I teach kendo in Tokyo

On the second day of filming, Kazuma discovered that the script had been changed.

In the new script given by deputy director Aung San, for the car chase part it was written directly as "car chase scene, shoot material that can be cut into ten minutes."

Kazuma couldn't help but glance at the powerful bear sitting in the director's studio. This old man was reading a newspaper with his legs crossed.

——Does this mean that you have completely delegated power to me?

While Kazuma was thinking about it, producer Nagata came over and whispered: "This means completely delegating power to you."

Kazuma: "I know."

"So, come on." Producer Nagata gave Kazuma a thumbs up.

He Ma curled his lips - at first I just saw how hard the girl was working, and I wanted to at least prevent her from falling too badly. Why do I feel like I'm being tied to a chariot now?

If this fails, I will probably never have the opportunity to go to the set to criticize.

However, this is also good. Kazuma didn't want to make a movie in the first place. He wanted to take the police route.

After some mental construction, He Ma went into battle lightly, and continued to adjust as he should, regardless of anything else.

"Come on, camera number one is here." Kazuma started.

I continued shooting like this for an hour, and finally arrived at the first place where I needed to use a high-speed camera to shoot slow motion.

This is the end of the entire car chase scene. According to Kazuma's conception, the heroine lands firmly on the ground, and the supporting actors fall around in slow motion. Anyway, it is a Matrix-style concave shape.

After Kazuma finished explaining his idea, Tomoyo Katayama asked doubtfully: "Do I really not have to do anything? Just stand in a concave shape?"

Kazuma thought for a while, waved his hand and called for the field attendant: "Get a fan and blow it at her from this direction."

Fangshan Chise: "Eh?"

"What? Doesn't this give you something to do?"

"Is it the movement of hair and clothes?"

Kazuma ignored her and continued to explain: "It's best to blow up the skirt a little. It can't be blown up completely. It's best to blow it up until the top of the thigh is exposed and you can almost see the white."

Tomoyo Fangshan: "Today I am wearing blue and white..."

"Okay, I'm very energetic!" Kazuma interrupted Fang Shan, "But you can't show it."

Field Affairs: "Whether this request can be achieved or not depends on the sky."

Kazuma shrugged: "Then just shoot more film. Anyway, we have a sufficient budget and can afford the film money."

Kazuma's orders were promptly carried out.

After more than half of the first take, Kazuma shouted "stuck", and then, under the expectant gaze of Tomoyo Katayama, he walked towards the actor playing the villain's supporting role.

"When you fall, you should pay attention to your appearance. Here are the props. Arrange a row of bicycles at this position. Thug B, you should fall on the bicycles. You must knock down all the bicycles like bowling. Come on." He Ma patted the bicycles. The shoulder of the actor returned to the camera under the expectant gaze of Tomoyo Fangshan.

In this way, the actor fell down seven or eight times before Kazuma achieved the effect in his mind.

"Okay, okay, that's it. This is the last action shot of the car chase scene. What's the next action scene?"

Fangshan Chise ran over: "Wait a minute, is this the end?"

"Ah, it's done. It's starting to move. Go and touch up your makeup quickly."

As soon as Kazuma sent Tomoyo Katayama to touch up his makeup, deputy director Aung San came over with the script: "The next part is an indoor battle, what's the content..."

Kazuma took a look at the script and saw that it was "material that can be cut into fifteen minutes of indoor fighting scenes."

Yes, then feel free to use it.

Kazuma has never made a movie, so he doesn't know if the material he shot yesterday can be cut into a movie of a few minutes. Anyway, he just made it according to his own ideas.

Soon the group arrived at the studio, and Kazuma suddenly had an idea.

"Come on, let's have a confrontation with the BOSS after this martial arts scene. I feel that the audience has just watched the car chase and may be a little tired from playing indoors, so they might as well just go on stage and kill all the ambush actors, making the heroine look cool."

Assistant Director Aung San asked doubtfully: "I'll ask Supervisor Sang. After all, it took him fifteen minutes to get here."

Kazuma nodded, and the assistant director immediately trotted away.

Kazuma watched the assistant director leave with his hands on his hips, and then turned to Nanjo, who was watching the excitement.

The servants of the Nanjo family brought parasols and other props. When Kazuma and the others were filming the location, she was sitting under the parasol next to her drinking tea. That was called elegance.

The parasols are now put away, but the tables and chairs have been moved indoors by the servants.

