An Jia couldn't stay here all the time, and Lingyi couldn't keep an eye on him all the time, so he could only trust Daqing.

When I went out, I almost "crashed" because I was blocked by an overly strong shield.

Fortunately, relying on cultivation to survive.

"Looks like it's time to make a talisman to facilitate entry and exit."

After returning to the territory, An Jia and Ya Niang You San gave some instructions and went to rest.

He didn't sleep all night, and wasted all his mind on the sparrow-tailed dragon. In fact, he was very tired.

He had to quickly activate the "Pill Planting Technique" to recover.

After recovering, I have to start working immediately, starting with the natal magic weapon of the "Lingyu Sword"...

No, there is spirituality in it, and it should be called the creation of "the magic weapon of life".

"Do you use the 'painting' method?"

The method of painting lacquer is used as a refining device, which is the "qi painting method".

The four words of natal magic weapon make An Jia feel that it is very important.

He didn't dare to come up and get it directly.

The talisman drawing also had to stop for the time being.

If this is a magic weapon, it doesn't matter if it is engraved.

But this is a magic weapon, and there is spirituality in it.

Isn't it like adding wings to a tiger with a moment of talisman, letting it fly straight?

He knows the method of painting.

Apply the primer by rubbing the plaster first, then paint over it.

Painted pattern.

After it dries, apply a large varnish.

again and again.

When it's about the same, rub it to grind out the lacquer and patterns.

After grinding evenly, start polishing.

In this way, the primer is mixed with patterns, like a painting on a colored canvas.

It takes a long time to refine a magic weapon in this way.

But just like the skill of painting lacquer, the magic weapon made is stable and not broken.

At least it won't be like the magic weapon of long ago, which can be refined quickly and can be broken in one's lifetime.

But before that, the inner spirituality has to be restrained.

If he doesn't restrain himself, he will eat as much of this food as he injects.

He also thought about the method of restraint.

This has the spirituality of growth, and it belongs to wood itself.

Since it belongs to wood, use Jinke.

An 14 Jia got a few small copper nails and went around them spiritually.

With this nail, the entire feather sword trembled.

It can't stop floating in the air.

According to the method of lacquer painting, after injecting blood energy once, it must be left to dry for a period of time.

Let the blood energy in it combine with the utensils, and after the combination is completed, it will be tempered and wiped off the excess blood energy.

It's time consuming here.

If conditions permit, they will ask alchemists to speed up the process with flames.

Under normal circumstances, the "bottom blood method" in the method of qi painting can reach three levels.

The upper three layers, and the removal of the third layer, the purpose is to leave a thin, solid and strong layer.

This is no easy task.

The more it is, the more stable it will be, and when it reaches a certain level, it will produce "porcelainization"

That way the foundation is better, but it takes five layers.

The fifth floor, how can ordinary people have so much energy and time to complete it?

There is a saying that there are three layers of foundation, five layers of porcelain, nine layers of jade and ten layers of gold.

No one would spend ten or even twenty years cultivating the bones of a magic weapon.

But An Jia felt that the five floors were still too few.

The blood base formed is only as thin as the thickness of the glaze on the porcelain he fired.

An Jia directly uses the method of "vacuum cold steaming".

The feathers are ten feet long, it is not easy to breathe light into them.

Ordinary people's blood circulates all over their bodies for a week to inject...

Don't talk about injecting blood, I'm afraid that injecting the whole body's essence and blood is almost the same.

In that way, if the refining tool is used, people will only inject it once.

As for blood energy, it is the flower of essence and blood, and essence and blood are not enough, let alone blood energy.

In terms of An Jia's current blood energy, he can only do it twice in a row at most.

After all, this thing is too big.

It is natural to be cautious when dealing with ordinary instruments.

What's more, the bones of the magic weapon are so huge.

If the blood energy is insufficient, it will be difficult for Danfu to run smoothly.

An Jia also doesn't want to put all of it into it and affect the daily operation.

After thinking about it, he still felt a little risky.

