I'm asked to write a children's drama, but you write about the philosophy of the super bea

"It's over, it's finally over. In the end, is the Scorpion King's fate still only death?"

"I'm still not convinced, why must I write someone to death? For such a character, even if you whitewash her, why does she have to die?"

"Maybe she was a bad person after all, so she had to die like this."

"I think the main reason is that Lin Yun couldn't see our barrage in the studio. Otherwise, knowing that Scorpion King is so popular, he would definitely not write her off."

"Indeed, it would be great if there could be a fan side story"

"All we can do now is wait for the game to end, and then we will find Lin Yun together, send him blades, and let him bring the Scorpion King to life. At worst, I can just find an excuse to resurrect."

"Yes, yes, if you have a big hand, just invest in boss Lin Yun's super beast weapon, and then force him to change the script, hahaha!"

"But no matter what, the ending still made me feel helpless. I still felt that the plot was too sad, and I didn’t feel comfortable watching it anyway."

"You don’t care whether it’s pleasant to watch or not, just tell me whether you want to read on or not!"

"think!"

"Then it’s over. Lin Yunhui becomes more and more sad the more he writes, do you believe it or not?"

"By the way, why is the Scorpion King called Dragon King Pluto later? Her superpower lock is also the same as Long Jian's"

"I don’t know, just keep reading anyway, I’m also curious."

Every audience after watching this ending, it is difficult to get rid of it for a long time. It is really that the charm of the Scorpion King is too great, and the suspense behind it is also fascinating.

Such a story must have emotions, characters, and characters. There is suspense, and there must be thought.

In just one chapter of the universe, Lin Yun's creative skills are undoubtedly evident.

After Lin Yun finished writing the story of the second universe, Bingbing also felt a sense of loss, but still held it back forcibly. , continue working:

"It seems that Lin Yun’s story is still hard for us to forget, and his second universe has been completed."

"The audience is also very curious about contestant Lin Yun’s creative ideas, so let’s ask some of our judges and teachers to explain it to us."

"Teacher Ouyang, what do you think of the ending of the second universe?"

After saying that, she looked at Ouyang Yibing, but she was thinking about the Scorpion King and Lin Yun.

Ouyang Yibing didn't care about the host's state. When he heard the question, he answered calmly:

"I think this ending was handled better, especially the final death of the Scorpion King."

"As for the death of the Scorpion King, at least there is a very important basis outside the plot and within the plot."

"The first is outside of the plot, because after all, we are writing children's scripts. Although many adults are now beginning to pay attention to animation, these works must also be aimed at children after all."

"On the one hand, we must take into account the maturity of the story, but also the value orientation within it."

"Although Lin Yun said that he wanted children to see a real world, values ​​​​should not be distorted. This Scorpion King deserves our sympathy for her experiences, but objectively speaking, she is still an executioner and has killed many innocent lives."

"For this reason alone, we try not to let this character survive. This is a value orientation."

"In the plot, the death of a character is also a commonly used method for character sublimation."

"The tragic story of the Scorpion King, coupled with the evil she had done, brought these suppressed emotions together, and finally ended with the death of the Scorpion King, causing the already suppressed emotions to continue to explode downwards!"

"We all know that tragic plots are easier to remember than comedy plots because there are regrets in the tragic plots"

"This kind of regret will be repeated in the audience's mind along with the memory of the plot. Every time it is mentioned, the audience feels immersed in the scene and returns to that poor character."

"So I think Lin Yun's ending is good. Whether it is outside the plot or within the plot, this ending is appropriate!"

"Yes, I also agree with Teacher Ouyang’s evaluation. Huang Yulang also came out to answer the conversation at this time:

"Generally speaking, in our creations, the death of a character is a very useful method, especially for adjusting the audience's emotions."

"And what I admire more is not only Lin Yun’s plot arrangement, but also what makes him great is his boldness!"

"What does it mean to be bold? He dares to let the Scorpion King die."

"In fact, as creators, when we create a character, we have an idea of ​​whether it will be liked by others. Because when we write a character, we are thinking about how to make him be liked or disliked by others."

"So when Lin Yun wrote the Scorpion King, he must have known that the character of the Scorpion King would be very popular once it was revealed."

"People like me who create purely commercial works often change the original plot direction to suit the audience's preferences. After all, I have to sell money."

"But Lin Yun is awesome. He wrote her to death even though he knew that the audience would like Scorpion King and Scorpion King would be more popular."

"This kid has a bit of courage and a bit of pursuit!"

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Please give me flowers! Please vote!

Please give me flowers! Please vote!