This time not only Nanjo came over, but Mikako and Jinguji Tamamo who were not here yesterday also came to join in the fun. A group of real female high school students in sailor uniforms occupied a corner of the set, leisurely drinking tea, eating snacks and chatting.

People who don’t know better think that there are big-name female celebrities who are making guest appearances, acting like celebrities.

Assistant director Aung San came back soon, and nodded to Kazuma from all the way: "The supervisor said yes, no problem. He will adjust the duration."

"Okay, you all come here, and I will tell you how to shoot next. The heroine enters the room, enters through this door, and then is ambushed. You two rush out to capture her, one on the left and the other on the right.

"Then she raised her legs and kicked you both back in the air."

Kazuma originally wanted to demonstrate how to perform a volley with two feet, but his karate level was not high enough to perform such a magical skill.

He was scratching his head when he suddenly saw the Suzuki butler from Nanjo appearing.

So Kazuma left everyone who was still waiting for him to tell the story and ran over and "borrowed" Suzuki Butler.

"Old man, if you lift your foot once and don't change it, you can kick away people who are flying towards you from two directions."

Suzuki Butler nodded directly: "I understand, but there is no need for real people to demonstrate. I'm afraid I will kick them. You can throw bricks at me from two directions at the same time, and I will demonstrate."

Kazuma clapped his hands: "Okay, hurry up and get in position. The field staff will prepare two bricks."

After everyone was in place, Kazuma clapped his hands instead of hitting the board: "Aikesh!"

Two strong men from the props team who had been on standby threw two prop bricks at Mr. Suzuki.

The old man raised his head and fired two bursts of bullets, kicking both bricks away.

Kazuma always felt that this was a little different from what he had imagined, but it was pretty handsome so it didn't matter. He pointed at Mr. Suzuki and said to the stand-in: "Do this, do you understand?"

The stuntman frowned: "I shouldn't be able to do it so fast."

"It's okay to go slower." Kazuma said quickly.

The old man is a level 67 karate player. It would be a shame if most people could catch up with his speed and strength.

The stuntman nodded: "Okay, leave it to me."

Fangshan Chise: "What about me?"

"You are responsible for taking the close-up when entering the door, and the slow-motion close-up after the shot ends." Kazuma said.

"I just have a concave shape? I want to try this!"

Kazuma glanced at her suspiciously: "Can you do it?"

"How will you know if you don't try it?" Fangshan Chise said.

Kazuma glanced at the entry above her head and thought that she really wanted to do this well.

"Okay, give it a try. Just use this foam brick and get it in place."

Fangshan Chise took his seat happily.

Then, as expected, she was hit by a plastic brick and fell before she could stand still.

Butler Suzuki did not leave after the demonstration. He was standing by and wanted to provide some advice at any time. At this time, he looked at Tomoyo Katayama who was lying on the ground and shook his head: "This lady has no foundation in martial arts. She even practices dance." Don’t you even have the basics?”

Assistant director Aung San said: "I have learned pop dance and ballroom dance for the time being. Ballet and other things that require high body shape and control...are there only a few people who have learned this kind of thing?"

Butler Suzuki said "Yeah" and said nothing more.

While Tomoyo Katayama was being taken away by the on-site medical team to treat his thigh strain, Kazuma finished filming the scene as a stunt double and called Tomoyo Katayama, who was still limping, to pose in a concave shape.

"Are you okay?" Kazuma looked at her legs worriedly.

"The doctor said it's nothing serious, it's just a little painful, and it will be greatly relieved by tomorrow." Tomoyo Fangshan looked very disappointed, "But there will be bruises, so starting from tomorrow, I will lengthen my skirt to prevent the bruises from being too obvious. .”

He Ma was speechless.

He originally wanted Fangshan Chishi to pose like Lu Huiguang's horse in "Drunken Master 2". Anyway, it was a B-level movie and it could serve the audience well, so he had to give up now.

But then again, the one-character horse facing the sky is not something that ordinary people can easily dent, but Kazuma considers that Tomoyo Fangshan has BUFF, maybe he can dent it with hard work.

In just a few words, Kazuma finished talking about Tomoyo Fangshan's scene - anyway, she was just posing in front of a high-speed camera, simple.

In Kazuma's conception of this shot, the whole scene is on the extras who fly out and land on the ground.