So he took out a feather to try first.

Blood energy poured into this two-foot-long feather.

With the injection of blood, the feathers with white quills and black feathers transformed into red quills.

This is the first injection of blood energy, and the blood energy inside is sticking to the inner wall, and it is still a little impetuous.

It's like paper that has just been painted, the paint will definitely disperse if you touch it.

And this pigment must not have penetrated the paper yet, and is completely combined with the paper.

Usually this requires suitable storage plus time to accomplish.

With a movement of An Jia's body, a black and yellow thunder and bee mark appeared on his forehead.

There was no change on the body, but the clone appeared beside him in an instant.

The clone picked up the feather.

An Jia put one hand under the feather and one hand on the feather.

Black vacuum circles appeared on both hands.

The first hand is to accumulate cold in a vacuum, and the first hand is to extinguish the three lights.

The purpose of this is just to accelerate the convection with the method of vacuum cold steaming.

Allow the blood gas in the quill to stabilize and condense faster.

An Jia's main body didn't move, but the clone twitched its feathers back and forth.

After the quill was injected with blood energy, it was still a little bright red, but it soon became dark red and faded.

At this time, An Jia then used the "Blood Studying Grinding Method" in the method of Qi Paint.

That is to use blood energy to polish the inside into blood energy.

The blood energy injected into it turns into a file that adapts to the internal shape under certain skills.

The stronger one's own divine sense is, the thinner the file will be.

But not the finer the better, the file should be thick at first, grind off the coarsest layer, and gradually become thinner.

An Jia still has such control and craftsmanship.

As a result, after some polishing, the remaining blood energy was only a thin layer.

Despite the blood energy that has been cultivated, he still has a way to absorb...

But the result was too shocking.

Watching the blood gas injecting, it turns from white to bright red.

After the binding is stable, it changes from red to dark red.

Then use the blood grinding method to change from dark red to white.

Compared with the original, this white is a little rounder and redder.

Observing carefully, it is obviously different, but it is just that little.

It seems to go from zero to one to two, and then back to zero.

But it's not exactly zero, but zero point one.

The whole process took a quarter of an hour, and it was quite complicated and laborious.

An Jia tried again, with the same effect.

From 0.1 to 0.2.

Tried the third time again, from country point 2 to master.

At this moment, the white of the quill has turned slightly red.

At first glance, nothing can be seen at all.

Take a feather that has not been airpainted for comparison.

It can be clearly found that the air-painted feathers are more shiny and delicate, and the color is darker.

This shows that there is still a big difference between zero and zero point three.

This difference is already huge in the eyes of regular immortal cultivators from Qingyunmen.

But An Jia feels that if white can't turn into black, but changes from white to milky white, then there is no difference.

The advantages of the air painting method are obvious, and there are few disadvantages.

The biggest disadvantage is the time cost.

An Jia still used her original method.

It is the method of blood refining when casting green bamboo swords.

But this method is very rough, violent and direct compared with the air painting method.

It is impossible to see it now.

Sure enough, the seven hundred years of Qingyun cannot be underestimated.

"My blood refinement method is very direct, fast, and comes and goes quickly, which is an advantage.

"The disadvantage is that the combination is not tight, and the culture is not delicate enough."

"The magic weapon made by the Qi painting method can be said to be a fine product."

"After all, it's usually his own blood that makes the utensils, so why don't you take good care of them.

"The Qi painting method is divided into three stages and methods: the bottom blood method, the blood study grinding method, and the vein casting method."

"Although my blood refinement method and bottom blood method are different, their purpose is the same."

"It turned out a little bit differently..."

An Jia thought about it, and combined the blood with the material to make the material more textured.

In fact, their thinking is different.

This is the same method, different techniques, and different techniques.

The difference between raw material and bone is like clay and porcelain.

But different methods lead to different results.

Thinking of this, An Jia found that it was very similar to lacquer painting, and more similar to pottery sculpture.

