Inherit For Three Thousand Years

Compared with Xiao Yao's status as the world's top artist, although his status as the chairman of Tiansheng Pharmaceutical is also very tricky, Mr. Niu thinks it is a good thing.

If Xiao Yao only had the status of a top artist in the world, then he really wouldn't dare to act rashly.

The identity of an ordinary artist is not worth mentioning to him, but the identity of the world's top artist is Xiao Yao's best amulet. Although such an identity has little power, it has too much influence. His world-class influence in art , even with an identity like Mr. Niu, he has to be scruples.

Although Xiao Yao's status as the chairman of Tiansheng Pharmaceutical has a high social status, it is also his weakness.

As the chairman of a large pharmaceutical company, there are many things that need to be scrupled first, not to mention whether there is any violation of law and discipline. The bigger the enterprise, the bigger the involvement, but it is not like the world's top artists who have no desires and no desires.

After learning the efficacy of Huichun Pill, Mr. Niu inevitably became greedy in the face of such huge benefits. Now he not only wants to cure his mother's cancer, but also wants to get the prescription of Huichun Pill.

But he knows the truth that haste makes waste, his first step is to get the three rejuvenation pills, first cure his mother's illness, and then think about what to do next.

He didn't think about asking Xiao Yao forcibly. He still has plans for the future. First of all, he needs to make a good impression on Xiao Yao before he can have further cooperation.

He hasn't considered the specific price to pay yet, and he can't make a decision until he meets Xiao Yao. The price he can give can be money or other things, it depends on what Xiao Yao needs.

Although Mr. Niu's investigation of Xiao Yao was not very detailed because of the short preparation time, after reading these materials, Mr. Niu felt that he knew enough about Xiao Yao.

Since Xiao Yao had a housekeeper in the investigation data, Mr. Niu did not contact Xiao Yao directly, but asked someone to contact Xiao Yao's housekeeper directly, expressing his intention to visit and explaining his identity.

If it was an ordinary status, Housekeeper Lu would have directly refused, but this Mr. Niu's status is indeed very prominent, so he did not directly refuse on his own initiative, and was going to ask the young master for instructions before making a decision.

After listening to Steward Lu's report, Xiao Yao thought about it, and decided to agree to the Niu Gongzi's request for a visit.

Although the status of Mr. Niu was not as high as Tang Tianhao's, he was still extremely prominent, and it was necessary to meet him.

As for the purpose of this Mr. Niu's visit,

After meeting you will naturally know.

On the morning of the second day, Mr. Niu arrived at Xiao Yao's courtyard with ease.

Under the leadership of Steward Lu, he walked through the courtyard and casually admired the buildings and scenery in the courtyard. Mr. Niu couldn't help admiring him again and again.

Such a large courtyard with a large area and unique design, even with Mr. Niu's knowledge, has not seen a few courtyards that can compare with this courtyard in the huge city of Kyoto.

Before meeting him, Mr. Niu's perception of Xiao Yao has been raised to another level.

Walking into the small meeting room, seeing the handsome young man sitting in the main seat, Mr. Niu hurried forward to greet him: "Hello, Professor Xiao, please forgive me for being presumptuous."

Then he pointed to the seemingly large gift bag in Butler Lu's hand and said, "We met for the first time, a little thought, I don't know if it suits Professor Xiao's mind?"

Butler Lu hurriedly took out the gift from the gift bag, and it turned out to be a big long box. After opening the box, there was a scroll.

Mr. Niu continued: "I was fortunate enough to get a piece of "Lotus Pond" by Mr. Wu Guanzhong. It just so happens that Professor Xiao also has a famous "Frog in Lotus Pond".

When Xiao Yao and Mr. Niu met for the first time, of course he couldn’t accept such an expensive gift from him, and politely refused: “Like doesn’t necessarily mean possession, Mr. Niu’s gift is too expensive, I can’t accept it, today I am honored to appreciate Mr. I’m already very happy with the authenticity of it.”

Then he said to Butler Lu: "Since Mr. Niu has already brought this authentic painting over, we must not miss this opportunity. Let's hang it up first, and take this opportunity to appreciate it."

Butler Lu hung up the painting quickly.

The scale of this painting is very large. There is a large area of ​​residual lotus on the screen, dead branches intertwined on the water surface, residual leaves and lotus pods curled up so that it is difficult to distinguish their shapes, all of which seem to be unintentionally drawn and scattered black blocks and black lines. These lines and blocks are particularly moving. The picture uses the reflection in the water. Because of the reflection, the blocks and lines are repeated repeatedly. It is not easy to understand at a glance, but it seems to use the sleeves to emphasize the rhythm of the dance. The aftertaste is long and extremely Artistic.

As a painter, Xiao Yao was very happy to see Mr. Wu Guanzhong's masterpieces in his later years, and looked at them very carefully.

This work was created by Mr. Wu Guanzhong in his later years and can be regarded as one of his masterpieces.

Wu Guanzhong achieved the most important breakthrough in his artistic career in the 1990s, when all kinds of doubts about abstraction in the past were answered critically, and he was able to "express his mind freely" and "express his sincere heart".

His deconstruction and innovation of form and color are fully reflected in the "Lotus Pond" created in 1997. Although this painting seems to have a figurative subject matter, Wu Guanzhong comprehensively controls the overall picture through the use of colorful ink dots, flowing lines and different combinations of density and density, creating rhythm, life dynamics and visual tension in the space.

Wu Guanzhong not only endows the traditional ink lines and color dots with new meaning of the times, but also proves that he has broken through himself in his creative career spanning fifty years!

Before the 1990s, although he continued to explore images and extract formal elements, he always used concrete descriptions to strengthen the comparison and connection with objective reality. After the interactive development between the two media of oil paint and ink wash from 1970 to 1980, his works in the late 1990s paid more attention to the expressiveness and tension of abstract language.

The large scale of "Lotus Pond" fully demonstrates Wu Guanzhong's artistic self-confidence and innovative spirit. When he was nearly 80 years old, he broke through himself, expressed his feelings directly, and extremely refined and simplified his own artistic vocabulary. The discourse has found a new exit and direction.

Whether it is ink or oil paint, Wu Guanzhong's most potential experiments are all close to abstraction. From the perspective of appearance, the choice of "the kite has no strings" seems to hinder abstraction, but in essence, this choice is very important. From this, he established the personal law of natural abstraction, which is in line with the Chinese culture that advocates nature . @B