Because it was an indoor studio, there was a small platform on the ceiling for the camera to take overhead shots. Kazuma asked someone to move the small platform over and let the two villain actors jump from the small platform. The camera filmed the moment they landed and edited it. It's like the feeling of landing after flying out.

After the first filming, Kazuma always felt that something was missing.

He thought for a while and understood: "Props team, bring something that can be knocked down and pile up a pile of empty oil drums here."

The actor who played the dragon armor immediately looked like he was crying: "You don't want me to jump on these things, do you?"

"There's a buffer, that's great." Kazuma didn't take it seriously, "Show some sense! You're the only one who still wants to have fun... and still want to make a movie?"

The actor looked resigned.

Kazuma turned to another extra who was scheduled to fly out and said: "You, let the prop team set up a wall here later, you hit the wall, and then slide down the wall."

As soon as He Ma finished talking, the prop team came over pushing the wall - it turned out that there were wheels under the wall and could be pushed around, making it easier to reconstruct the structure of the indoor studio at any time.

Morita, who was in charge of the props, came and asked Kazuma: "Do you think this wall is okay? How about I change it to one made of iron? That one will make a little louder sound when bumped."

This last sentence is obviously a schadenfreude ridicule. Most of the ambient sounds in the movie are added in post-production. No matter how loud the sound is, there is no microphone to record it.

Kazuma did not respond to the teasing, and directly told Morita the business: "Hang a clock on the wall here."

"Okay, what kind do you want?"

"When it's time to tell the hour, a cuckoo comes out of the clock and cuckoos."

Morita scratched his head: "You want...this kind of thing?"

"What, can't you get it?"

"Well... let me go to the children's movie set next door and borrow one. They should have such gadgets."

"Okay, go quickly."

Next, I waited for another half hour to wait for the clock to arrive, but anyway, the original reservation was to shoot material that could be cut into a fifteen-minute video, so Kazuma had a lot of shooting time, so it didn't matter if he wasted a little.

When the clock was brought, Kazuma had already directed the props team and readjusted all the furnishings in the studio.

The thought of most of these furnishings being knocked down after the two actors have finished dancing, and Kazuma feels a pain in the ass if they can't do it all over again and have to rearrange it.

He would not participate in the re-arrangement and let the prop team do it themselves. Even if the details were a little different from what Kazuma had personally commanded, he was still going to turn a blind eye.

"Not only does this clock need to be hung up, but you also need the entire mechanism. Later, after these two people have fallen to the ground and become motionless, everything has fallen down, and the dust has settled, you can then let this clock fall down alone. On the ground, start telling the time.”

What He Ma said is a very common expression technique, and many subsequent movies have dealt with it this way.

For example, in the classic elevator lobby fight at the bottom of the building in "The Matrix", after the fight, after Neo and Tritini got on the elevator, the screen did not cut away immediately, but still shot the empty elevator lobby, and then at this time A piece of the wall that had been loosened collapsed with a crash.

But in this era, this technique is generally used in "cartoons", such as "Tom and Jerry" and "Bugs Bunny".

Movies generally only use these techniques in comedies.

But Spielberg also used a lot of cartoon techniques in the serious action film "Raiders of the Lost Ark" to add some comedy effects. It turns out that the audience liked this very much.

Kazuma's idea made the props team busy again, but this time they only took three minutes to do it: they tied a rope on the clock and pulled the rope from behind the wall, so the clock was actually attached to the wall. The colored rope is hanging, and when the clock falls down, the guy behind the wall just lets go.

As for the cuckoo popping out and calling, the clock was originally designed to be remotely controlled and was used on the studio next door for comedy effect.

After all preparations were completed, Kazuma announced that everyone was in place.

"Aksh."

Although Tomoyo Katayama was very dissatisfied with the fact that he only used concave shapes, he still made the concave shapes very dedicated.

The fan whizzed at her, lifting up the lapel and skirt of her sailor uniform. To be honest, it was quite cold to be blown by the fan while wearing a thin sailor uniform in the winter.

But Fangshan Chise was completely unmoved.

Kazuma only glanced at her, focusing on the villain. After all, whether the villain fell well or not was the criterion for passing this shot.

Fortunately, the two fell very professionally this time. The one who hit the wall also bounced off the wall very professionally before falling to the ground and rolling around a few times.

After He Ma waited for all the things knocked down by the dragon armor to fall to the ground, he signaled: "Zhong, let go!"

