Inherit For Three Thousand Years

"Inheritance Three Thousand Years ()"

This blessing bracelet is not the most transparent, delicate, and uniform color glass Zhengyang green bracelet that Xiao Yao has ever seen, but it is the best bracelet in all aspects in this box of jade jewelry. From Xiao Yao's point of view, its value should be around 1.2 billion.

Compared with this blessing bracelet, the remaining two glass-type emperor green bracelets, one is a little less transparent in texture, and the other is a little less uniform in color. The price is much worse.

The combined price of the two glass-type emperor green bracelets is similar to this blessing bracelet.

Even if the total value of this box of jade jewelry is less than 3 billion, it shouldn't be much different.

Xiao Yao now feels like opening a treasure chest, the sense of anticipation before opening the box is particularly enjoyable.

The seventh box was opened, and it was full of Hetian jade jewelry.

The quantity of these Hetian jade jewelry is a bit more than the previous box of jade jewelry, but the price is quite different.

Although the materials used for these Hetian jade jewelry are all top-grade materials, there is still a big gap between the top-grade Hetian jade and the top-grade jadeite of the same weight.

Xiao Yao estimated that the total value of this box of jewelry is at most 400 million.

What is in the last box? As long as it is not gold and silver, Xiao Yao can accept it.

Gold and silver are a symbol of wealth, but the price of gold and silver of the same weight is too great compared to the prices of these top jadeites and top Hetian jade.

After the last box was opened, the smile on Xiao Yao's face became brighter.

The last box was filled with emerald ornaments!

There are not many things in the box, there are only 7 pieces in total, but all of them are high-quality goods. In other words, each piece is a rare treasure.

Xiao Yao first picked up an emerald Ruyi and looked at it carefully.

This emerald is more than 40 centimeters long, and the whole body is emerald green, most of which are Yang green, and a small part of it is Zhengyang green. The texture is transparent and the gloss is very strong.

The Ruyi handle is crowned as a positive dragon, with flowers carved on the handle, and five bats on the back. It not only symbolizes the emperor's frontal dragon, but also has the auspicious meaning of "five bats Zhaoqing". It is elegant and pleasing, and it is a symbol of art and identity.

The engraving technique is even rarer, the knife technique is used skillfully, the carving is meticulous, and the grinding is smooth and delicate.

Four bats are engraved in bas-relief on the back of the handle, leisurely hovering among the auspicious clouds, and a bat is also carved on the front end of the handle, which is exactly the number of five bats, and the concept is ingenious and exquisite.

In ancient my country, "five bats" have always been used as the auspicious meaning of "five blessings and celebrations". It is said to test the final life".

The five bats embossed on the back have an excellent meaning, and this theme can often be seen in Ruyi reliefs.

The middle part of the handle is raised, gradually widening from top to bottom, with beautiful curves.

On the front is a bas-relief of a tree of wintersweet. The branches are strong and stretch upwards, and the blossoming plum blossoms are either budding branches or blooming with snow.

"Shuowen" said, "Dragon, the length of scale insects, can be quiet and bright, can be thin and large, can be short and long, can ascend to the sky at the vernal equinox, and dive into the abyss at the autumnal equinox."

The body of the Ruyi vessel is in the shape of Ganoderma lucidum, with a cloud-leaf head, surrounded by a frame of Ruyi cloud patterns, and the first side is embossed with a dragon piercing the clouds and rising in a scrolled body on the front.

The limbs are strong, and the five claws hook back like an eagle, full of movement. The scales all over the body are bright, row upon row, and the carving is meticulous. Surrounded by auspicious clouds and brocade grounds, it adds to the image of flying clouds and fog.

The body of the dragon is entrenched and varied in stature, spreading on both sides of the dragon's head, winding and twisting until it is horizontally hooked under the dragon's head. The body shape is flexible, yet straight and powerful, with a combination of rigidity and softness, with a deep sense of layering swaying in the air.

The top of the dragon head is round and convex, which is the auspicious sign of longevity. The forked dragon horns stand upright, the mane is as thin as gossamer, and the beard flutters in the wind, curling up. The head is slightly lowered, as if probing the flame ball below, forming the image of a frontal gun ball, which is inviolable and heroic.

"Erya Wing" cloud,

"The dragon is as long as a scale insect. Wang Fu said that its shape has nine similarities: the head is like a cow, the horns are like a deer, the eyes are like a shrimp, the ears are like an elephant, the neck is like a snake, the belly is like a snake, the scales are like a fish, the claws are like a phoenix, and the palms are like a phoenix. It looks like a tiger, yes. It has eighty-one scales on its back, with ninety-nine yang numbers. Its voice is like a copper plate. There are beards beside the mouth, pearls under the chin, and reverse scales under the throat. Breathing into clouds, both It can be turned into water, and it can be turned into fire.”

