I Really Can’t Act

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Try to love me more than half! When filming this time, Mei Zihan subconsciously borrowed Jiang Ying's performance method. It is a reference, not an imitation, because imitation cannot be imitated. Mei Zihan knows himself very well.

In fact, being able to have such a performance was beyond his expectations.

And what happened today, as Jiang Ying said, the director didn't see anything wrong.

Wang Xiaoman may see a little, but after all there is only one scene, she still has her own part to shoot, it is impossible to concentrate her energy on Mei Zihan completely. Perhaps when the two of them have rival play, Wang Xiaoman will feel more profound.

With the smoothness and energy of the first scene, Mei Zihan was particularly smooth when filming the next scene. The director also smiled, and always praised Meizihan, hoping that he would continue.

Writer Zhang writes and shoots, which will inevitably be affected a bit. At least the character "Xiao Wenwu" has a bit of "human nature", not just a simple harlequin.

However, Mei Zihan's happiness and complacency only existed in the crew. After leaving the class, it was completely different.

With the increasing number of scripts and the fullness of the role of "Xiao Wenwu", Jiang Ying's "tuning and teaching" to Mei Zihan also officially started the agenda.

Mei Zihan didn't come from a science class. The way he entered the entertainment industry can only be said that he accidentally hit and accidentally brought a bit of luck, but his luck was really limited. Although I've been filming for so many years, I haven't made any fame at all.

He also had a broker before, but he was "fired" unilaterally by the broker.

When Mei Zihan lost his agent, not only did he not feel that he had no future, but he felt that it would be great to have no agent to point his fingers, and he got more money, so he just stayed idle.

In other words, Mei Zihan's acting skills today are honed by shooting thunder, which is more fragile than foam. If it weren't for his good personality and a few good friends, and if he was talented, he wouldn't even be able to get a thriller now.

After thoroughly understanding Mei Zihan's "abilities", Jiang Ying felt that this would be the biggest challenge he encountered.

First of all, Mei Zihan is not only young, but the older he is, the worse his learning ability is. It is obvious to all. Not to mention that Mei Zihan still has work and it is impossible to put all his mind on learning. The second is Jiang Ying's own problem.

He is a public and private person.

Before class, he could chat with Mei Zihan and even do some intimate actions, but once he started teaching Mei Zihan, he would unconsciously become serious. Helpless Mei Zihan always puts more time on his face than in textbooks and movies.

But Mei Zihan is not without his advantages.

He didn't learn fast, but he could apply what he learned, practice at night, and use the knowledge he learned in the crew during the day. What needs to be worried about is whether Mei Zihan can always adapt to this situation of two shifts. Secondly, once Mei Zihan entered the state of learning, he would be particularly focused.

This probably has nothing to do with Mei Zihan's birth at the Normal University.

Although Jiang Ying still does not know why Mei Zihan, who was admitted to the Department of Foreign Languages ​​of Capital Normal University, entered the entertainment circle, Mei Zihan did not mention it, and he did not ask.

His relationship with Mei Zihan has not been close enough to be able to selflessly share his family and privacy. Men and women still need time to accept another person into their lives, especially between men.

The first lesson Jiang Ying gave Mei Zihan was how to act as a "woman."

Generally speaking, actors can be divided into expressive and experiential.

To put it simply, experientialism is to experience the role through the actors themselves, and to show the character's behavior correctly and logically. When performing, treat yourself as the character and act accordingly. This has the advantage of being able to enter the drama quickly and performing well, but it requires certain talents, and there is also the danger that it is easy to enter the drama and difficult to get out of the drama.

And expressionism is different.

They systematically study, repeatedly study the script, and shape the character according to the concept of the character, so as to achieve a good performance. For example, people cry when they are sad, their eyes move when they lie, and so on. Some iconic little movements can well show the character of these characters. At present, the major film and television colleges are almost the same.

Expressionism and experientialism cannot say who is good or who is bad, but as an actor, at least they must make some attempts.

The rattle requires a hammer.

It was impossible for Mei Zihan to learn systematically step by step. The performance of Mei Zihan also shows that he is not an orthodox actor, and he is more suitable to find his own shortcomings through "performance".

In other words, Mei Zihan's previous performances were more of an expressive style, but in his bones was a rather strange "experientialism".