According to Qingyunmen's qi-painting method, as long as it takes a long time, it will definitely become fine porcelain.

His method is rough and straightforward due to the bottom layer, and with luck, he can only make glazed pottery in the end.

If you are unlucky, you can only make pottery.

"Now when I burn porcelain, I always knead the soil to increase the density and remove air bubbles."

"I use stir-fried hands to make pottery, tan leather, and knead dough, all for the same reason."

"I have never been a painter before, so it is difficult to understand the air painting method deeply, but it is simple.

In general, it should be about the same.

An Jia quickly understood the principle of making bone.

To tan leather is to boil leather and tanning agent together and stir them every day.

The combination of leather and tanning agent can make the leather more stable, strong and corrosion-resistant.

Alloy, that is, copper or iron, cast together with other metals.

Although the melting point decreases after melting and casting, the overall performance will improve.

Add salt and eggs to the noodles, because the addition of eggs and salt will combine the noodles and make the noodles stronger.

Such noodles are naturally stronger, but they must be kneaded evenly.

Qi painting method is more advanced than blood refining method, not because it is more powerful, but because it is more refined.

Through this complicated and time-consuming method, the blood gas can be combined with the material.

The material will be more textured.

Just like jade, many people don't understand the meaning of the word "stone nature" in jade.

But before putting the worst jade and the best jade together, would you say that they are all stones?

After putting them together, you will find that a good jade is a good jade, which is beyond the existence of stones.

The inferior jade is also jade, but it is rough, negative and opaque.

The stone nature is also reflected here.

Those high-quality jades, if you look at them with a discerning eye, you can see the nature of jade and the nature of stone.

And 640 does not look at "appearance". Xiangyu masters Xiangyu, saying that he looks at appearance, but appearance is impermanent and nature does not change.

What you see is how much the jade is, and the stone is geometric.

It's no wonder that the qi painting method will say that there are three layers of bottom, five layers of porcelain, nine layers of jade, and ten layers of gold.

In order to verify this statement, An Jia added two layers to the time spent on the feather just now.

Just the difference between the two floors, the difference between the third floor and the fifth floor is huge.

Three layers, the feathers look like coiled beads, well maintained.

It is shiny and somewhat textured than similar feathers.

In the fifth layer, the luster of the feathers has been seen to be stable and become restrained.

It really produces a transparent glass-like "enamel" like porcelain

So much so that the whole feather looks solid in color, and it feels like it was fired.

Next, An Jia spent a lot of energy to complete the ninth floor.

Every time you go up a level, you will consume 30% more blood energy than before.

When it reached the ninth floor, it was several times that of May.

At this time, the feather texture and surface luster are very little.

Instead, there is that kind of feeling that is as gentle as jade but not like jade.

An Jia spent double the amount of energy, and went directly to the tenth floor.

The tenth layer is quite difficult to paint.

Because the further back the head is painted, the less space is given inside.

And the land of the magic weapon is becoming more and more fragile.

But when it reached the tenth floor, as if it was a boundary, the feathers changed drastically again.

From jade, back to the original, it turned into the original appearance when the Qi painting method was not used.

Even, the texture has changed.

This made An Jia puzzled, and he took out the normal feathers for comparison.

After a comparison, I found that this is indeed not returning to zero, but returning to basics.

Feathers themselves have the characteristics of flexibility and lightness.

As the air painting method deepens layer by layer, the texture of the feather becomes stronger and heavier.

The texture is strong, and the real touch is the embodiment of "quality yin".

Now returning to the basics and returning to the truth, the extremes of things must be reversed, and the cathode produces yang.

Yang is born, quality is Yin, Yin and Yang are reconciled, this feather is full of spirituality.

It seems to have a little bit of strange vitality naturally.

An Jia used a feather as a knife, and gently scratched the paper.

That's right, this feather is indeed different, it is as soft and light as gold and iron.

This is the metamorphosis of the tenth floor!

An Jia released her consciousness, closed her eyes, and observed the feather by herself.

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