Looking at the dragon carved by Ruyi on this handle, the texture is clear and the texture is clear. The dragon is powerful and mighty, and the majestic air blows towards the face. The artistic appeal is very strong, which shows the exquisite carving skills of the jade craftsmen in the prosperous age of Qianlong.

That's right, this emerald Ruyi is a masterpiece of royal jade carving in the Qianlong period, and it can be said to be priceless!

This Ruyi handle has a graceful and dignified shape, gentle and smooth curves, a rigorous structure and elegant shape, showing the supreme royal atmosphere.

Xiao Yao's collection of Qing court jades is quite large, but few can compare with this jade Ruyi in terms of artistry.

Jade ware of such a large size is mostly made of Hetian jade, and jadeite is extremely rare. And the jadeite Ruyi whose color reaches sun green and Zhengyang green, and whose texture reaches ice species is even more unique.

The value of this Qianlong period emerald Ruyi should not be less than 800 million!

Putting down the emerald Ruyi, Xiao Yao picked up another 20cm-high sitting statue of Avalokitesvara.

The whole body of this work is flawless, the color is rich and gorgeous violet, thorough and pure, the thin parts of the clothes can see through, soft like hibiscus, pure and pure.

Avalokitesvara stands with a boy on one side and a water purification bottle on the other side. The left and right are symmetrical, in line with the traditional Chinese composition, but the center is biased. It is specially designed to break the rigidity. It inherits the Chinese tradition and incorporates Western elements.

Whether it is character modeling, composition, or decorative treatment, it all reflects the two aesthetics of China and the West. The creator combined the two seamlessly, without any sense of disobedience, and interpreted the top level of jade carving.

The main body of the work, Guanyin, has a round face, a high nose and pursed mouth, smiling, kind and harmonious, just like the realm of calmness in Buddhism; the turban is long, wearing a long robe, and his chest is exposed.

The artist intentionally exposed his hands and feet outside the skirt of his clothes. The hands and feet are soft and full, and his gestures are graceful, which shows that his grasp of the human body structure has reached the level of a master.

The clothing pattern processing is particularly artistic, thin clothing is close to the skin, the joints are compact, and the rest is subtracted, with a certain degree of relaxation. The lines of the clothes are flexible, smooth and graceful, like mountains and rivers, or like the curling edges of lotus leaves. I have felt the purity and clarity of the Pure Land of the South China Sea.

Avalokitesvara sits sideways leaning on a mountain rock, with one foot on the ground and the other bent up, holding a Buddhist bead in her right hand and hanging down naturally against the rock, with her eyes looking straight ahead, with a calm and self-promising demeanor, a leisurely and carefree attitude, without distracting thoughts, as if she could Get rid of inner troubles, and you can see how high your artistic attainments are.

Although this work was created by an unknown artist, it is full of charm, and its artistry is even higher than that of the previous jade Ruyi.

But in terms of price, this work is far inferior to the previous jade Ruyi.

The texture of this work is similar to the previous one, both of which are of high ice type, but the difference in color is quite large.

Although the violet color of this work can be regarded as rich and gorgeous, it is still not as good as the sun green of the previous work, let alone Zheng Yang green.

Xiao Yao valued this work at 500 million.

Putting down the statue of Avalokitesvara, Xiao Yao picked up another brush holder.

This pen holder is also made by Emperor Qianlong of the Qing Dynasty, and it is also the three-color jadeite of Fu Lu Shou.

In the history of jade wares in China, jade stationery utensils appeared in the Song and Liao Dynasties more than a thousand years ago. Jade Pen Mountain, Rabbit-shaped Jade Town, Jade Ink Bottle, Jade Brush Washer, etc. were unearthed.

At that time, the art of calligraphy and painting was quite mature, and it became a common practice for literati to express their leisure and leisure by advocating and pursuing beautiful jade. The appearance of these jade stationery utensils is closely related to the cultural atmosphere at that time.

The literati in the Ming and Qing Dynasties attached great importance to the utensils and furnishings of the study room, and the pen holder was used to insert pens, which was a necessary tool for the study room. At the same time, the pen holders are also decorated with various patterns, so they are also important stationery items, among which bamboo carving pen holders and jade pen holders are the most numerous.

There were a large number of jade pen holders in the Qing Dynasty, because the jade pen holders were large in size and suitable for carving patterns on the outside, especially the popularity of jade picture themes carved according to literati's drawing manuscripts, making jade brush holders an important carrier for expressing jade carving craftsmanship, and promoting Started the production of jade pen holders.

The royal jade pen holders of the Qing Dynasty represented the highest level of jade pen holder production at that time, and the works of the Kangxi and Qianlong dynasties were the most exquisite.