The clock on the wall fell to the ground, rolled a few times and stopped, and then the cuckoo began to chime the time: "Cuckoo cuckoo..."

"Okay! Card!"

Kazuma was excited about the scene, and the chairman's voice came from behind him: "Kazuma-san! Master! It's time to go home and review!"

Kazuma turned around and replied: "Okay, got it!"

Then he looked at the watch in the studio and muttered: "It's only eight o'clock..."

To be honest, it was quite fun making a movie for the first time.

Kazuma was a bit reluctant to part with him.

But Jinguji has always been very reasonable. In order to be admitted to the University of Tokyo, he should go back to study.

So, he clapped his hands, attracted everyone's attention and announced loudly: "That's it for today's action scenes. Thank you for your hard work!"

"Thank you for your hard work!" The staff and actors all returned the favor to Kazuma.

This is not to say that they all respect Kazuma. This is a very important etiquette in the Japanese workplace, and this is how you should treat your boss.

After Kazuma completed the final procedure with the crew, he threw the director's tube to Assistant Director Aung San, then assumed Nobi Nobita's classic pose, crossed his hands behind the back of his head, and walked towards his girls with steps that he didn't recognize.

Tomoyo Fangshan seemed to want to stop Kazuma and say a few words, but he hesitated, gave up, and just watched him leave.

**

That night, the fifth editing room of Taiying Pictures.

The powerful Bao Xiong pressed the pause button on the player and turned around to ask his guest: "Senior, what do you think?"

"It's a very interesting technique," the sixty- or seventy-year-old man who had been sitting next to the powerful bear watching the film said slowly, stroking his beard. "Slow motion is not used to show details, but to highlight the characters. This idea Very novel.”

"Yes, when I first heard that he was going to use slow motion, I thought he was going to shoot thrilling scenes such as flying cars."

In this day and age, that's what slow motion is for, allowing the audience to see clearly the thrilling shots that were finally shot.

Daneng Baoxiong continued: "I have also thought about shooting thrilling scenes such as flying cars, but after all, we are not Hollywood. No matter how rich we are, we are not as rich as them..."

Although in the bubble era in the near future, Japan will enter an era of super wealth. It is said that if you sell the land in Tokyo, you can buy the entire United States. You are so rich that major magazine publishers like Shueisha can sponsor F1 racing.

But it’s not yet the bubble era.

Even if Japanese movies are so-called "big productions", their costs are definitely not as high as those of Hollywood.

There are few works as grand as Kurosawa's "Ran" in the history of Japanese film.

"Indeed, Kiryu Kazuma has done his best with limited costs. Many of his fights look like Hong Kong kung fu movies. But the idea of ​​this concave shape is incompatible with Hong Kong Kung fu movies are totally different."

The old man talked for a long time, picked up the tea cup and took a sip of water before continuing: "It's a bit of a waste for such a talent to just come as a guest action coach. He should be persuaded to go to art school.

"Even if he doesn't become a famous director in the end, he will still be Japan's top action movie star. We are currently short of action movie talents. The Hollywood action movies on the market have beaten us into disgrace. We can only rely on Takakura Ken to save us. A little face."

Dang Neng Bao Xiong sighed: "Yes, watching American action movies make money, everyone wants to make action movies, but they are not as rich as others and cannot make the special effects of others. Let alone the United States, our actions The film can’t even beat Hong Kong…”

After saying that, two generations of Japanese filmmakers, one old and one young, fell silent.

After a while, the old man suddenly asked: "Is it possible that there is a lot of investment in Sichuan Corner? But there is no news that they come out to shoot action scenes. Is it all studio shooting?"

The film industry also plays the same role as espionage. When you go out to shoot on location, you will not only be targeted by the reporting team of entertainment weekly magazines like Fang Chun, but also by commercial espionage.

However, many times Weekly Fang Chun's reporting team also works part-time as commercial espionage.

Daneng Baoxiong pursed his lips: "I don't know. If it's all studio shooting, no matter how big the scene is, it's just like that. But the news about their location shooting that can be received now is not related to action scenes. It's all about action scenes. Literary drama.”

"This is weird... Could it be that this is actually a literary film?" The old man frowned and muttered.

The powerful Baoxiong shook his head repeatedly: "It's impossible, it's impossible, you see, even the machine gun is mounted, machine gun! How can this be artistic?"

The old man curled his lips: "Yes."

"Speaking of which," the powerful bear suddenly thought of something, "Kazuma Kiryu has been suggesting that we not make action movies."

