In terms of plot, the eighth volume still fulfilled my previous goal.

Explains Chu Xianping's "anti-rebellion and non-rebellion" problem, and gives a staged ending to the stories of Li Zimu, Chu Xianping, and Tang Chen. Foreshadowed.

Starting from the next volume, the pace of the story will be accelerated, and it is estimated that there will be no more large-scale national wars (after all, I found that writing about wars is not my strong point).

And the perspectives will not be scattered too much, and the narrative will basically revolve around Wei Changtian.

In fact, in the eighth volume, I have intentionally reduced the space for the supporting characters.

But for the integrity of the story, some things must be written, so it may give some readers a feeling of "too group portrait".

How should I put it? There should be good and bad in this way of writing.

After all, when I first wrote the story of You Jia, I asked everyone whether it is better to write the story of the supporting role in a simpler or more careful way.

At that time, the answers I got were basically more careful.

It's just that there are more and more important supporting roles now, and it is difficult to balance the distribution of story space.

If there is less writing, the characters will not be three-dimensional enough, and eventually they will become pure tool people, and there will be no impressive stories left.

If you write too much, Wei Changtian's scenes will be compressed, and sometimes he won't even show up for several chapters.

Therefore, this is also the reason why Chu Xianping and Tang Chen are leaving.

To tell you the truth, it was inevitable for the two of them to leave Wei Changtian in terms of storytelling.

On the one hand, the plot pushes it so far that they don't have much choice but to leave.

On the other hand, whether it is Chu Xianping's resourcefulness or Tang Chen's ability to "read minds", they are actually a bit too perverted.

If they continue to stay by Wei Changtian's side, it can be said that it will be very difficult for Wei Changtian to encounter any problems that need to be solved by himself.

It was the same with Qin Zhengqiu before, if he didn't leave, then Wei Changtian would be invincible.

"Invincible Text" may look cool, but I think it is too stereotyped.

To put it bluntly, this kind of novel is not telling a story in essence, but just keeps piling up some cool points through some very reluctant logic.

It's not that I can't write pure cool essays, even if I really write pure cool essays, even if I only have the level of the first volume, I will earn more money than I do now.

More importantly, it is easy to write, just let Wei Changtian go to various occasions to pretend, then slap him in the face, then cause the next conflict, and then pretend to slap him in the face. The cycle continues like this.

But to be honest, I don't think this can be called a "story".

At least, for a novel with several million words, this kind of repetition is too boring.

Therefore, even if it is not very pleasing, I would rather leave some plots that people can remember.

The above is what I want to say recently.

Although the updates in the past few days are all one update, they have a lot of words.

It will return to normal two changes starting tomorrow.

Thanks again, readers!

I wish good health! All the best!

Volume IX: Silver Saddle and White Horse Crossing the Spring Breeze

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