Jade pen holders in the Kangxi and Qianlong periods were generally made of Hetian white jade and jasper (or sapphire), and jadeite was extremely rare. The common ones are cylindrical, square bucket, bamboo-shaped and stump-shaped, among which the cylindrical shape is the most common.

This exquisite jade pen holder is made of top-grade jadeite. Although the texture is only ice, there are three colors on the pen holder, and the colors are quite rich, which is extremely rare.

The barrel body is made of ancient pine sections, decorated with ancient pine, ganoderma, and squirrels. The outer wall of the pen holder is embossed with winding pine trunks, several ganoderma blooms under the pine tree, and squirrels playing in it, making the pen holder overflow with a fresh, elegant and pleasing atmosphere like calligraphy and painting. The beautiful picture, coupled with the superb engraving, is really hard to put it down.

The overall color of the tube body is emerald green, although it does not reach the level of sun green, but it is not far behind. The seven or eight ganoderma lucidum is fiery red, and the squirrel is ginger yellow.

The pine does not wither in frost and snow, and can still be full of vitality in the face of drought, just like the perseverance and unyielding character of literati. It has been praised by literati and scholars since ancient times. The ancients regarded pine as a metaphor of perseverance, and it has been used as a literary and artistic creation. theme.

On the whole, this emerald pen holder has both spirit and form, and its conception is exquisite without being vulgar, and it can be vaguely felt that there is a strong literati taste hidden in it.

The artistry and texture of this pen holder are somewhat different from the previous two pieces, but the three-color jadeite is so rare, Xiao Yao’s valuation of this pen holder is naturally not as good as the previous two pieces, but the valuation of 300 million is still amazing .

The remaining pieces of jade ornaments are also extremely precious. Although they are not as valuable as the three pieces that Xiao Yao appraised carefully, the lowest price will not be less than 100 million.

Xiao Yao was very happy to be able to get so many top-quality jadeite and top-level Hetian jade this time.

In the past, he got a lot of antique works of art. Although the value was very high, they could only be used as decorations and had no practical use.

These top-level beautiful jades not only have extremely high value, but also have strong practicality.

These top-quality Hetian jade and top-level jadeite with excellent texture are excellent carriers for engraving jade charms, and Xiao Yao will never have too many. These are non-renewable resources, no matter how many there are, they will be used up sooner or later, so he cherishes them very much.

It took only 430 million yuan to harvest a treasure worth more than 30 billion yuan. This deal is too worthwhile.

Xiao Yao sincerely wished that Chang Qianshun could achieve his wishes and get investment from Jack Ma, so that he would feel more at ease.

Xiao Yao made an appointment to meet Jack Ma, so he must arrange it in advance.

It's easy to talk to Xunweizhai, as long as they call in advance and let them get ready, there is no need for him to make special arrangements.

But he has to think about who to accompany him tomorrow night.

Now that I have arrived in Shanghai, and I will stay here for a long time, I must meet the core members of the Happy Club in Shanghai, otherwise, it will be a bit unreasonable.

After all, the guest of honor tomorrow night is Jack Ma, and there is no need for ordinary members to invite them. In this case, the choice will be greatly reduced.

After making a decision, Xiao Yao started calling.

The members of these Freedom Clubs were busier than one another. Some were in Shanghai, while others were on business trips. After a phone call, he invited a total of five members of the Freedom Club from Shanghai.

The first indispensable one is naturally Zhan Tianling, the chairman of Yinhe Energy. He is one of the directors of the Xiaoyaohui and the highest status among the members of the Shanghai Metropolis.

The second person is Wen Yifei, the chairman of Lingyun Group. He happened to be in Shanghai, and Xiao Yao happened to meet him.

Members of the Xiaoyao Club from Modu are classified according to their personal net worth. Apart from Zhan Tianling, Wen Yifei ranks second.

Wen Yifei's Lingyun Group has a market value of more than 200 billion, and his personal net worth has recently increased to more than 80 billion.

Since Wen Yifei's son's autism was cured, he only met Wen Yifei once, and that was at Xiao Banxia's wedding.

The two of them often talked on the phone. Wen Yifei would call him every major festival, and usually Wen Yifei would also contact him when there was a big or small affair.

Wen Yifei often talked with him on the phone, just wanting to meet him at a convenient time, but the timing was so unlucky that the two of them never met together.

Even when Xiao Yao went to Xiangjiang, he didn't run into him.

Although Wen Yifei is from Modu, the headquarters of Lingyun Group is in Xiangjiang, and the Modu branch only focuses on real estate. Wen Yifei is not only a member of the Xiaoyao Club in China, but also joined the Xiangjiang Branch of the Xiaoyao Club.