I Can Extract Abilities From Antiques

Not only that, but Hu Muzhi also discovered that Xia Yurou's fingers were actually pressing against the edge of the frame, and her little finger was about to squeeze in.

Obviously, this is to see if there is any layering between the framed edge and the scroll.

Hu Muzhi didn't want to cause more trouble until it became clear what was hidden behind the painting.

In order to prevent Xia Yurou from discovering the clues of this painting, Hu Muzhi took the lead in taking the calligraphy and painting in Xia Yurou's hand, and then pretended to look at it.

Xia Heze, who was watching the fun, also came over.

"It looks like an ordinary painting, it's no different." Hu Muzhi said, looking at Xia Heze beside him, and asked, "Do you see any difference?"

"I can't see it." Xia Heze shook his head sincerely.

Seeing both of them say this, Xia Yurou doubted herself: "It should be that I feel wrong."

"Put the painting away."

Hu Muzhi nodded, and he re-rolled the painting, tied it with red rope, and put it into the long box.

"Brother, take Hu Muzhi to familiarize yourself with the situation in the store, and by the way, tell him the price of the antiques."

Xia Yurou handed Hu Muzhi to Xia Heze, and turned around and went back to the office in the back room by herself.

Maybe they are all young people, or maybe this store is their own. Xia Heze also hopes that someone can do a good job in the store, so he talked to Hu Muzhi about the current market recycling of various antiques in detail.

It's just that there are many kinds of antiques, and even some common antiques on the market can't be finished in a day.

Fortunately, there are not many people in Liulichang Antique Street, and there are even fewer guests in the antique shop.

In one day, it received three guests.

It truly embodies that old adage.

Not open for three years, open for three years.

On the first day of work, Hu Muzhi spent his leisure time.

At 6 o'clock in the afternoon, the sky began to gradually darken, and Gu Xuan Pavilion was also about to close.

In Liulichang, the cultural relic store will not open at night. In addition to the low passenger flow, there is a more important point, that is, the antiques in the store are too valuable.

After get off work, Hu Muzhi and Xia Yurou separated and walked towards the large courtyard he rented alone with a rectangular box.

As soon as he returned to the courtyard, Hu Muzhi closed the doors and windows, and then began to rummage through boxes and cabinets to find things.

According to the memory in his mind, Hu Muzhi knew that when 'self' was fired from the museum, he brought back some tools, and these tools are exactly what he needs to use to unveil his paintings now.

Finally, Hu Muzhi found the tools in a box under the bed.

Take out the things you will need to uncover the painting and arrange them one by one.

Hu Muzhi spread another layer of cotton cloth on the long table, and then spread the imitation of Shen Zhou Tongyin playing with a crane in the rectangular box on the cotton cloth.

It stands to reason that when unpacking ancient paintings and calligraphy, the requirements for the environment are very high, for example, the temperature should be controlled at 18 degrees, the humidity should be 60% and so on.

But for the current Hu Muzhi, everything can only be simplified.

But keep it simple, but some requirements cannot be ignored.

That is, in the process of unmasking, you must use distilled or purified water.

Uncovering the painting is a very meticulous and complicated process. If you are not careful, you may destroy the painting behind the original painting, so Hu Muzhi is very careful in this step.

I saw Hu Muzhi took a watering can with distilled water on the side and sprayed it on the side of the original painting.

After waiting for a while, I picked up a piece of cotton cloth to cover the surface of the original painting, then turned on the iron, and ironed the edge of the original painting through the cotton cloth like ironing clothes.

This step is to harden the paper at the corners of the original painting.

As the paper hardens, the paper at the corners begins to separate slightly.

Hu Muzhi took the bamboo knife, aimed it at the slit that had already been raised, and began to move it carefully little by little.

This process lasted for over an hour.

When Hu Muzhi opened the painting completely, finally the work that was hidden under the original painting was revealed.

Looking at the painting in front of him, Hu Muzhi was stunned.

The tiredness of the original painting was gone, but it was replaced by excitement.

After a long while, Hu Muzhi took a deep breath and calmed down his inner excitement. He then carefully picked up the painting and began to examine it carefully.

This scrutiny is half an hour.

"Actually, it's actually Wang Xizhi's cursive book "Ping An Post"." Hu Muzhi was extremely excited.

The reason why Hu Muzhi thinks it is certain is that there are seals of other people's collections on the left and right sides of the painting and on Song Ling's water-separated riding seam.

These collection seals are telling the world that this is a treasure that has a history and has been passed down for thousands of years.

Who is Wang Xizhi?

That is the existence known as the 'Book Saint'.

The "Orchid Pavilion Collection Preface" written by him is also known as the first running script in the world.

And this cursive version of "Ping An Tie" is a masterpiece of Wang Xizhi's calligraphy. It was once praised by Qianlong as the treasure of "Sanxitang", and it is a top collection.

It is drawn in four lines and forty-one characters.

Hu Muzhi remembers that in the 2010 Jiade autumn auction night, the cursive "Peace Post" written by the calligrapher Wang Xizhi was auctioned for a high price of 308 million yuan.

That is to say, a word is worth more than 700 w.

It can be described as a real gem.

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