I teach kendo in Tokyo

The Nanjo Consortium's car took Kazuma back to the hotel door.

Kazuma got out of the car and turned to look at Honami in the car: "Why don't you come up and sit down?"

"Just sitting around?" Honami asked.

Kazuma smiled and said: "Others will depend on the situation, such as the moon phase tonight and so on."

"Moon phase?" Honami's eyes widened, full of smiles, "After I went to college, I participated in many sister salons, and I heard a lot of complaints about men's love words from them. This is the first time I heard the moon phase talk. .”

"That means I am a rare species. If you come to my room, I can tell you about the scenery from the majestic Zu Chong Mountain to the vast Tranquility Sea, and show you the scenery of the moon."

Honami looked at Kazuma with a smile: "Really? Are there Wu Gang and osmanthus trees?"

"Yes, of course!"

Kazuma became interested, took two steps back and spread his arms, as if giving a speech.

Honami also got out of the car, leaning gently against the open door and watching him, waiting for his performance.

"Those who say that the moon is desolate without thinking should go to the moon and see for themselves. Some people are flying on bamboos, and some are singing under the sweet-scented osmanthus tree.

“Many people don’t know that Selene’s singing voice is melodious, and many people don’t know how fragrant Chang’e’s mooncakes are.

“Many people only live on one planet throughout their lives, their souls are bound by gravity, and they don’t know the vastness and vastness of the universe.

“Many people have been deprived of their imagination by common sense, turning the world into a boring place.

"Why can't Chang'e have a quantum rabbit? Why can't Kaguya's bamboo have an anti-gravity engine?

“Why can’t the robot Wu Gang chop down a growing silicon-based osmanthus tree on the moon without air?

“Why can the world only have one face, why can’t it have many faces like a real human being?

"Why can't we just say goodbye like this tonight and not have another ending?"

Honami: "Because I'm not ready yet."

"Don't talk to me! It took a lot of effort to create an atmosphere, but it's all gone!"

Honami laughed loudly: "I have to interrupt you, because if you keep talking, I feel like I won't be able to control myself.

"If Tamamo represents unrestricted tolerance and submission to you, then I have to be different from her, and I have to be restrained, because the passionate part already includes Mikako."

Kazuma frowned: "Mikako is the passionate part? Why do I think she is responsible for making fun of her?"

"Don't say that." Honami shook her head and said, "After I went to college, I often acted with Mikako, so I got to know her more and more clearly. She has a brave heart."

Kazuma raised his eyebrows: "Did you know that Braveheart is the title of King Robert the Bruce of Scotland? He is one of the national heroes of Scotland."

Although his name was later given to William Wallace by a famous movie, it is now 1981, and that movie will not come out for another fifteen years.

Honami smiled and said: "I didn't think about it that much. In short, if you are in trouble in the future, Tamamo and I will make various trade-offs. We may not necessarily help you directly, but Mikako...she will definitely use the methods inherited from her mother. I’ll use my driving skills to get to you as quickly as possible.”

Kazuma: "But the problem is that it's useless for her to come. Her swordsmanship is mediocre and she has no IQ. Although she has superior strength in certain parts of her body, that thing is not bulletproof."

"But Mikako will bring Seiryu there." Honami said.

Kazuma thought for a while: "Indeed. Wait a minute, are we praising Zangazi or criticizing her now?"

Honami shrugged, and then changed the topic: "Okay, come up quickly. I sent you back to let you have a good rest to face the fierce battle at Yulong Banner tomorrow. If you don't go to bed early, my restraint will be meaningless. Yet?"

As she spoke, she raised her hand, turned it over, and glanced at the lady's watch worn on her wrist: "It's past eleven o'clock, and it's long past the time for the good baby to go to bed. At this time, Qingliu Liu will Get sleepy on time."

That's right, rock girl Seiryu unexpectedly can't stay up late.

It may also be due to young age.

But for someone like Kazuma, who is actually a 30-year-old Chinese uncle on the inside, 12 o'clock is the time when "sleeping makes you paralyzed and HIGH".

In the 21st century, many Chinese companies have already modified their working hours based on the actual situation of their employees being night owls. Hema and his foreign trade company have flexible working hours. Only the cleaning lady is active at 11 a.m., and there are still bright lights at 9:10 p.m. The workers struggled while eating midnight snacks.

So Kazuma wanted to spend more time with Honami.

He suddenly discovered that this kind of time alone with Honami was really rare recently.