"Oh? What does he want us to shoot?"

"I remember Producer Nagata said...ah, by the way, he wanted us to buy the rights to adapt a science fiction novel by a man named Yasutaka Tsutsui, called The Girl Who Leapt Through Time, and then film that."

Upon hearing this, the old man immediately showed a contemptuous smile: "Science fiction? Is this a show of brains? Although science fiction is shot with models, the models that need to be of that level are super expensive, and there are also services and so on. , in Japan now, reaching the level of Godzilla and Ultraman is already the limit.

"We worked hard to film "The Sinking of Japan" by Sakyo Komatsu, and with the support of the Maritime Self-Defense Force, we managed to make it look like that. Did you see the shot of the volcano erupting? I laughed when I saw it. But it can only be done like that, otherwise we will have to make Mount Fuji really erupt once."

The old man shook his head repeatedly: "No, no, it seems like he is just a talented person in the rough. He needs more polishing before he can achieve great results. But since he wants to take the exam to the University of Tokyo and take the police route, probably in the future our film industry will There’s nothing wrong with him.”

"Maybe there could be some scandal?"

Said the Almighty to protect the bear.

"Are you stupid? A high-ranking official has a lover. This is not a scandal. Maybe the actress can get more roles. After all, everyone wants to see what the woman of the Chinese gentleman looks like."

The powerful Baoxiong said with some worry: "Is that okay? Be careful, the walls have ears, senior."

"Humph, what are you afraid of? There is no special high-tech anymore." "Senior" said disapprovingly.

The powerful Bao Xiong shut up decisively and did not continue.

**

On the way home, Mikako, who was sitting in the Nanjo family's stretch limousine, suddenly said: "That Tomoyo Katayama will probably come to our dojo after filming the movie. I can tell by looking at her expression!"

The chairman said calmly: "Isn't this bad? If the movie becomes popular, she will become a celebrity immediately. If she learns kendo from us, many fans will come to school immediately. The problem of money that Chiyoko has been worried about will immediately That’s it.”

Mikako: "You and Nanjo can be calm, but I can't. I'm not as competitive as you."

At this time Kazuma spoke: "Don't worry, even if she comes, she is just an ordinary apprentice."

"Before, you said that Nanjo was an ordinary apprentice! Then you said that Hinami was an ordinary apprentice."

"Nanjo, let's leave it aside for now, Hinami Rina is indeed an ordinary apprentice." Kazuma spread his hands.

Mikako: "Oh! Nanjo is really not ordinary! I knew it! Chairman, let's go to a broken-hearted party together!"

The chairman hugged Mikako and pretended to read lines for a drama performance: "Don't be sad for Mikako, run forward and run to a place where he can't catch up! But in the end, he will definitely catch up, because he And there is no doubt that he once loved us!”

Kazuma: "Wait a minute! Don't get into character so quickly! At least let me say something!"

At this time, the Suzuki steward who was driving in front turned and said through the small window between the cab and the rear compartment: "I'm glad you chose our lady. I'll inform the master of the good news right now..."

"Mr. Suzuki! Master! Let me go, Master!"

Because Mr. Suzuki taught Kazuma karate, he was definitely Kazuma's master.

Mr. Suzuki laughed heartily and said no more.

Then Mikako and the chairman of the committee continued to argue for a while before giving up.

After calming down, Mikako opened the small refrigerator in the car and took a bottle of drink - she was completely used to the Nanjo family's high-end car.

After finishing his drink, Mikako wiped his lips and asked: "So, if Tomoyo Fangshan comes over to learn swordsmanship, are you going to accept him as your apprentice, right?"

"Of course. The royalties from the album alone won't be enough for me to go to college."

Kazuma originally thought that he would be able to get a lot of royalties from the tapes, but when he actually got the contract from Oiwakawa Houichi, he realized that it was just that.

Oiwakawa Houyi also said sincerely: "Composers, like writers, have to become famous to make a lot of money. But don't worry, according to the contract, the sales volume of this tape will definitely increase when you become famous in the future, and it will even be 'reprinted'. The royalties are still yours."

"Reprinting" is a standard in the Japanese publishing industry, and works that can be "reprinted" are best-selling works.

This concept later extended to comic publishing and audio and video product publishing.

All in all, royalties from music album tapes cannot completely solve Kazuma's financial problems.

