I Just Want to Copy Books in Peace

As for the four following "Ghost Blowing the Lantern", "Huangpizi Grave", "Returning to the Ruins of the South China Sea", "Angry Eyes in Xiangxi" and "Wuxia Coffin Mountain", in fact, in the eyes of readers, whether it is the integrity, logic, or literary nature of the story Artistic, there is a big gap with the first four.

It feels like Tian Ba ​​Sing reluctantly wrote it for the sake of having a good meal. When writing, he has lost his passion and has not considered it comprehensively.

Du Caige decided to make major changes to these four parts.

Since the changes will be relatively large and require more originality, it will naturally require more thinking and inspiration.

It's closer to creation, not completely transported.

The speed will naturally decrease.

If the rewriting doesn't go well, he may give up the last four, not wanting to leave too many regrets and stains on the masterpiece "Ghost Blowing the Lamp".

The first 4 are enough to change the movie to the manga.

There is also another plan, which is to concentrate on writing "Angry Eyes in Xiangxi", because this one is evaluated as the most complete and most detailed one among the last four.

In this part, Du Caige may combine the "Sixteen-character Yin-Yang Fengshui Secret Techniques" of the last four parts, and the related content such as touching the golden talisman's previous master will be concentrated in one "Angry Eyes of Xiangxi", which will be released as the finale of the whole book.

But he wasn't sure if he had such power.

After careful consideration, Du Caige decided to spend only one hour a day to continue writing "Ghost Blowing the Lantern", and when the "Kunlun Shrine" part was completed, he began to move the third book.

Not that he felt that the third book he was about to move was a classic novel beyond The Ghost Blowing Lamp.

The original is actually a game, a classic in the minds of game fans.

The novel is unremarkable.

However, Du Caige really wanted to put this story on the screen, so he would rather take some time out to move this book so that people can have such a story in their minds first.

He has even started sorting out the memories in his mind.

The novel of "The Legend of Sword and Fairy", in addition to the fan stories written by netizens for the love of power generation, mainly has two versions.

One is the so-called official version, which is a story written by the "Father of Immortal Sword" Yao Zhuangxian to the great god Guan Pingchao of a Chinese network Xianxia channel, mainly combining the game's Xian 3, Xian 4, and Xian 5 parts together.

There is also a version written by the state of Chu, which is mainly based on the plot of Xian 1 in the game, and some of the plot of Xian 2, but it is not finished.

As for the comments on the Internet... One-sidedly, I think that the Chu version is well written, and the great god of Guan Pingchao is: hetui.

In fact, it is not because of the lack of writing skills of Pingchao Great God, but because the writing style is not suitable, and the strength and ambition do not match.

Since Du Caige intends to carry "The Legend of Sword and Fairy", he naturally has to consider it comprehensively. If it has been proved to be inappropriate, he will naturally not touch it.

He is going to write the part of Xian 1 first, and the film will be mainly based on the plot of Xian 1 in the future. Roughly, you can copy the version of the state of Chu, and then make some adjustments with reference to the plot of the TV series.

Then, don't touch cents 5 and cents 6, just write one cents 2, one cents 3, and one cents 4.

Refer to some of Guan Pingchao's works, and also refer to the fan literature written by game fans, as well as the game plot, and make a substantial rewrite.

In other words, he only concentrated on writing the stories of Sin 1, Sin 2, Sin 3 and Sin 4.

As for other things, it is difficult to unify the world view, so I don't try to touch it.

In his opinion, The Legend of Sword and Fairy is actually not very "Internet novel".

However, with the current popularity of "Ghost Blowing the Lantern", his next serialization of "The Legend of Sword and Fairy" should still attract some readers.

Then mainly go the publishing route.

In fact, in the field of immortals, there are many fine products on the earth.

Not only "Legend of the Sword and Fairy", but also the game copywriting and plots of "Swordsman Love", "Xuanyuan Sword" and "Gu Jian Qi Tan" series are outstanding.

It's just that he didn't have time to carry them all over, but it would be a pity if there were no such wonderful stories in this world.

In particular, in Azure Star, martial arts culture and Xianxia culture are the main cultural exports of Dahuaguo.

It is not only a way of entertainment, but also the foundation for the cultural industry to go abroad and promote the prestige of our country.

His current thinking is to find time in the future to dictate the outline of the story to the appropriate author and authorize the other person to write the story.

It can be regarded as a contribution to the cultural export of Dahuaguo.

...

"You're killing me, Big Fish, the old man thought. Of course you have the right to do it. Brother, I've never seen anything greater, more beautiful, more composed, more noble than you. Come on, Come kill me. I don't care who kills who."

"I don't understand, the old man thought. He almost feels like he's going to break every time. I don't understand. But I'm going to try again."

"He put all his pain, his residual experience, and his long-lost self-esteem against the big fish of pain."

