I Can Extract Abilities From Antiques

204. Xing Kiln White Porcelain with 'Ying'

Saying that, Wang Chengfeng put his hands on his chest facing Hu Muzhi.

With his left hand outside and his right hand inside, he bent slightly: "Muzhi, thank you for letting me still see this ancestral block copy of "Chunhua Pavilion".

"That's not to be so heavy." Hu Muzhi hurriedly supported Wang Chengfeng's arm and straightened his body.

Then he asked: "Old Wang, do you also think this is the ancestral copy of "Chunhua Pavilion"?"

"Yes." Wang Chengfeng nodded and said, "Except for the most obvious Wu Jintuo and Chengxintang paper.

"In this "Chunhua Pavilion Tie", there are also ink book postscripts and seals of the Northern Song Dynasty, as well as the Tibetan seals of Wang Huai, Jia Sidao and others in the Southern Song Dynasty.99

"The color of these Tibetan prints has faded a little over time, but it is still clearly different from the reprinted editions."5

"All the characteristics show that this is the ancestral edition of "Chunhua Pavilion".""

Hu Muzhi nodded slightly when he heard the words, and he also relied on these judgments at that time.

During the conversation between the two, Lin Wentai and Xu Anhua had also finished appreciating the volume of "Chunhua Pavilion" in front of them.

On the faces of the two, in addition to exclamation and excitement, there was also emotion.

I am deeply moved by the exquisiteness of the ancestral edition of "Chunhua Pavilion".

At the same time, Lin Wentai and Wang Chengfeng both took it for granted that the reason why Hu Muzhi was able to write words that were almost the same as Wang Xizhi was that he practiced according to this "Chunhua Pavilion Post".

Both of them admire Hu Muzhi's calligraphy talent.

Although people who imitate Wang Xizhi's brushwork have never been short of people in the past, but like Hu Muzhi, who can write almost exactly the same, there is no one before and no one since.

As for asking Hu Muzhi to transfer "Chunhua Pavilion" to him, neither of them had the intention.

Because the two know that with their own financial resources, they can't sell it at all.

But the two of them didn't, but Xu Anhua did.

After putting the "Chunhua Pavilion Posts" in his hand back into the wooden box, Xu Anhua looked at Hu Muzhi and said, "Little brother, I wonder if you have any intention of transferring it?"

"I don't think so." Hu Muzhi shook his head.

"Ten million?" Xu Anhua tentatively quoted a price.

According to his mind, this tens of millions is enough for ordinary people to squander for several lifetimes.

And Hu Muzhi is also a young man in his twenties.

Definitely can't stand this offer.

However, what Xu Anhua did not expect was that when he heard the price, the expression on Hu Muzhi's face was very calm, as if it was not ten million but one thousand yuan.

Seeing Hu Muzhi shaking his head, Xu Anhua secretly said, "Could it be that this young man is not interested in money?

Where is Hu Muzhi not interested in money.

Mainly because he knew the importance of this "Chunhua Pavilion" and its future value.

"Okay." After being rejected by Hu Muzhi one after another, Xu Anhua didn't mention it again.

Originally, Wang Chengfeng and the others wanted to continue reading the other two volumes of "Chunhua Pavilion".

Naihe, the three of them are getting old, plus they have been standing and watching for two or three hours just now, and their body can't take it anymore.

Just make an appointment next time.

After sending the three of them out of the room, Hu Muzhi thought about it, and put the Xuande stove and the wooden box containing "Chunhua Pavilion" into the Void Ring.

According to Hu Muzhi's guess, the ten volumes of "Chunhua Pavilion" are a whole, and these three volumes should not be able to extract abilities.

However, it turned out that Hu Muzhi's guess was wrong.

These three volumes can not only extract abilities, but also extract three abilities from the perspective of the three countdowns.

This made Hu Muzhi a little overjoyed.

I looked at the time, it was half past two in the afternoon.

Hu Muzhi left the hotel and came to Hollywood Road.

Through wandering around, Hu Muzhi found that the antique street on Hollywood Road is really fast.

A shop that I visited yesterday, I am shopping today, and there are many new items in it.

This also reflects from the side how serious the smuggling will be.

At this moment, Hu Muzhi was watching casually in an antique shop.

suddenly--

A white bowl was found in the hall.

Without getting started, just looking at it from a distance, Hu Muzhi could see that it was a piece of white porcelain.

Porcelain culture originated more than 3,000 years ago and evolved from pottery.

From the Shang Dynasty, through the Western Zhou Dynasty, the Spring and Autumn Period and the Warring States Period to the Eastern Han Dynasty, porcelain has been developing.

It can be said that the Dragon Country is the hometown of porcelain.

There are many types and quantities of ceramics, which can usually be summarized as celadon, white and black.

From the Eastern Han Dynasty to the Wei and Jin Dynasties, most of them were celadon, while in the Northern and Southern Dynasties, white porcelain was the mainstay.

The representative of celadon is Longquan celadon.

The representatives of white porcelain are Xing kiln in Tang Dynasty and Ding kiln in Song Dynasty.

The representative of black porcelain is Jianzhan.

At this time, Hu Muzhi had already taken the white bowl in his hand and looked at it carefully.