What's more, this is still part of the royalties paid in advance.

The real royalty income will have to wait until the actual sales volume is settled, and it may not be available next year.

When He Ma was born, he was always in a hurry when he first came out of society. He always felt that if something was not done neatly and on the spot, it must be a scam.

Later, he gradually understood that it is normal for companies to cooperate for half a year. Sometimes, negotiations take a year before a big project is completed, and it takes another half a year for the first batch of project funds to arrive - this is normal. Rhythm.

Therefore, he did not embarrass Oiwakawa Houyi. It would be quite interesting if he could agree to pay the advance royalties before March next year.

You still have to take on apprentices to make money.

Kazuma had previously driven away those male students with impure thoughts, which made the boss Chiyoko unhappy.

Chiyoko's theory is that it's impossible for Nanjo and the others to be lured away by these students anyway. The most these male students can do is to look at them more often without missing a piece of meat.

But Kazuma still drove these students away.

His reason is also very high-sounding: Kiryu Dojo only accepts people who pursue the art of swordsmanship.

Then he was immediately exposed by Chiyoko.

Chiyoko also asserted that there will soon be rumors that "Kiryu Dojo only accepts women, and Shihandai is an LSP."

Kazuma thought to himself, if there were any male students with good intentions, of course I would accept them.

As soon as she thought of this, Mikako sighed and said: "I think Kiryu Dojo will soon become a women's dojo. It's better to just convert to Naginata."

Although the Japanese naginata was not originally a weapon designed for women, it has now become a recognized "weapon for women."

It’s true that men have learned to learn the naginata, but when it comes to the naginata, what comes to mind is a dashing woman holding a naginata.

The chairman suddenly said: "The naginata is more for ceremonial purposes. Optical naginata skills are not enough. You also need to learn things like shrine dance, which includes playing taiko drums. Does Mikako also want to learn to play taiko drums?"

Mikako shook her head repeatedly: "No, no, no, I don't want to."

Kazuma noticed that when Mikako shook her head, her cheeks moved very flexibly, and he couldn't help but reach out and pinch her.

"Yeah! What are you doing!"

Mikako slapped Kazuma's hand away, then punched Kazuma's temples with two fists and started to spin - this was also a trick Mikako used often when they were fighting together in the past.

It was only after Kazuma traveled through time that he realized that this trick was not the unique skill of Crayon Shin-chan and his mother, Meiya.

By the way, when Mikako wants to use this move, some part of her will be very close to Kazuma, right within easy reach.

It took a lot of effort for Kazuma to restrain his urge to bury his face in it.

——Ah, I really want to bury it!

Now no one has a choice. The result is that no one can bury their breasts and can only watch...suffering...

At this moment, Mr. Suzuki stepped on the brakes.

Kazuma sat on the front seat of the carriage, his back facing the direction of travel.

So at this moment, he saw the ultimate truth of the universe.

"Everyone, here we are... Oh, ahem, even though we are in the car, we are still somewhere other than home after all. You need to pay attention to your image, you guys."

Mikako pushed Kazuma's shoulder, sat back in the back seat, and smiled: "It's an accident. As childhood sweethearts, we have such accidents happen from time to time, and we have long been used to it."

Kazuma wiped the snot from the knock and nodded: "It was indeed an accident."

At this time, Chiyoko opened the car door from the outside: "Brother, I'm coming back earlier than yesterday. Tell me about Hinami, she has to stay at the dojo again!"

As soon as he finished speaking, Hinami's voice came from the dojo: "My parents had a big fight last night, and it looks like there will be a cold war today. I'm taking refuge!"

At the same time as the voice fell, Hinami appeared at the door of Kiryu's house wearing home clothes.

Kazuma: "Where did you get your home clothes?"

"Because we have already booked to evacuate tonight, so I brought them! I also brought pajamas." After Hinami finished speaking, he made a V-sign gesture to Kazuma.

Before Kazuma could speak, Nanjo leaned over from the back seat and said to the Suzuki steward in the cab through Kazuma: "Suzuki-san, I am also staying at the dojo tonight. Please bring me your pajamas and home clothes." .”

"learn."

Mikako: "It's a slumber party!"

As soon as she finished cheering, she heard the chairman snapping the handwritten materials that had been spread out on his knees and pushing up his glasses: "Very good, let's hold a late-night study session tonight! It's just in time to catch up on the filming progress." Fill!"

Mikako screamed: "No!"