I teach kendo in Tokyo

Kazuma closed his eyes. There was no clue anyway, and it was useless to open his eyes.

Although he only studied for an hour, Kazuma has already memorized the positions of all the notes in the harmonica's alto part, and whether the corresponding positions should be blown or inhaled.

However, playing an instrument is not just about memorizing how to play each note. In my previous life, Ma and I didn't spend much time memorizing each note on the guitar, only two days, but once I started playing it, I couldn't play it at all.

In addition, Kazuma only remembered the melody but not the score, and he had zero knowledge of music theory. He was not even sure which one of the Doremi Fusu Laxi sounds the first note at the beginning was, so he could only be confused.

Fortunately, the song Kazuma remembered was also a harmonica song, so he could compare the notes one by one.

The first sound can be enumerated directly, starting from Duo. After all, this is the first sound of seven sounds, and the simplified notation is directly represented by 1.

As soon as He Ma played it, it felt like it was right, so he immediately picked up the second note - he was confused with "西", which was a simplified notation of 7.

Well, it seems to be right. The third sound feels the same as the first sound, so it is Duo...that's right!

The fourth one sounded like Ma Meng's snarling sound, but it didn't feel right when I played it.

So I changed a few notes with Ma Lian, and finally determined that it was Mi, and the simplified notation was 3.

After confirming it, Hema started playing from the beginning. 1713 felt right now... Just like that, Hema tried it note by note.

He kept his eyes closed the entire time, immersed in recreating the melody in his memory.

In fact, Kazuma didn't realize that the effect of the "Start Over" BUFF can actually be split into many parts, one of which is the improvement of concentration.

He Ma was able to memorize the contents of several knowledge notebooks in one night, thanks to his amazing concentration.

Now Kazuma was once again in this state of intense concentration.

As for the song "Where the Stars Are", he had listened to it countless times in his previous life.

When he had just finished playing the first Sora no Kiseki FC, he was so moved by the plot that he put the song into his MP3 and listened to it wherever he went every day - MP3 was a new trendy thing at that time. Son.

The first generation of MP3 players used batteries, and Hema used up many AA batteries in a week.

Later, when I went to college, I could be with the computer all day long. This song was always on Kazuma’s player. He Ma has changed many players, but no matter how he changes, this song is always at the top of the list.

This is a melody that is truly engraved in Kazuma’s DNA.

He was so immersed in the melody that he soon forgot why he was playing the song in the first place, and his goal became extremely pure.

I just want to reproduce this song with the harmonica I just got.

The conflict between Nanjo and the Chairman was about to break out, but Kazuma had long since stopped paying attention.

But just because of this, the two girls stopped tit-for-tat and turned their attention to Kazuma.

Maybe this is the "charm of a man who focuses on one thing."

**

Nanjo Honami quickly heard that Kazuma was repeating the same melody, and then she realized that Kazuma was not playing an existing melody, but creating it.

With each repetition, a few new syllables are added, and the piece "grows."

When it was only one measure long, Nanjo thought the melody was quite melodious.

But when the melody expanded to four bars in length, Nanjo felt longing and sadness.

Nanjo knows music theory, and she knows that the next four bars should repeat the basic melody while adding slight variations.

The first four bars are the core of the entire song and set the tone of the entire song.

She wondered why Kazuma suddenly played a sad song.

In the process of her confusion, the song grew into five bars, and the extra bars indeed repeated the composition of the first bar, 17137...

However, Kazuma stopped, as he seemed to feel that it was wrong to start like this.

After trying a few sounds, he added a change at the end of the fifth measure, adding a half-sounding sound.

So the whole melody changed a little.

There is hope mixed in with the sadness, as if the pain of the past has been transformed into the motivation to move forward.

Nanjo felt that he understood, Kazuma was describing his own mental journey.

The grief of losing parents, the resulting sinking, the ensuing desperate situation, and the subsequent explosion of grief into strength...

No wonder he suddenly wanted to learn the harmonica. He wanted to find a way to release his inner emotions and record his state of mind!

The man couldn't shed tears easily, so he couldn't speak out or write them down, so he could only talk it out in this way, hoping that someone who listens to this music would understand.

Nanjo Honami felt that at this moment, she had touched the softest place in the heart of Kiryu Kazuma, a powerful man.

She wanted to rush up to him, hug him, and gently stroke his neglected messy hair with her hands.

Nanjo glanced at the Chairman and read the same emotion on his face.

But at this moment, she didn't want to compete with the Chairman - only at this moment.

The composition of the music has obviously changed. Nanjo Honami relied on her knowledge of music theory to know that it was time to enter the chorus.

She quietly listened to the melody of the chorus being formed bit by bit.

The chorus has a very complicated feeling. It feels like saying goodbye to the past, but at the same time, you can feel the cherishment of past memories.

At this time, Nanjo Honami confirmed one thing, that is, the song Kiryu Kazuma was writing was not only an expression of her inner emotions, but also a rare good song.

Her admiration for Kazuma immediately rose to another level.

Could this man be both civil and military?

Then, Nanjo Honami noticed the Chairman again and read the same thought on this woman's face.

This time, Nanjo Honami was very motivated and was not going to give in even a step.

Jinguji Tamamo smiled at her and didn't look timid at all.

However, Nanjo Honami thought to herself that she would at least wait until Kazuma finished composing the song tonight.

At this moment, the chairman suddenly spoke. Although she didn't make a sound, Nanjo still read what she wanted to say by lip-reading: "I remember the score."

Nanjo also smiled.

"Me too." She mouthed the same words.

Suddenly, the lightning flashed again.

However, at this time, Kazuma seemed to have finished conceiving the last note, and he began to play the song he had just composed from the beginning.

Nanjo immediately put away his confrontation with the Chairman and listened to the music quietly.

The Chairman did the same thing.

For a moment, there was only the melodious sound of the harmonica in the huge dojo.

Nanjo Honami listened and closed her eyes.

She believed the chairman was doing the same thing.

**

Kazuma played the piece from the beginning. He was very satisfied. It was the same as in his memory.

Sure enough, it's good to have BUFF. A person who has just learned the harmonica for less than a day can copy "Where the Stars Are".

He decided to play it again from the beginning to deepen his memory, lest the BUFF would be gone and he would be unable to play, which would be terrible.

However, he took a look at the duration of the BUFF and found that there was still half an hour left, and he could play it many times.

So he decided to open his eyes first and see how Nanjo and the Chairman were doing.

Then he opened his eyes and was dumbfounded: "Why...are you crying?"

he asked doubtfully.