"Now they've beat me down, he thought. I'm an old man, and I can't kill a shark with a stick. But as long as I have the pulp, and the stick and the tiller, I'll fight it."

"'But a man is not born to be defeated,' he said. 'You can kill him as much as you can, but you can't beat him.'"

"In the thatched hut on the top of the road, the old man is fast asleep again. He is still sleeping on his back, and the boy is sitting beside him and watching him. The old man dreams of the lions again."

Mo Yu took off his reading glasses, curled his pale, dry lips, and said to his son who was a little distracted and kept yawning, "Help me post a Weibo post. I won't play with that stuff."

His son was refreshed, "Okay, what do you want to say?"

"Let's just say," Mo Yu's tone was very flat, "I like this novel very much. This is a rare and excellent work in recent years. And what about the Aite function? I remember that this year was the Bai Yang Literature Award. It’s been a year since the awards, please help Aite to check the official WeChat account of the Topol Literature Award Committee, saying that I solemnly recommend this novel to compete for this year’s Topol Literature Award for Best Novel and Short Story.”

His son did not hide the shock in his eyes.

After a while, he said, "Okay, I'll go and help you get it right now."

...

Just after the May Day holiday, the literary and art world was shaken by a piece of news.

Mo Yu, the only two Nobel Prize winners in literature in China, updated a Weibo post, complimenting an online novel "The Old Man and the Sea" published on the founding Chinese website, and used his right of recommendation to recommend it to him. The Aspen Award Committee recommended this novel to compete in the "Best Novella Award" competition unit.

Wang Mo, the chairman of the National Writers Association before, also recommended this novel, but how should I put it? Although Wang Mo is the chairman of the Writers Association, he has not even won the Baiyang Literature Award. Everyone regards him more as a "capital stubborn master". A "well-written bureaucrat", "a great-faced, hand-eye-seeing literary veteran" and so on.

People in the circle know how powerful he is, but to the general public, Wang Mo? It seems to be a book writer, I heard it.

But the weight of the Mo language is completely different.

"Master of Literature in Great China", "National Teacher", "Noble Prize Winner", "Remember the horror of high school textbooks being dominated by Mo language", "After graduation, I finally don't need to memorize articles in Mo language".

Even if Mo Yu's Weibo doesn't actually have many fans, he rarely updates it once a year or so. Even everyone knows that Mo Yu, who is in his seventies, doesn't actually play Weibo, and someone else must have updated it on his behalf. .

But a punctuation mark on his Weibo will be analyzed and analyzed by others.

Wang Mo's recommendation of "The Old Man and the Sea" means that Hemingway is officially accepted by the traditional literature writers and is no longer a discriminated online writer.

Mo Yu's recommendation of "The Old Man and the Sea" basically confirms that "The Old Man and the Sea" will be shortlisted for this year's Baiyang Literature Award in the short and medium competition unit. The novels compete for 3 awards together.

On the other hand, it also pushed Hemingway's status in the circle to a new height. Hemingway is no longer "a newcomer author who has just washed away his identity as an online writer and was finally recognized by traditional literary writers", but is a "Nobel Prize tycoon" Promising newcomer author".

This is a completely different concept!

Soon, the official Wei of the "Dahuaguo Middle School Textbook Compilation Committee" interacted with the Moyu boss playfully: "Otherwise, the old man can help you to extract a paragraph from this novel that you think is the best, simplify and polish, We will add it to the Chinese textbook for the first year of high school next school year?"

Du Caige also got the news almost immediately, and his godfather Huo Yanying even called to congratulate him.

"You have reached a new level by crossing the border. If you really win this time, you will be the first person in China to win the highest award in both the pop music field and the literature field." Mr. Huo joked in spirit.

Du Caige swore that he never thought "The Old Man and the Sea" would have such a big impact.

"The Old Man and the Sea" is really awesome, and it won the Nobel Prize for Literature on Earth. But the background is completely different.

He overlooked one point: good literature has the power to move people forever.

...

The voice of the Nobel Prize winner brought a very intuitive consequence: the group of navy who had been attacking the pseudonym "Hemingway" suddenly stopped attacking "The Old Man and the Sea", and only caught "Zhu Xian" And "Ghost Blowing the Lamp" can be very dark.

No way, the Nobel Prize in Literature, the candidate for the Bai Yang Literature Prize hand-picked by the literary giants, this... I really don't have the courage to go black.

If this continues to smear "The Old Man and the Sea", saying that "The Old Man and the Sea" is a mystery, people will reply: "The Nobel Prize boss said this book is good."

If "The Old Man and the Sea" is moaning, people will reply: "The Nobel Prize boss said this book is good."

If the plot of "The Old Man and the Sea" is thin, people will reply: "The Nobel Prize boss said this book is good."

Totally speechless.

But on May 8, something exciting happened to the Kuroko.

Another Nobel Prize winner in Dahuaguo, the literary master "Lu Wu", updated a Weibo.