I loaded the ghost talk game

Ibaraki Prefecture.

Near Yoshikoji Temple, the dark path leading to the back mountain.

A dim light was flickering on the path.

The simple wooden treasure house was moving on the path in an extremely strange manner.

From the bottom of the cabin, six thighs made of ink extend out, moving forward steadily.

This makes the entire treasure house look like a ridiculous giant beast. The dim light emitted from the house is like the half-open and half-closed single eye of the giant beast's head, which can barely illuminate the area in front.

Ahead is the corner of the dim road, but the giant reptile-like treasure house does not turn here. It seems that it intends to crawl into the depths of the mountain forest like this.

And just when the wooden house was about to climb up the hillside, a strong motor sound came from behind it.

Two bright lamp posts pierced the surrounding darkness. Where the light shined, fine dust could be seen flying. At the same time, the outline of the monster-like treasure house was illuminated extremely clearly.

The long-legged wooden house did not react to the abnormality behind it.

It has no sanity in the first place, nor is it a ghost story. It is just an ordinary building affected by the painter's ability.

Bah--

The screech of brakes sounded.

The ghost Mazda driven by Toshima Oishi appears in the state of [Ghost Acceleration].

The Kamiya family's mobility scooter was blazing with terrifying black flames. It was huge, thick, and rough, like a running iron block, and was filled with a sense of blood-spraying violence.

The moment the vehicle slowed down, there was a figure, holding an Odachi as bright as a star, leaping out of the back seat door nimbly and swiftly.

The figure, illuminated by the bright car lights, fell and rose, and finally descended from top to bottom and landed on the roof of the treasure house ahead.

boom!

There was a loud bang.

The Baobao House that was trying to climb the slope made a creaking sound and pressed heavily to the ground, causing the soil to dent a bit.

And the six thick legs made of ink and wash also disappeared at this moment, and the dim light in the wooden house shook violently.

Over the mountain forest, a crescent moon hung high. Kamitani River stood on the roof of the Hundred Treasures House, and the pale moonlight fell on the top of his hair and shoulders, and reflected the glimmer of light on the blade of the boy Kiri Yasutsuna in his hand.

His pupils shrank, deep and a little angry at the same time, and he looked down at him: "Is this the thing? Xiaolu and Tsurumi are in here?"

"Aba Aba!"

The little old man appeared next to his master and nodded repeatedly.

"OK."

Kamiya was originally at Horunji Temple in Kyoto tonight.

Then suddenly I received a report from the little old man, saying that the two human eldest ladies in the family encountered some trouble while visiting the Summer Night Festival near Yoshikoji Temple.

So Kamiyagawa took a ghost car to Yoshikoji Temple in Ibaraki Prefecture.

The straight-line distance between Horunji Temple in Kyoto and Yoshikoji Temple in Ibaraki Prefecture is approximately 500 kilometers. The ghost car at home, which has been upgraded many times, is moving at full speed when it enters the [ghost acceleration] state, and it only takes ten minutes to arrive.

In fact, Kamiya's hearse team has mastery of land and water transportation.

Within the entire territory of Japan, no matter where you want to go, you can get there quickly.

On the way, the scout roughly explained the situation in Ibaraki to his master in real time.

So Kamiyagawa roughly grasped the encounter between Xiaolu and Tsurumi——

I don’t know where this old guy came from, and he actually wanted to kidnap his two beautiful little apprentices!

Tong Ziqie waved down.

The sword light, as bright as a star, flickered, and although he restrained his strength, it still directly lifted off the roof of the Treasure House.

Kamiyakawa jumped into the treasure house.

Through the dim light in the room, one can see an extremely long scroll on the wooden wall.

It stretches and hangs on the wall, almost covering the three walls except the main entrance.

There is no scenery or image on this scroll, it is only filled with thick and heavy ink.

From time to time, you can still see ink stains splashing and falling on the scroll.

In this huge scroll, Kamiyakawa keenly glimpsed the auras of his disciples.

"It seems that the two of them have indeed entered the scroll."

Kamiya took out the Amado Bronze Mirror and the incomplete Amano Tail Yuzhang from the [Mirage Cloth Bag] on his waist.

The combination of these two artifacts can smoothly break the shackles of any space.

Used to help the disciples get out of the picture scroll, it is completely overkill.

However, Kamiyagawa did not take action immediately.

He glanced at the scroll on the wall again, and could clearly feel that the auras of the two apprentices were very strong and stable.

When they were almost catching up to the Treasure House, the little old man reported that the young ladies had started fighting with the painter.

And now the Divine Valley stands between the scrolls that accommodate Xiaolu and the others.