Even Seiryu, a newcomer, had used the name of "investigating cases" to get a lot of time alone with Kazuma in the series of incidents caused by the God of Music.

Since Honami entered the dojo, she has been "acting with a group". Except for last year's Osaka SF Exhibition, she has never been alone again.

Thinking of this, Kazuma wanted to smell the fragrance of white plums on her body for a while longer.

At this time, Honami suddenly smiled and said: "The last time we had such a long time together was during the 'DAICON' in Osaka.

“Originally I thought it was a rare date for two people, but the night before I went I was so excited that I couldn’t sleep. I imagined many ambiguous scenes and prepared many topics.

"I also called home when you weren't paying attention, and called the person in charge of the consortium's publicity department who is responsible for linking science fiction brands, and asked him about science fiction knowledge.

"I practiced Vulcan's salute the night before."

As she spoke, Honami raised her right hand, with her index and middle fingers together, and her little finger and ring finger together, in a standard Vulcan salute.

Perhaps due to long-term piano practice, her fingers are slender, and her knuckles are as protruding as bamboo joints. The neatly manicured nails on her red fingertips are painted with a layer of elegant nail polish.

"Continuous life and prosperity."

Kazuma: "Then how about we do something beneficial to our lives?"

Honami: "Why do I feel like you are just the walking incarnation of desire tonight?"

"Maybe it's because of the moon phase. You see, there are always a few days in every month, right? Girls have them, and boys have them too. Girls' ones depend on their menstrual period, and boys' ones depend on the moon phase."

Honami smiled and said: "Does it sound like a werewolf? How about I get you a bottle of Dr. Henry Jacko's potion? After drinking it, you can run and jump around on the roof like Mr. Hyde, maybe alright."

"That's not good, that's not good." Kazuma waved his hand, "I drank and turned into a strong man like a gorilla running and jumping on the roof. If I met Mikako who also came out to walk on the roof to relax, something big would happen. If she gets pregnant while in college, she probably won't be able to become the Foreign Secretary."

In Japan, the legal age for marriage is 16 years old, and universities adopt a separate admissions process for each school. Therefore, although there are few married women and even women with children going to university, they do exist.

Yet these women are sure to face discrimination and exclusion in school.

It's actually quite rare for the heroine's mother to study hard for a degree while having a family like in "Listen Ear".

Perhaps it is precisely because of this that Studio Ghibli, which has always advocated equal rights and supported the improvement of the status of women, puts such characters into their animations in an attempt to subtly influence their audiences and make them think that this kind of thing is common.

By the way, it is an old tradition that Studio Ghibli likes to focus on portraying new independent women.

This is mainly because the soul of the studio, Mr. Hayao Miyazaki, is a left-winger. There have been rumors that he is a member of the Japanese ***, but there is no real evidence.

Hearing Kazuma's words, Honami frowned: "You are worried about Mikako's future being affected by this, but you are not worried about me being affected by the same thing?"

"That's because I believe that since you are standing here, you have thought about various situations carefully," Kazuma looked at Honami, "Today is a day without problems, right?"

"Yes." Honami squinted her eyes and smiled sweetly, "But someone has to play a game tomorrow and needs to go to bed early today."

"Wait a minute, it sounds like you are complaining about me for refusing to go to the revolving restaurant nightclub."

"No, not at all, it's your illusion."

Kazuma: "Definitely! Why do you usually speak with so many 'oh's"..."

"The number of modal particles and onomatopoeia used depends on the moon phase. Today is a night where I can speak a lot of onomatopoeia and modal particles."

Japanese is a language that feels completely different from Chinese. To describe it, Japanese has a "sticky" feeling.

So when girls use Japanese to pronounce words, although they are still saying words, it doesn’t sound as abrupt as Chinese.

What Honami just said was deliberately very "sticky". The Chinese analogy is that Ms. Jin Xing suddenly started speaking with Lin Chiling's Taiwanese accent.

The Chinese that Honami was going to say made Kazuma already have goosebumps all over his body, and he subconsciously stayed away from her.

But it sounds very cute when spoken in Japanese.

Kazuma: "You might as well add 'Miaunai' at the end of every sentence."

"Is that so, Nyauchi?" Honami asked, "How do you feel, Nyaunai?"

Kazuma felt good, but it was a pity that Honami was now wearing a business attire that made people think that she was about to sit down at the copy machine, and something felt wrong.

In general, is this kind of professional attire more suitable for a queen?