"For five minutes at random, you can say anything and do anything, just convince me that you are a woman." Jiang Ying moved to the stool and held the camera in his hand (I don't know when he bought it).

Actors are different from ordinary scholars. Scholars can enrich their knowledge through books, but actors must perform through behavior, language, and certain practices.

Mei Zihan has never acted as a woman. The only thing he and women are similar to is that their sexual orientation is male. But now Jiang Ying asked him to act as a woman, and he could only bite his head.

After the show, Mei Zihan didn't want to see himself in the camera.

"You're not acting as a woman, I think it's more like a neurosis of 搔. 首. 弄. 姿" Jiang Ying said, covering her forehead, "I think you can watch a few movies about women today, and You need to observe women ’s behavior and movements in your crew. It ’s not that you must be feminine if you make artificial sounds. ”

Although Jiang Ying did not show it clearly, Mei Zihan thought Jiang Ying should be disappointed with him.

Well, you can tell by the taste of dinner.

Damn, this dish is getting lighter.

Mei Zihan fiddled with the dishes in the bowl, and the bird faded from her mouth.

When filming the next day, Wang Xiaoman found that Mei Zihan's eyes had been staring at him tightly.

If she doesn't know Mei Zihan, Bacheng would think that Mei Zihan looked after her.

"Xiaomeizi, although we are going to play the opponent's play next time, isn't it a bit too early to start brewing emotions?" Wang Xiaoman asked tentatively.

She has seen Mei Zihan's performance these days, and she was pleasantly surprised to find that Mei Zihan had some trends.

She is really sorry for Mei Zihan.

At such a good age, his life should not be turned in such a thriller.

But now the artist is getting younger and younger, and Mei Zihan has been labeled as "Thunder". Which decent company would like him? In comparison, there are many newcomers who are blank and can be shaped at will.

Now Mei Zihan is willing to make progress, she is very happy for Mei Zihan.

After giving birth, she probably really wanted to retire and become a full-time wife.

If you can't fulfill your dreams, then if your good friends can do it, it will be a complete comfort.

"Sister Xiaoman, I'm doubting life." Mei Zihan said quietly.

"what?"

"Sister Xiaoman, do you think this kind of life is not good?" Mei Zihan looked at the vegetables in his lunch box with a look of grief. "We have earned more than ordinary white-collar workers, and we have free working hours and nothing. Paparazzi come to shoot us, and we do n’t need to control our body shape. Even if it ’s really red, no matter where you go, you do n’t have your own private life, you can be scolded a few streets for spitting, why? ”

Mei Zihan really thinks so.

His life is now much stronger than he did n’t know when he was a kid, and he does n’t have to be red-hearted. He plays his own dramas in peace and earns his own money. Too chic.

Those red stars don't even have a private life, but the sunspots have recruited a bunch. More are those who want to be red but not red, even more bleak. Debts, bankruptcy, plastic surgery failures have to go back and forth to the hospital, infected with drugs everywhere.

Is it really worth it to lose so much for a futuristic future?

Contented and always happy, you can live well.

He didn't have that big ambition, he just wanted to eat and drink and sleep.

"Red or not should not be something we care about." Wang Xiaoman took a deep look at Mei Zihan, "This circle can attract so many people, not only because of fame and fortune. You have never been red, how do you Knowing that it doesn't taste good to be red? "

The actors were almost in place, and the crew held a start-up ceremony that was neither heavy nor grand.

They gave roast pigs to the festival, and the stepfather gave them only one roast chicken. At noon, the poor chicken was Ling Chi, and was divided into the lunch boxes of various staff members.

Mei Zihan was very fortunate to get a piece of chicken wings.

Well, great luck.

The first five episodes of the screenplay jointly written by Zhang screenwriter and Wen Mingjiang have been released. Mei Zihan took it back to memorizing the lines all day, but he still had to ask Jiang Ying for help in the play. Life was very hard.

On the day of the official shooting, I met another acquaintance.

Sister Zhang Yuru Yu.

To say that in the circle of low-end women-in-law and opera, Zhang Yuru could be the one who can grab the female lead status with Wang Xiaoman.

Wang Xiaoman is good at "inspirational", Zhang Yuru is in charge of "suffering feelings", and the two of them are a female and a female second. They once created a brilliant history of making eight dramas a year and working together seven times!

Well, as one of the professional households, Mei Zihan naturally knew Zhang Yuru.