Inherit For Three Thousand Years

Horse modeling, horse eyes, horse hooves, horse mane, horse tail, horse forehead hair, horse ornaments and rendering methods, gossamer line drawing and characters' clothing processing methods, face opening, rendering, and clothing patterns in "Five Kings Drunken Returning Picture Scroll" Goule is consistent with the "Two Horses", "Chuyu", "Nine Horses" and "Three Horses" handed down by Ren Renfa.

In terms of composition, it is a tiled composition without a background foil, which retains more of the legacy of the Tang Dynasty.

On the lines, the technique of Gao Gu Yousi drawing is used. The lines drawn are fine and round, like spring silkworms spinning silk.

The rendering adopts the rendering method of "Wu Jiayang", also known as "Wu costume" in Tang Dynasty. Render layers of light colors, such as tulle-like hats, pommel horse coats, and costumes of characters. They are rendered on the basis of paying attention to the unity of the atmosphere of the whole picture, and seek gradients in the same color, so that the whole work has a strong sense of color. You can feel the movement of the pommel horse, and the clothing pattern of the characters presents the effect of "the clothes are flying, and the wind is blowing all over the wall". This is the so-called "Wu with the wind".

Ren Renfa, the author of this painting, was not only a high-ranking official in the Yuan Dynasty, but also his achievements in painting are also eye-catching.

Ren Renfa is a character recorded in the "Twenty-Four Histories", the "Minister of Water Resources" in the Yuan Dynasty, and a senior official at the ministerial level in the Yuan Dynasty.

Emperor Qianlong collected 9 pieces of Ren Renfa's works, all of which are recorded in "Shiqu Baoji", 8 of which are in museums around the world, but this "Five Kings Drunken Returning Picture Scroll" is the most beautiful, among the Song and Yuan calligraphy and painting around the world Both are very important works, very rare, unique works.

The price of this painting was definitely much higher than Mr. Xu's "Blood and Fire" a few decades ago. Although it may not be the case now, the title of national treasure is beyond doubt.

This painting is 750 years old, and its historical significance is inestimable.

Most of the antique shelves in the second row are western oil paintings, among which there are also some high-quality ones.

According to price, Xiao Yao's highest estimate is Picasso's work "Girl and White Dove".

This painting is a masterpiece of Picasso, the auction price is at least 70 million US dollars, and if the competition is fierce, it is also possible to exceed 100 million US dollars.

After seeing the calligraphy and painting works on the two rows of Bogu shelves directly in front, Xiao Yao then checked the items placed on the Bogu shelf on the left.

The first row of Bogu racks on the left are all porcelain.

The small porcelain bowl placed on the first Duobaoge is a rare porcelain treasure.

The small bowl has a wide mouth, a deep curved wall, and a short round foot. The whole body is covered with moisturizing white glaze, and there are no grains in the vessel.

A plum tree is written on the bowl with exquisite brushwork and fine brushwork. Its branches are staggered and vigorous, winding and growing, sometimes turning suddenly, but always complementing the shape of the bowl. The stamens and buds are outlined with fine brush and light ink, highlighting its nobility and elegance. There are several clumps of dwarf bamboo under it, and the branches and leaves are drawn with double-hook fine brushes, dense but not chaotic, and in order, which fully demonstrates the extraordinary skill of the painter.

On the other side of the bowl, two lines of five-character poems are inscribed in running script. The writing style is elegant and graceful.

Plum and bamboo are favorite subjects of poets and painters. These two plants are not afraid of severe cold and have the characteristics of perseverance. Plum blossoms bloom every year when the spring is cold and cold, with fine pistils proliferating and full of bare and leafless branches. The faint fragrance heralds the beginning of the new year and the recovery of all things. Bamboo is evergreen, a rare greenness in dry mountains and cold waters. Among them, the characteristics of being empty and restrained, and being upright and upright, have become the expectations of a gentleman to encourage himself.

As a result, both plants have become symbols of unyielding bullying and fear of power, and have been chanted and praised by poets and painters.

The question drawn on the bowl is very pleasing, and the painter is so skillful and skillful that even Xiao Yao couldn't put it down after seeing it.

Xiao Yao first checked the seal and inscription, and the inscription "Yongzheng Year System" in Song style was printed on the bottom of the bowl.

There is a poem written on the wall of the bowl: You can see the shadows in the moonlight, and you can smell the fragrance in the ink pool. Seal seal: Fengcai, Shougu, Xiangqing.

This should be Qing Yongzheng enamel color undoubtedly!

In the minds of porcelain collectors, Yongzheng enamel colored bowls are rare treasures that cannot be found.

Among these colorful and beautiful top-quality porcelain, there is a kind that blooms like plum blossoms in the cold, is lonely and independent, has a unique style, and is the most elegant and elegant-that is the ink-wash enamel recorded in the Qing Palace archives.

The term ink and wash originally refers to painting on paper or silk with different shades of ink, but because ocher enamel on white porcelain painting is particularly poetic and picturesque, it is used here to describe it.

The top grade of enamel colors, commonly known as "Gu Yue Xuan", is praised for combining poetry, calligraphy, and painting, and ink enamel can best show the realm of combining the three.

Yongzheng enamel colors are rare and rarely appear at auction, and Yongzheng ink enamel color bowls have never been auctioned publicly. One can imagine the rarity of this bowl.

Although this palm-sized bowl looks inconspicuous, Xiao Yao estimates that the market price is at least 70 million or more.

The second Duobaoge was also placed on a small bowl. At a glance, Xiao Yao thought it should be a Yuan Dynasty egg white glaze dark engraved multicolored golden bowl.

In Chinese history, the rise of Mongolia and the establishment of the Yuan Dynasty made China a unified country with an unprecedented scale since the Han and Tang Dynasties. The integration of people of various nationalities in the country has made great progress in social economy, developed transportation, frequent trade exchanges, and handicraft production. Inherited and developed on the basis of the dynasty. The craftsmanship of blue and white porcelain in the Yuan Dynasty is a new achievement in this period, and it occupies an important position in the history of ceramics. The five-color flower and gold five-color large bowl is a wonderful work of ceramic craftsmanship.

"Wucaihuahuajinjin" is limited to document records, and has never been seen in history. Since the world has never known or seen porcelain of this kind of craftsmanship, there is no pen in the "History of Chinese Ceramics" published in 1982.

In the early 1990s, the National Cultural Relics Circulation Coordination Center discovered traces of five-color flower-and-gold porcelain overseas. Immediately, experts from the Shanghai Museum and the Palace Museum were arranged to go abroad for appraisal and inspection, and only then did the research results of the five-colored flower beating gold.

So, what is five-color flower and gold five-color porcelain?