Kazuma: "Here, put on your glasses. From now on, you will be the female section chief of the 1st Investigation Section of the Metropolitan Police Department. I am a new patrol inspector who is ineffective. You will train me."

Honami blinked: "Are you sure you really want to come?"

"I'm sure, let's give it a try."

Honami sighed, took out the glasses she had put away, and put them on the bridge of her nose.

"Inspection Kiryu! What happened? Didn't you want the file on that case to be delivered to my desk today?"

Kazuma: "I'm so sorry! Please whip..."

He braked quickly and almost said, "Please whip me, Gong Jin."

Honami interpreted Kazuma's sudden braking to mean something else. She took off her glasses and waved her hands, "No more fun, no more fun, you, go up and go to bed!"

Kazuma looked at Honami, and originally wanted to say something rude, but finally changed his mind: "Okay, then I'll see you tomorrow."

"Well, see you tomorrow." Honami said, taking a step forward, giving Kazuma a hug, and then lightly rubbed his cheek with her cheek. That was all, and they separated immediately.

Temperate yet passionate.

Kazuma: "Why do I think your level of flirting has skyrocketed since you entered college?"

"Why do you think I want to join those girls' salons? Their experience can definitely be used for me. Otherwise I will never be able to win against Tamamo."

Honami paused and continued: "I find it very strange. Tamamo is obviously the same age as me, but she has an extraordinary sense of maturity, as if she has seen everything in the world and has seen through the world of mortals."

Kazuma recalled Tamamo's self-statement in front of him and replied: "Your statement is not entirely correct. It should be said that she was indeed in a state of seeing through the world before the attack of the black ship, but the attack of the black ship changed everything."

Honami stared at Kazuma: "Is this some new type of teasing? Are you calling her old-fashioned?"

"That's right, he's very old-fashioned, just like Yoshihara's mother-san."

Honami was amused: "If you say this about her, I will tell her. How can you say that a girl looks old?"

No, no, I'm just stating the facts.

"However," Honami added, "I teased a girl for being old-fashioned, and actually ended up in Kurofune Attack. Is this a way to attract girls that is unique to Tokyo University students? Show off your knowledge? I can share it with the seniors at the salon. Is it? It will definitely be because of the interest of the senior students."

Hema Daxi: "Then they all come to my dojo to pay money to learn?"

Honami stared at Kazuma for two seconds and shook her head: "That's probably impossible, because most seniors look at faces. Kazuma, you are the kind of girl who has experienced things with you. The more I look at you, the more handsome I think you are. type.

"For girls who have not experienced things with you and seen your heroism, you are just a little better than the public. Your face is not as impressive as the scars on your body."

Kazuma: "I understand. I will try to get a scar on my face next time. What do you think of the cross wound on the cheek?"

"Where?" Honami was very close to Kazuma at this time. After all, she had just hugged him, so she reached out and touched his cheek with her slender fingertips, "This position?"

The position she compared was a little higher than the cross wound of Rurouni Kenshin Kenshin.

Kazuma shook his head, took Honami's hand directly, used her fingertips as a pen, and used her nails painted with elegant nail polish to draw a cross on the scar of Kenshin.

Honami tilted her head and looked at Kazuma's face: "Hmm...it's not bad. It's not too eye-catching and has a strong sense of presence."

Kazuma: "Then we make up a story about cross wounds, and say that the first scar was from a Tenchu ​​operation... Why are you laughing?"

"Isn't Tenchu ​​a word that the right wing likes? Kazuma, you are so left-wing, why would you use this word?"

"Then during the operation of 'sending the enemy to see Lao Ma', the nameless guard who cherished the memory of this world left long scars.

“Because the knife wound contained resentment and obsession, it would bleed from time to time and never healed.

"Later, his fiancée approached me for revenge, but in the end she fell in love with me and died protecting me from a knife. Before she died, she chose to forgive me and cut the broken knife wound, ending her resentment.

"From now on, the knife wound no longer bleeds, and I live on with the lives of two people on my back..."

Honami was attracted by Kazuma's story of a pirated version of "Rurouni Kenshin Memories": "Did you just create this?"

I just copied it.

Honami: "It's not bad, but I feel that the nameless guard is so miserable. He died, and his wife ran away with the person who killed him..."

That said, indeed.

Honami suddenly remembered what was important at this time and pushed Kazuma hard: "Stop talking about you! Let's go! Go up and sleep!"

Kazuma reluctantly said to her: "Then, goodbye."

"OK, good night."