"Keep You Safe" is a good script in Shen Liang's opinion, but it is a high-quality script in Lei Jiayin's opinion!

Although Lei Jiayin has no shortage of notebooks, there are very few suitable notebooks.

There is a point of view: a good script should proactively find first-line actors.

In fact, a good script itself is something that can be encountered but not sought.

A good script itself is a scarce resource. Even in Europe and the United States, where the film industry is highly developed, it is not easy to get a genuine good script!

Just like literary works, millions of books are published in the world every year, but less than 5% of them can be called fine works.

The entertainment market is very strange. No matter how mature it is, the quality rate will always be only between 5% and 10%.

Therefore, Lei Jiayin knows very well that if you encounter a good script, you must fight for it!

Good scripts and good actors are themselves a process of mutual selection.

After reading the script of "Keep You Safe", Lei Jiayin found it more and more interesting the more he thought about it, so he simply took a leave and came directly to Hengdian.

Shen Liang asked the crew to pick him up...

When they met, Shen Liang first introduced him and then asked: "Brother, have you finished filming?"

"not yet…"

"Then why are you here?"

"I'm not practical," Lei Jiayin said, "What should I do if such a good script is robbed?"

"No one took it away. You were the first one I found. I will definitely wait for your attitude..."

Lei Jiayin waved her hand: "I came here to give the screenwriter and director an attitude..."

"...The screenwriter is my senior brother Dong Leonnian, and he is also the director!"

Lei Jiayin quickly picked up the wine glass: "It's so well written!"

"No, it's mainly because Brother Liang gave me great ideas..."

"Brother Liang's idea? Why did you find me?"

"After I finished writing the script... I found that the male protagonist should be over 35 years old..."

Shen Liang nodded: "So, I'm looking for you!"

Lei Jiayin picked up the wine glass and touched it with Shen Liang solemnly.

Top domestic entertainment actors receive scripts and basically do not eat ready-made scripts.

Think about it, how could an actor look for a script without trying to make himself more successful?

But where can it be so suitable?

Therefore, they prefer that a screenwriter write one specifically for them, but most screenwriters cannot write this kind of proposition composition, or the quality of the writing is not as good as that of their own creation...

Customized text, even the masters can’t handle it!

This causes actors to feel that they can’t find a good script, and screenwriters to feel aggrieved. Others don’t want the ones they have written. They feel that the role is not suitable for them, so they have to write it now. However, the quality of the proposition composition written now must be poor, and others don’t want it. …

Is there the kind of XX screenwriter whose script shocks the big guys in the industry and makes them all beg for help?

Generally not!

Most of the time, a script is sent out, only to be called back a few days later, saying it is not suitable. If the script is really good, then within a few months we find out that another company has approved a project for an identical drama...

And it was signed by a well-known screenwriter in the industry.

Because the selling point of the script is, to put it bluntly, creativity.

Creativity is something that is easy to learn from.

Therefore, it was very funny when I saw Wang Hailin's Screenwriters Association boycotting Guo Jingming and Yu Zheng... Most of the screenwriters from the Screenwriters Association had great plagiarism controversies in their works, and almost all of them had been sued.

Why do you only know how to boycott others? Don’t you know what you have done?

Among other things, the two original works, The Legend of Zhen Huan and Three Lives, Three Worlds, are plagiarized works, and the screenwriters profited from them by adapting them into films.

After the two plagiarized original works were turned into films, they became popular, and some even won many awards. The screenwriters also gained fame and fortune.

There was also Yu Fei who stood up for Tang Qi.

Yu Fei himself did not plagiarize, but not only did he "overturn" the plagiarism incident that was confirmed by everyone through his status as an "authoritative screenwriter", he also included private goods in the "Itinerant Inspection Team" he wrote, and designed a "Centipede Case" Da Kite, the author of "Bai Xiaolian", insinuates that the author plagiarized by Tang Qi is "White Lotus", bringing secondary harm to the victim who was plagiarized.

Why is there no authoritative figure like Wang Hailin to judge "The Legend of Zhen Huan" for allegedly plagiarizing "The Cold Moon Like Frost" by Bandit Wo Sicun?

Because the screenwriters of "The Legend of Zhen Huan" Wang Xiaoping and Wang Hailin are in the same circle!

When we meet, we call each other Taoist friends... No, they are teachers.

Therefore, Shen Liang generally does not seek cooperation with these people. The screenwriters he seeks are basically from the film industry...

After a few glasses of wine, Shen Liang was very chatty and took the initiative to chat about casting...

"Han Lu, I want to find Liu Yan or Na Zha...who do you think is more suitable?"

Lei Jiayin suggested: "Liu Yan..."

"That's okay... Then Liu Yan, senior brother, what do you think?"

Dong Runnian shook his head: "Is Liu Yan's age inappropriate?"

Shen Liang thought for a while and said, "Then change the age to thirty...and then change the donation number to 6 million...that's appropriate!"

"Okay," Dong Leonian sighed: "Actually, I thought about changing it to an imperfect victim..."

Lei Jiayin was confused: "Imperfect victim?"

"Han Lu has really been engaged in import and export trade, and has really sat on the stage..."

Shen Liang interjected: "No, not to mention that complaining about a lady sitting on the stage is not in line with the mainstream trend of thought. If you really set Han Lu to be a lady sitting on the stage, it will only deviate from the theme and values.

Although Han Lu passed away at the beginning, she is actually the real heroine. Han Lu's identity determines the theme and values ​​of the story.

Dong Runnian also nodded: "It is absurd that being a prostitute can be a crime... But the philanthropist who donated money is a prostitute, which is still hard to accept! If her identity is really a prostitute... the plot will be difficult to handle!"

"Yes, this story itself is not about innocence but proving innocence! The theme of the movie is that it takes only one mouth to spread rumors, but it takes a lot of effort to refute them, and it is against online violence and rumors! In the end, you designed a story that Han Lu is really a prostitute, which is too ironic. Will that kind of despair really sublimate the theme of the movie?"

"What are you talking about?"

Wu Jing walked in with two bottles of Maotai: "Oh, Lei Jiayin is here too?"

Shen Liang stared at Moutai was served: "Oh, 15-year-old Moutai, Brother Jing, you are so cool!"

"I must drink good wine with you!"

"Come on, let me try..."

Wu Jing opened the bottle cap and asked by the way: "Don't you have any good wine collection at home?"

"I haven't been home much in the past two years... But I bought a lot of Moutai stocks... When I have free time in a while, I can collect a few boxes..."

"As long as you talk, there are people who will give it to you!"

"That won't work, I'd better spend money to buy it with peace of mind..."

Four people, each poured a cup...

It's not the kind of clear white, but an oily yellow, and the cup hanging effect is also very good, forming a thick line and slowly sliding down.

The aroma is very clean, without any impurities, giving people a delicate feeling.

Wu Jing remembered something: "I asked them to write three versions of the script of "Tai Chi Master", and I always felt that it was a little bit off..."

"It's hard to fill a movie with a plot, right?"

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