I’m Almost Losing to a Muggle

"Brothers, business is coming. Get ready to work overtime." Hu Hailang clapped his hands, secretly happy.

According to the experience these days, as long as someone has a new idea, the boss will make a new version.

In that case, the work of their visual effects team will come.

The amount of work done in one single job is their position in the "New Shushan" crew.

Moreover, the visual service remuneration will not be depressed, and the actual payment will be made.

This is something that the big visual effects companies dare not think about.

In fact, in the highly competitive external market, if you make a special effects project that costs 50 million yuan, you can earn 5 million yuan.

And 50 million special effects projects are all big productions with an investment of more than two to three billion yuan.

There are only a few such movies in a year, and a group of people grabbed the head. In order to bid, in addition to showing their strength, they must constantly lower their prices.

In many cases, they lose money to do things.

It is better to do things at a loss than not to do things. If you do not do things, the company will be dissolved.

This is true for visual effects companies, whether they are domestic or foreign.

Otherwise, the first-ranked Industrial Light and Magic would not sell itself to Disney, and the second-ranked digital kingdom would not have been removed from several companies, and finally fell into the hands of a Xiangjiang company.

Kleist's meow-eye visual effects don't have to bear these.

They are doing their own work.

How much money is taken is based on the relatively high market price in the industry.

Other people have a headache and have no work to do.

The meow-eye visual effect is too much work.

For this reason, their special effects team had to work overtime twice in three days, sometimes in three shifts.

A large room was made for computers, which looked like an Internet cafe.

Everyone is surrounded by three display screens, the liver and eyes hurt.

Not only the domestic VFX guys work overtime, but also the special effects big guys invited from abroad are also following the fight without complaint.

It's not that they don't want to be free.

It's not that they don't want eight hours.

No way, since 2008, 6 Los Angeles, which has gathered a large number of special effects production companies, have closed down one after another. Thousands of special effects engineers have lost their jobs. Many of the contracted special effects engineers who used to have nothing to worry about have become short-term contract workers.

Although almost all Hollywood blockbusters currently have special effects shots, the final profit of the special effects department is only about 5%, which is far lower than the 20% of other departments.

This once the most superior industry has gradually begun to export cheap labor.

In film production, special effects artists are increasingly regarded as skilled workers.

It is impossible not to work overtime.

A new special effects artist may work 50 to 60 hours a week, and then it will grow to 90 to 120 hours, and overtime has become commonplace.

What is more painful is not overtime, but unemployment.

Once a project is over, they may be laid off immediately until a new boss is recruited a few months later.

During this period, they have no income.

Hollywood special effects artists live a wandering life, in London, Vancouver, New Zealand, they can fly across the earth and leave their wives and children with a single order.

Kleist's Meow Eye Visual Effects was established, and 38 top special effects artists from around the world were invited to join.

Many of them have served special effects manufacturers such as Industrial Light & Magic and Digital Kingdom.

In the beginning, there were indeed foreign special effects artists who wanted to be free and not subject to discipline. As a result, 38 were turned into 32.

Hu Hailang also dug four people from the digital realm that existed in name only, and made up 36 positions for foreign special effects artists.

Since then, it has been announced that the number of foreign special effects artists is only 36.

These thirty-six people survived the fittest. If they didn't do well, they were fired. They were selected from the cover letter from Hollywood visual effects manufacturers.

Under such circumstances, how can anyone yearn for freedom.

The treatment of Kleist’s meow eye visual effects is the best in the company, and the annual salary of foreign special effects artists is as high as 200,000... US dollars.

Even at this level, even if you get the Silicon Valley, the center of the universe, you can kill all major programmers in seconds.

It's not that Hu Hailang is fond of foreigners.

The strategy of him and Lin Dong is to squeeze these foreign special effects artists, squeeze out their skills and concepts, and feed back to our own special effects artists.

After this group of domestic special effects artists grow up, gradually reduce the number of foreign special effects artists.

For meow-eye visual effects under the survival of the fittest system, foreign special effects artists cannot form alliances, knowing that this is a bitter fruit, but in the case of the global special effects market is declining, they can only pinch their noses.

What they have to do is to maintain their leading position in the foreign team and ensure that it is not themselves who are eliminated.

These foreign visual effects celebrities are more crazy than the domestic guys after working overtime.

"Tsk tsk, it's over, now the budget has to be increased again." Jiang Xiaojun and Xu Guai whispered "private chat", they have just greeted Zhou Longxing.

Whether it is Xu Guai or Jiang Xiaojun, no one can despise Zhou Longxing.

It is not naive to think that Zhou Longxing can't pick out the problem with what they photographed.

In fact, Zhou Longxing came up to pick up the problem.

"This place is too blunt and there is no performance in the inner drama. People will continue to say that you are cold and you have no acting skills."

An Qian nodded repeatedly when he was called.

She and Zhou Longxing seldom intersect, an immortal, a nonsensical, not a world person at all.

But this does not prevent her from respecting the Wushu master.

"Retake?"

Zhou Longxing needs to determine whether it is really possible to remake it, or if Lin Dong is polite.

An Qian turned her head to look at Lin Dong. After Lin Dong nodded, she immediately responded: "Yes, please teach me more."

As a result, Zhou Longxing succeeded in taking the lead and became the person in charge.

The others stepped aside.

"Director Lin, An Qian doesn't have so much work on the acting contract with us. Her assistant seems to be in a little pain." Wen Muye approached with a sad expression on his face.

Whose actor is tossed like this.

Xu Hark, Jiang Xiaojun, Wen Muye, and Lin Dong all have their own ideas. You can stop the filming if you are filming, and you can start over when you finish the filming.

So An Qian can talk easily.

Otherwise, they would have long since quit.

Except for An Qian~www.wuxiaspot.com~ Yang Qiu, who plays Dan Chenzi, is from her own company, Liu Xiaomei of the flower demon is from her own company, Wu Tie of the blood demon is also from her company, and Wu Feng, who is Baimei, is from Lin Dong. The degree of professionalism of the actors is even more breathtaking.

Only An Qian, the relationship is not so close.

"That's it..." Lin Dong thought, indeed.

An Qian's contribution in this film is almost equal to filming several films outside.

"Would you like to talk to some directors?" Wen Muye also suddenly saw the expressions of several girls on the An Qian family team, and felt that the crew was a bit too much.

"Forget it, filming is more important. You can't stop filming because she is tired." Lin Dong was very cold-blooded.

However, he immediately added another sentence.

"She is so tired, she has to pay more."

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