With his extremely keen perception ability, coupled with some spatial stabilization effects provided by the Amado Bronze Mirror, he was able to more clearly see the fighting situation in the thick ink cover in the scroll——

Xiaolu and Tsurumi were locked in a fight with the painter, and for a while they couldn't tell the difference.

Moreover, the even battle was achieved by the apprentices relying on their own hard strength. Whether it was Kanoya's shikigami or Tsurumi's blessing from Mary, these were regarded by Kamiya as an integral part of the apprentices' own strength.

Some of the extra back-ups left by their side have not been activated.

"Um……"

Kamiyakawa pondered for a moment and took out his cell phone.

On the page of "Kaitan Monogatari", you can see a new text notification——

[Special event mission, [When Encountering the Demon·Eight] has been opened! ]

[The core requirements of this mission are as follows: Defeat the members of the "Encountering Demonic Time Organization", Wei Shi. ]

This demonic event popped up just now when Kamiyagawa was riding a ghost car near Yoshikoji Temple.

It is now almost certain that the person who tried to kidnap the disciples was a non-special member of the Feng Mo Shi organization, Wei Shi.

So Xiaolu and Tsurumi teamed up, and in a short period of time they were fighting a 50-50 fight with a member of Enma.

I have really grown up...

Master expressed some relief.

Kamiyakawa raised his head again and looked at the scroll on the wall again to confirm the aura of the disciples and judge their battlefield situation, and then gave instructions to the little old man beside him:

"Anyway, I'm already here, so I'll give them a chance to practice properly. If things don't go right, you can help them and don't let Xiaolu and Tsurumi get hurt."

…

In the picture scroll.

The two apprentices of the Kamiya family were still fighting with the painter and Liuli.

And this strange space filled with twisted darkness suddenly began to tremble violently at a certain moment.

This made everyone in it a little unsteady.

As the owner of the scroll, the painter was the first to sense something was wrong.

This sudden violent vibration must be because of something happening outside.

The painter separated a little consciousness and peeked outside. The outside was shrouded in a glow similar to the rising sun, making it impossible for him to distinguish the specific situation.

Something is definitely wrong.

Unexpected changes tonight were really one after another.

But the painter, who knew that something was wrong, found it difficult to escape from the painting.

Tsurumi Aoi, who was fighting fiercely with him, was extremely fierce, like a fighting dog with all its fangs exposed. The red Ichimonji attacked quickly and fiercely, and every slash was like a strong wind, making the painter who was blindly defensive somewhat overwhelmed.

What's even worse is that the side of "Liu Li in the Painting" is completely entangled with another girl and her shikigami.

There is absolutely no distraction to assist the painter.

Let alone the girl whose details are unknown for the time being, let’s just talk about Tsurumi Aoi.

According to the painter's previous investigation of Tsurumi, about three months ago, Tsurumi Aoi was still at a level where she had no skills at all, and her swordsmanship was stuck at the extraordinary bottleneck, neither improving nor falling.

So, what happened during the time he spent more than three months in seclusion to further improve his ability to break through the "painted glass"?

Why has Tsurumi Aoi's strength improved so much?

In the end, the painter still suffered a loss in terms of information. He was not the type with outstanding perception in the first place.

According to his previous preparations and plans, as long as the "painted glass" breaks through to the level of the Aragami, he can completely suppress the blessings of the gods at Yoshikoji Temple, and abduct Tsurumi Aoi with absolutely no risk.

But what he didn't know was that during the period when he was in retreat with "Painting Glass", Tsurumi Aoi had already joined Kamiyagawa's family.

Yoshimitsuji hugged the strongest thigh in the world except for spirits.

In fact, the painter knew very little about the Kamiya River.

Haishi, who controls the Fengmashi organization, simply gathers a group of anti-social "lunatics" who can accept extraordinary powers and provides them with some resources for growth. In fact, he doesn't care about the life and death of these Fengmashi members at all.

He did not provide them with any information about the countermeasures room at all, and even deliberately guided them to fight on their own.

The shady painter has no serious background in the countermeasures room, so naturally he has no way to obtain first-hand information about ghosts and gods' disciples.

And when the painter came out, it happened to be a gap period between Kamiyagawa and Horunji Temple in Kyoto.

Tsurumi Aoi returned to her hometown in Ibaraki.

Therefore, from a painter's perspective, there is nothing unusual about the Tsurumi family's granddaughter these days.

Through his observations around Yoshikoji Temple, the only thing worth noting today is——

During the day, a cute and harmless strange girl came to Yoshikoji Temple to play with Tsurumi Aoi.

That's all.

In order to successfully abduct Tsurumi Aoi and transform her into that perfect glass, the painter has been preparing for a long time.

