu Gong Qiying Meeting Map" started from 32 million yuan. After 20 auctions, the transaction price of 198 million set a record for Chinese painting that year!

The value of Song painting is not only reflected in its orderly inheritance (bjci) and its long history, but also its beauty.

Song painting is not like the splendor of "the city is full of golden armor" in the Tang Dynasty, it has its own subtle and gentle literary style.

Compared with the later paintings of Ming and Qing Dynasties, it is a little more graceful and elegant. So much so that Chinese and foreign art historians regard Song painting as the unsurpassed peak in the classical painting of the Dragon Kingdom.

And all of this is inseparable from the system of painting academies in the Song Dynasty.

The system of the Royal Academy of Painting has existed since ancient times, but the system of painting academies in the Tang and Five Dynasties was not clear, and the government's efforts in investment and mobilization were also limited.

The Song Dynasty Painting Academy was different, and really went all out.

At that time, most of the great painters of the entire Long Kingdom were recruited to the painting academies to concentrate on their creations.

It not only gives the painters favorable economic treatment, makes them worry about food and clothing, and can devote more attention to artistic creation, but also creates an opportunity for painters of different styles to learn from each other and improve each other in a relatively concentrated environment.

In the Song Dynasty, the Capital Academy of Fine Arts gathered almost the best painters in the world. This was equivalent to a Royal Academy of Fine Arts. Looking at the world, it was also the only one at that time!

Therefore, it can be said that the painting level of figures, flowers and birds, landscapes and other subjects in the Song Dynasty is the highest in all dynasties!

Three people, a pot of tea, a fan, and three stools, just sat in the middle hall and chatted all afternoon.

Due to Hu Muzhi's pick-up today, he can't escape if he invites him to dinner at night.

Immediately, he took Yang Enhui and Sun Fugui to Quanjude for a full meal.

After eating, Hu Muzhi and Yang Enhui returned to the courtyard, and Sun Fugui also went home.

Although today is Sunday, Panjiayao is allowed to set up a stall, but because he got up too early in the morning, and he was chatting with Sun Fugui and Yang Enhui in the afternoon, he didn't have a good rest.

Before 9:00, Hu Muzhi went to bed.

Around eleven o'clock, instead of being woken up by the alarm clock, Hu Muzhi was woken up by the ringing of the telephone from Zhongtang's landline.

"It's so late, who is it?" Hu Muzhi came out of the room, muttered something, then picked up the microphone and answered.

"Which one?"

"Brother Hu, I, Sun Fugui."

"Old Sun, is there anything I can't talk about tomorrow?" Hu Muzhi said.

"Brother Hu, today I was shopping in Panjiayao. Guess what I found?" Sun Fugui deliberately sold Guanzi.

"If you want to say it, just say it, if you don't say I'm going to bed. Hu Muzhi has a bad breath.

Don't even look at what time it is, he doesn't have time to chat with Sun Fugui on the phone here.

"Don't, Brother Hu." Sun Fugui continued, and immediately revealed the answer, "I found a Song painting in Panjiayao, asking for 40,000..."

"Song painting?" Hu Muzhi shuddered, and most of his drowsiness disappeared.

"A lot of onlookers around said yes, but I'm not sure, so I want to invite you to come and give me a hand." Sun Fugui replied.

"Old Sun, most of this Song painting is not real." Hu Muzhi reminded him first, then continued: "So before I arrive, don't start blindly."

"Of course." Sun Fugui agreed happily.

"Give me the location, I'll go look for you." Hu Muzhi said.

Originally planned to go to Panjiayao tonight, but Sun Fugui's call made Hu Muzhi ahead of schedule.

"It's on the slope where you set up your stall before." Sun Fugui replied.

"Okay, wait for me, I'll be right there." Hu Muzhi hung up the phone, put on a short sleeve, and went out.

Panjiayao on Sunday is naturally very lively.

The stall that had been set up before Hu Muzhi was now occupied.

The stall owner is a boy of about fourteen or fifteen years old.

The young man has clear eyebrows, but his face is full of arrogance, and he is holding a big brother in his hand.

In front of the boy is a landscape painting.

On the opposite side of the painting, stood Sun Fugui and a group of people shopping at the stall.

And the number of onlookers began to increase, and many people showed a strong interest in this painting.

If it weren't for the rules of the industry, I'm afraid someone would have come up to ask the price.

For no other reason, there is an inscription on this painting and calligraphy - Heyang Li Tangbi.

Li Tang (1066–1150), courtesy name Xigu. A native of Heyang Sancheng, Xia Gui, Ma Yuan and Liu Songnian are also known as the four major painters of the Southern Song Dynasty.

The painters who came from the Northern Song Dynasty Painting Academy to the Southern Song Dynasty Painting Academy are good at landscape painting and figure painting.

In 1127, the Jin army captured Bianjing, Gaozong went south, and Li Tang also fled to Lin'an, where he lived by selling paintings.

After the restoration of the Academy of Painting in the Southern Song Dynasty, Li Tang was recommended by others to enter the Academy of Painting, and was appointed as the imperial edict of the Academy under the title of Cheng Zhonglang. He was nearly eighty years old.

He is good at painting landscapes, changing the methods of Jing Hao and Fan Kuan, and writing the majestic momentum of the mountains and rivers with the sharp and vigorous brush and ink.

In his later years, he removed the complicated and simplified, and created the "big axe".

The landscape paintings he painted had a great influence on the Southern Song Dynasty Painting Academy, and it was the symbol of the new style of landscape painting in the Southern Song Dynasty.

A concurrent worker, it looks like Li Gonglin at first, but the folds of his clothes become square and rigid at the back, and he is famous for his paintings of cows.

Li Tang's style of painting was taught by Liu Songnian, Ma Yuan, Xia Gui, Xiao Zhao, etc. It was widely spread in the Southern Song Dynasty and had a great influence on later generations.

Seeing that there were more and more people, the young stall owner frowned and said to Sun Fugui, "I said, when will your friend come over? 99

"I have already contacted by phone, I will be there soon, you are waiting for a while. Sun Fugui said,

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