Is it reasonable for me to build a space elevator when filming The Wandering Earth?

Hearing that "The Wandering Earth" was a 'cultural invasion' of North America, Liu Lang was stunned for a while before reacting.

North America, which has always relied on Hollywood to export strong hegemonic culture to the global film market, actually used this term in "The Wandering Earth".

Liu Lang didn't know whether this was a compliment or a criticism for a while.

"Haha! Lao Mei is scared!" Assistant

director Lin Hao didn't think about it so much, and was excited about the performance of "The Wandering Earth" in the North American market.

"To be honest, Brother Lang, when I just graduated, I once thought that I would be a director of 'divine drama' at most in my life.

Who would have thought that I would be able to participate in such an awesome movie later?

Thanks to you, you still treat me as a buddy and pull a brother!"

This is the first time Lin Hao has revealed his true feelings after the filming of "The Wandering Earth".

In the eyes of the students in the directing department of the film academy, everyone is envious of Lin Hao's shit luck.

relied on his relationship with Liu Lang to get mixed into the position of assistant director.

The weight of this assistant director is not comparable to that of the assistant director of Bi Fei's "Dream Chasing Showbiz".

"The Wandering Earth" has now exceeded 4 billion at the domestic real-time box office, and it has only been less than a month, and it has already broken the estimates of countless senior film and television data analysts.

is even expected to reach the terrifying box office data of 5 billion, completely becoming the biggest dark horse in domestic film history.

What's even more terrifying is that this is only director Liu Lang's big-screen debut.

The benefits that this phenomenal film has brought to all the crew members are immeasurable.

As an assistant director who participated in the filming of "The Wandering Earth", if Lin Hao is willing, he can casually get a no-responsibility investment of 20 or 30 million yuan with this identity.

This is the power of phenomenal films, and it is also the dream goal of countless domestic film and television practitioners.

。

The discussion of "The Wandering Earth" in North America continues.

In terms of authoritative and well-known media, the "NY Times" took the lead in attacking "The Wandering Earth".

They only gave "The Wandering Earth" a 30 out of 100 ratings.

The article is full of unobjective and biased remarks.

Accusing "The Wandering Earth" of bringing nearly three hours of intricate storylines, undercooked themes, and confusing, apparently approved subtext.

As for the plot of the nuclear explosion of the moon in the film, the "NY Times" commented that it is a ridiculous and stupid narrative idea.

In the end, he said that the sci-fi film was not worth watching at all, stumbling over its dramatic plot and overtly nationalist message.

The news came back to China, and many netizens and viewers who had watched "The Wandering Earth" were furious.

[Nationalism? Ah, yes, yes, yes! This consistent double standard smell is exuded across the screen.

[I don't know what the definition of "ridiculous" and "stupid" is in the "NY Times", but maybe in the eyes of the "NY Times", which is full of pride and prejudice, the purple sweet potato essence that can wipe out 50% of the human race with a snap of a finger is in line with the normal theoretical range, right?]

[In "Titanic", when only a small number of people can be born, no one will criticize the improper handling of "women and children boarding the boat", and the American media will promote it as the glory of human nature.

In "Saving Private Ryan", the story of a team for one person is praised by the American media as a heroic feat.

And in "The Wandering Earth", "those over 50 years old are out of the ranks", this sentence not only shows the collective contribution spirit of the Chinese people, the sense of mission of the soldiers, but also shows the unity and protection of all mankind, but it has become the "nationalism" in the mouth of the "NY Times

".

[I'm in a hurry, they're in a hurry.

The majority of netizens and viewers spontaneously defended their remarks on "The Wandering Earth", which made Liu Lang's heart warm.

The aesthetics of domestic audiences are no longer those who worship foreign and flattering foreigners, all foreign movies are good, and all domestic films are rotten 'soft knees' kneeling people.

Of course, they will spray bad domestic movies, but they will also maintain really good quality domestic movies from the bottom of their hearts.

。

There was a time when we could unite people of all races in the world. Nowadays, the only country with such a dream is the Dragon Country, the Dragon Country people pay attention to the universe, we (North America) hate each other, I have to say, the reality is more tragic than the movie!]

[When our Hollywood is still struggling with whether the practitioners of "heroism" should be black or white, and build a high wall for it, "The Wandering Earth" is emphasizing "a community with a shared future for all mankind".

The earth belongs to all mankind, and in the face of disasters, everyone can shine. It's a pity that this plot can only be seen in Dragon Kingdom movies now, which is really sad!]

However, North American audiences are not as narrow-minded as the media that smeared "The Wandering Earth" like the "NY Times".

The film reviews about "The Wandering Earth" on the North American Internet, most of the film critics and audiences also spoke highly of it after watching the movie.

In the rating of the Internet, the freshness of Rotten Tomatoes reached 82%, the popcorn index was 94%, and IMDB gave an initial score of 8.2, you know, IMDB gave the world's top 100 movies a score of 8.3 points.

For the evaluation of "The Wandering Earth", countless foreign film critics and audiences gave it a 'surprising Dragon Kingdom sci-fi film'.

Compared with the concerns of Christopher Nolan and a group of North American media, James Cameron, another world science fiction master, is quite optimistic.

"James, it is said that the director of "The Wandering Earth" is a 'real-life maniac' just like you, and everyone knows that you really built a live-action giant ship in order to shoot "Titanic".

In order to shoot "The Wandering Earth", the other party planned a filming base covering an area of more than 40 square kilometers, and also invited real fighters and warships to participate in the shooting.

What do you think about this?"

"All I can say is that this is cool!

Young directors should be like this, they can't rely too much on green screen, special effects CG technology, and there is still a gap between digital and live action.

In addition, I still remember Director Liu clearly.

I've given him an award for his work, and I've read his Hugo Award short story of the same name, so I recommend you check it out.

The movie "The Wandering Earth" presents a lot of details that are not in the novel, including many original sci-fi props, sci-fi concepts, which have fascinated me in recent times.

Judging by the plot of the novel, there should be a sequel to this movie.

Sci-fi films belong to all audiences around the world, and they should not be given national, regional, and political attributes.

I don't think "The Wandering Earth" is a threat promoted by some peers, and if I have the opportunity, I would like to compete with the sequel to "The Wandering Earth"... "