Now "Liu Li in the Painting" has just become an Aragami, and his strength has greatly increased.

The painter didn't want to delay it any longer. If it were delayed any longer, the "painted glass" would become weak because it could not get the faith power Aragami needed.

Moreover, Tsurumi Aoi is almost 18 years old.

There is only more than a year left before turning 19.

Paranoid and morbid, the painter who only wants to shape Tsurumi Aoi into the "perfect glass" in his mind doesn't have much time left.

He had to act.

…

clang!

The red and pale blades bit together again, and the sputtering red and white light tore apart the twisting darkness around them.

The painter holding the smiling Qingjiang took several steps back, already looking a little embarrassed.

On Tsurumi's side, the red ghost aura on Ichimonji and the blessing power given to her by Mary became stronger and stronger, making her become more and more courageous as she fought, seemingly tireless.

If he keeps playing like this, until Painter's strength is exhausted, he will lose to Tsurumi Aoi at home.

The painter, who was already restless because of the completely unknown changes outside, had already realized this. He raised the big wakki in his hand and said, "Granddaughter of the Tsurumi family, I don't want to hurt you."

Tsurumi Aoi doesn't like this at all.

Her brows furrowed slightly with disgust, and without saying a word, she picked up the knife and continued the pursuit.

The words fell with a scream that broke through the air.

The smiling Qingjiang in the painter's hand once again flashed with a cold and strange sword light, and an illusory and sinister face came out from directly in front of him, blocking the sword.

Then in the painting, the squirming black became thicker and overflowed.

The painter's figure flashed and disappeared into the thick, snot-like black.

"These……"

Tsurumi Aoi narrowed her eyes slightly, sensing something was wrong.

In the space, the messy black juice covered her ankles in an instant, and like melted asphalt, it hindered her movements...

On the other side of the battlefield——

Xiaolu's team is playing smoothly.

"YoYo!"

Red Deer, who was roaming flexibly on the battlefield, seized the opportunity and once again summoned the aura of "blindness and stupidity" to control Liuli.

"You are the bad guy who treats me like a top!"

"Fur!"

Mimizi and Sanglang attacked from both sides.

The powerful little kappa's smooth skin is covered with a thin layer of flowing water, which originates from a small bowl above her head. Now a D-level Mimiko, as long as she disperses a little bit of kappa water, she can control it to become a considerable amount of water, which can give her a good combat boost.

Mimizi jumped up on the spot and hit Liuli with a heavy punch in the face.

This punch hit, and half of Liuli's ferocious face was dented, twisting together like a ball of crumpled paper.

Sang Lang, who was attacking the enemy's back with a golden dagger, also succeeded simultaneously.

By the time it fell back to the ground gracefully and lightly, a large gash had already opened on Liuli's back.

However, no flesh and blood were seen, and the wound was like a piece of withered paper being cut open.

Whoops!

The imperial incense burner in Lu Yewu's hand drew a sharp arc in the air.

He hit Liuli hard on the chest.

Continuous three-party attacks, although Liuli was briefly awakened from Red Deer's control.

But the solid damage still caused the ghost in the painting to fall to the ground.

Xiaolu seized the opportunity, raised the muzzle of the Glock, and poured out fire without any effort.

A total of seventeen bullets engraved with Sanskrit were fired, and the first seven or eight hit Liuli's body, further injuring her with holes.

But the subsequent bullets failed to hit the target.

This is not because Xiaolu's marksmanship is inaccurate. She has practiced shooting well in the strategy room. She has no problem hitting immovable targets at this distance.

But the problem is that during the process of Luyewu's pursuit of victory, the space of the picture suddenly changed.

Liuli, who was lying on the ground, was engulfed by the overflowing thick black, and his injured body suddenly disintegrated and blended into the environment.

"Well?"

Kanoya knew something was wrong, so he called the shikigami to gather around him, and quickly joined the junior sisters on the other side, standing side by side.

Then, in the sight of the two girls, colors suddenly rolled out of the thick black in the environment——

Red, yellow, orange, green, purple...

Countless colors crash together like a violent flood.

These colors do not simply merge, but impact and penetrate each other in an almost wild way, as if competing for every inch of space. They tear and entangle with each other, sometimes blending into one, and sometimes acting independently.

Such a strong collision of colors makes it feel a bit like those corpse paintings painted by painters.

It is extremely rich, dazzling, bizarre, and suffocating, with a ferocious aura of death.

Being in this "canvas", Kanoya and Tsurumi's senses seemed to be completely aroused and strengthened. They felt unspeakable fear and horror without self-control. (End of chapter)