I Can Extract Abilities From Antiques

"The carcass is delicate, the glaze is lustrous, the brown spots are scattered, and the slender neck and plump belly shape make this celadon look extraordinarily beautiful. Hu Muzhi secretly said.

At this time, he already knew that this was a piece of celadon from the Longquan Kiln, and it was still in the middle of the Yuan Dynasty.

The reason for this certainty is that Hu Muzhi used the ability to identify porcelain with a single glance.

At a glance to identify the Qing Dynasty porcelain, the jade pot and spring bottle did not respond.

At a glance to identify the Ming Dynasty porcelain, the jade pot and spring bottle still did not respond.

At a glance to identify the Yuan Dynasty porcelain, there are four numbers on the jade pot spring bottle: 1300.

Longquan Kiln, one of the famous kilns in the history of Longguo, is a treasure of traditional porcelain making in Longguo.

It is named after its main producing area is in Longquan City.

It was built in the Three Kingdoms and Jin Dynasty and ended in the Qing Dynasty.

It has a history of producing porcelain for more than 1600 years, and it is a long porcelain kiln system in the history of porcelain making in Longguo.

The Longquan celadon of the Yuan Dynasty not only surpassed the Song Dynasty in production quantity, but also appeared in a variety of new styles and decorations, and was also sold at home and abroad, becoming one of the important trade commodities on the Silk Road.

These Longquan celadon, which were sold overseas with caravans and cargo ships, not only witnessed the development of Longquan kilns, but also witnessed the economic economy of the developed society at that time.

Longquan kiln is famous for burning celadon, among which pink green and plum blue are the most famous.

The two not only bring the beauty of the glaze color of Longguo celadon into full play.

At the same time, it also reflects the extremely high level of aesthetics in the Song Dynasty: no heavy makeup, no gorgeous decoration, elegance in lightness, no word, but full of romance.

Although the jade pot spring bottle in Hu Muzhi's hand is not pink or plum green, it is also a very rare point-colored celadon in Longquan kilns.

This kind of point color celadon originated in the Eastern Jin Dynasty, and the celadon with brown spots can also be said to be a "defect" at that time.

Stippling is a decorative technique in the production of traditional celadon, and the color material is mainly brown glaze, so it is also known as "brown color", "brown spot plus color", "green glaze brown spot" and so on.

The color principle is because the primary color of iron is cyan, and it becomes brown after being oxidized by contact with air.

Green glaze brown spot is a decorative method created by the early Yue kilns, which first began in the late Western Jin Dynasty and became popular in the Eastern Jin Dynasty.

Hu Muzhi didn't understand why a piece of celadon-brown celadon from the mid-Yuan Dynasty was placed by a middle-aged man with this pile of junk?

If you don't understand, (bjci) then ask.

Hu Muzhi put the jade pot and spring bottle in his hand back to its original position, and then came to the middle-aged man, pointed to the pile of debris in the corner, and asked, "Boss Zhang, there is a batch of debris over there. what's going on?"

"Those are the things I sorted out that no one received." "The middle-aged man didn't hide it.

no one pays?

Hearing this answer, Hu Muzhi was overjoyed.

At the same time, I finally understand why the blue-glazed and brown-spotted porcelain in the mid-Yuan Dynasty was left there.

Mainly because this brown spot has no rules to follow, and does not highlight the content and theme.

Therefore, the beauty of this kind of porcelain has not been accepted by the Chinese people.

However, Hu Muzhi knew that there was already a celadon-glazed and brown-spotted porcelain similar to this in the Jiaopen country. Like Yaobian Jiangan, it was defined as a national treasure by the people of the Jiaopen country.

At the same time, another name was also given to this kind of porcelain: Fei Qing Porcelain.

The brown spot on the porcelain itself is a kind of firing defect, but it spread to the footpen country.

It is especially in line with the local aesthetics of mourning, mysterious and wabi-sabi.

After all, there is no uniform standard for beauty.

Just as the old saying goes: in the eyes of the beholder, there is Xi Shi.

"What? Are you interested in that batch of junk?" the middle-aged man asked.

"When I saw the candlestick, I thought of my grandma." Hu Muzhi said nonsense: "Back then, my family was poor, so my grandma would make some extra money to support the family, and at night, she would use the faint candlelight to mend clothes for others."

"Little brother, I'm sorry, it reminded you of your past." The middle-aged man comforted and said, "As long as this business can be done, I will send you the candlestick."

"No, business is business after all, I can't let you lose money." Hu Muzhi shook his head and said, "Look at this, I want all the sundries there, a thousand yuan, how about it?"

The middle-aged man heard the words, his eyes brightened, and said, "Little brother, are you sure?

"Sure." Hu Muzhi said, took out a thousand yuan from his body, and continued: "Look, I have all the money with me."

"Success, you take all one thousand." The middle-aged man agreed without thinking.

Although he also knew that among this batch of debris, the celadon-glazed and brown porcelain was from Longquan kiln, but it was too 'ugly'.

It was placed in Luo Yuzhai for a whole year, and no one asked for a price.

As Hu Muzhi handed the money to the middle-aged man, Xia Yurou also read all four batches.

As for Hu Muzhi's conversation with the middle-aged man, Xia Yurou was listening.

It should be that Hu Muzhi found something precious.

But this is clearly not the time to ask that.

"Boss Zhang, wait a moment, I'll discuss it with my friend." Xia Yurou first said something to the middle-aged man, then came to the side with Hu Muzhi, and whispered, "Muzhi, what do you think these four batches are? Is the batch more worthwhile to start with?”

Regarding the situation of these four batches, although Hu Muzhi just glanced at them in a hurry, he already knew everything.

This gives my own advice: "If you are selling it in Guxuan Pavilion, I think the third batch of goods can be purchased.

The third batch is the batch of jadeite, ancient coins and silver dollars.

It's a bestseller right now.

And Pei Cui jade, ancient coins and silver dollars will also have a lot of increases in the future.

"Isn't the fourth batch not considered?" Xia Yurou asked.

"I don't think about it." Hu Muzhi replied, "Although there is a Qianlong pastel porcelain bowl, it is a porcelain bowl after all, and even if it is Qianlong pastel, its value is very limited.95

The reason why he said this is because Hu Muzhi knew that the Qianlong pastel porcelain bowl, even if it was kept for twenty or thirty years, would be worth no more than one million yuan.

Exchange one hundred thousand now for one million in the future? Isn’t this a pure loss-making investment?

Finally, Xia Yurou listened to Hu Muzhi's suggestion and bought the third batch of goods for 100,000 yuan.

Since they were all small pieces, Xia Yurou saved the trouble of how to transport them back to the capital.

After paying the money, the items are packaged and packaged one by one.

Then put it in the bag that he brought.

Xia Yurou was not troubled, but Hu Muzhi was a little troubled.

Because he spent a thousand yuan to buy the sundries, except for the celadon-glazed brown-spotted porcelain in the mid-Yuan Dynasty, everything else was garbage.

But you can't help but pull it away.

In the end, Hu Muzhi spent 300 yuan in tears and called a transport truck over.

(This chapter contains pictures, click the "Illustration" button in the lower right corner of the screen to view the pictures.)