The whole bowl is milky white with fine enamel, but if you look closely, you can still see tiny brown eyes in the glaze layer, which is a feature that only appears after a long time.

Although the bowl is covered with white glaze, the glaze is bright and smooth, the color tone is cold, light and delicate, and the hand feel is moderate.

It has the characteristics of a lip edge and a shallow abdomen from the mid-Tang Dynasty to the late Tang Dynasty.

The whole gives a dignified and regular, exquisite, angular, sharp and clean feeling.

At the bottom of the utensils, there is also an engraving of the word 'Ying'.

The word 'ying', at first glance, is carved on the outside of the utensil after it is formed.

The font is clear and the strokes are vigorous.

Hu Muzhi has already made a judgment in his heart through these characteristics.

This is Xing kiln white porcelain in the Tang Dynasty.

Xing kiln was first fired in the Northern Dynasty, declined in the Five Dynasties, and finally in the Yuan Dynasty. In the Tang Dynasty, it was one of the seven famous kilns in the porcelain industry, and it was also the earliest white porcelain kiln in northern my country.

The unique porcelain-making process and advanced firing technology created by Xing kiln are also important milestones in the history of Chinese ceramics.

The kiln site is located in the area of ​​Neiqiu County and Lincheng County under the jurisdiction of Xingtai City. It is the birthplace of Longguo white porcelain production.

The development of white porcelain in Xing kiln marks that Longguo porcelain has entered a new stage from celadon to white porcelain.

In Lu Yu's "The Classic of Tea", "Xing kiln is like silver, Xing kiln is like snow", which shows its characteristics.

Just like a "snow from the Tang Dynasty", with a piece of pure white, it opens up new aesthetic interests in that era of unprecedented openness.

In the Tang Dynasty, the scale was formed, which made the Xing kiln and the Yue kiln equally divided, forming two major systems in which the south was green and the north was white, and they competed with each other.

It laid the foundation for the rise of white porcelain and the development of colored porcelain after the Tang Dynasty.

The emergence of Xing Bai Porcelain is a great leap in our country's porcelain making craftsmanship....

Its technical difficulty is quite high, that is, the iron content in the tire and glaze must be effectively controlled below 1% during the processing and firing of raw materials, so that it can be fired into white porcelain.

However, due to the relatively long period of firing, its technological characteristics are not as familiar to people as those of Ming and Qing porcelain.

As for the 'full' at the bottom of the utensil, it represents a kind of sign.

This kind of carving on the bottom of porcelain has appeared many times in history.

For example, "Zhangjiazao" in Cizhou kiln is a trade mark.

Dingyao's "Shangyaoju" is a special utensil mark for official institutions.

The "shufu" of Jingdezhen kiln belongs to fixed firing porcelain.

As for the "Ying" in Xing kiln, it represents the abbreviation of "Da Ying Ku", a rare treasure in the royal collection of the Tang Dynasty.

The word appears only on objects used by the royal family for their own use and rewards.

This is also the reason why the "Ying" type utensils are often made more finely than ordinary Xing kiln white porcelain, the quality of the fetal glaze is higher, and the shape is more carefully carved and polished.

Moreover, in major auctions, the price of the same shape and size of the same utensils can often be doubled or even several times more expensive than those without the base money!

Hu Muzhi knew that the owner of the shop must not know the value of this porcelain, otherwise it would be impossible to place it in such an inconspicuous position.

In order to win this bowl at a low price, Hu Muzhi suppressed his excitement and asked the shop owner with an ignorant expression: "Boss, why is the word 'Ying' on the bottom of this porcelain? What special meaning does it have? ?

The shop owner was asked by Hu Muzhi, but he didn't answer for a while.

After a long while, he made up a reason and said: "Young man, this 'Ying' means that this bowl is a fine product and is more expensive than other things, so I specially marked it.

"That's it." Hu Muzhi showed a clear look.

He has determined that the shop owner does not know the specific origin of this white porcelain, so he asks: "What is the price of this white bowl?

From the fact that Hu Muzhi could ask such a 'little white' question, the shop owner guessed that 2.8 must be an outsider, so he didn't ask for a price, and gave a relatively 'reasonable' price.

"Eight thousand Hong Kong dollars. 39

"It's too expensive." Hu Muzhi shook his head and began to bargain. Said: "I can't see what kind of porcelain this is, and it's not a famous porcelain, so I want five hundred yuan."

"No, no, I don't have any bottoms for this price." The shop owner shook his head and said, "At least six thousand.

"I can go out to a thousand at most." Hu Muzhi said.

"One price, five thousand." The shop owner said.

"One thousand and one." Hu Muzhi said.

"The price is five thousand." The shop owner didn't give in this time.

"Boss, you're not being kind, you just locked the price." Hu Muzhi said.

"Young man, this is already a loss-making business." The shop owner shook his head.

Hu Muzhi pondered for a while, then said: "Okay, okay, five thousand is five thousand, wrap it up for me."

"Okay, boss. 99

Hearing Hu Muzhi's request, the owner of the shop immediately changed from being called "young man" to "boss".

After taking the HKD 5,000 from Hu Muzhi, he took out a box and packed it for Hu Muzhi.

Tap the screen to use advanced tools Tip: You can use left and right keyboard keys to browse between chapters.

You'll Also Like