Is it reasonable for me to build a space elevator when filming The Wandering Earth?

The fire in "The Wandering Earth" is as uncomfortable for them as if they had eaten flies.

This is likely to mean that the kind of traffic star template movies that used to be have been lonely in China, and they are no longer the same as before, and the template movies produced in three or five months can easily circle a large number of box offices.

"Fortress of the Magic City" is a clear example of this.

The starring role is a top domestic traffic star with small fresh meat, and the director is a famous director of a love film that has been tested by the market, plus a large production investment of 400 million.

Such a combination that is 'as stable as an old dog' in the eyes of countless professionals was defeated by a rookie director who was a fledgling and directed a big-screen movie for the first time.

The quality of "The Wandering Earth" is naturally understood by these professionals in the domestic film and television industry.

But this also made them feel a headache, originally everyone was rotten, the market was full of bad movies, and the audience had to buy it.

But with the advent of "The Wandering Earth", after tasting the delicious food, where can the audience still endure the shoddy production like pig food?

There was no choice before, and now the audience will definitely not be so generous to domestic bad movies.

Most of the production companies in the domestic film and television industry hate itchy, but they are also a little helpless.

Domestic audiences who have been raised with bad tastes will use the box office to force them to improve the quality of domestic films.

The movie era that once belonged to traffic stars and small fresh meat seems to be gone forever.

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As the Dragon Shadow Group, which is responsible for the overseas distribution of "The Wandering Earth", it is of course pleasantly surprised by the good response in the overseas market.

The last overseas market had such a strong response was the costume action movie "Hero".

But that was a movie nearly 20 years ago, and for so many years, there has never been a 'work out of the circle' of this level in the domestic film market.

The box office is secondary, and for an organization like Dragon Shadow Group, which has official attributes, it is the top priority of their task to spread domestic culture as widely as possible overseas.

What surprises Dragon Shadow Group even more is that "The Wandering Earth" is an extremely difficult industrial science fiction film to produce.

The positive impact it can bring to the domestic film market is far from being comparable to two action movies.

And an unprecedented Dragon Kingdom sci-fi film can also help improve the stereotype of overseas audiences for Dragon Kingdom movies.

Let them know that the original Dragon Country people not only only make those action movies and martial arts films, but also the original Dragon Kingdom people's science fiction films are also very exciting, and they have quality that is not inferior to Hollywood standards!

Once upon a time, those Hollywood industrial science fiction films and superhero movies, relying on the world's unique large-scale film industry production capabilities, slaughtered all sides in the domestic film market and wantonly harvested the domestic box office.

The huge Dragon Kingdom can't cultivate commercial films that can compete head-on with the other party, and can only rely on various measures to protect domestic films to find a glimmer of life.

In the end, it became another box office warehouse in Hollywood.

These pasts made the leaders of the Dragon Shadow Group feel heartbroken, and in their hearts, they even compared it to the humiliating history that could not be looked back on a hundred years ago.

And now, with the advent of "The Wandering Earth", they finally see the hope of domestic films participating in global competition.

The ideological competition in culture and entertainment is not at all inferior to the economic and military status.

Only with more and more excellent movies like "The Wandering Earth" can we better resist the cultural invasion under the hegemony behind Hollywood.

On the other hand, in addition to Liu Lang himself and the main creative team of "The Wandering Earth", Dong Yanling was also pleasantly surprised by the film's overseas market performance.

It has been a month since the first day of the Lunar New Year when the movie premiered, and the success of "The Wandering Earth" is beyond doubt.

The cumulative domestic box office in 30 days reached an astonishing 4.4 billion, entering the top ten of the domestic film box office list as scheduled, refreshing a number of historical records.

And that's not counting the overseas markets that have received a good response, plus the movie is far from being released.

Nowadays, major professional film and television data analysis institutions in China are predicting that "The Wandering Earth" will most likely be the top three in the domestic box office list in the end, and if the global box office is counted, it will be the champion properly!

When Liu Lang was still a 'budding new director', Dong Yanling began to get in touch with him.

Byte Entertainment's strategy of focusing on the development of science fiction films is also the tone set by Dong Yanling.

A series of fanfare actions have attracted ridicule from the domestic film and television circles, and even the senior management within the group has begun to question it.

And after "The Wandering Earth" came out, all the problems and all the doubts disappeared in an instant.

Dong Yanling's position as the strategic director of Byte Entertainment has become extremely stable, and she even hopes to compete for the top positions within the group.

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"Brother Lang!, someone wants to poach me!

Does anyone finally realize my talent?"

Liu Lang was calculating how many points the box office of "The Wandering Earth" could bring him, when assistant director Lin Hao rushed to Liu Lang's side with an excited face and showed him the conversation with the headhunter on his mobile phone.

"5 million annual salary?independently directing a sci-fi film with an investment scale of 100 million?"

Liu Lang looked at the conditions promised by the other party and raised his eyebrows.

This condition must be too shabby for a famous domestic director, but if it is a rookie like Lin Hao who has not directed any big-screen movies by himself, it is simply too generous.

"Haozi, are you excited?" Liu

Lang quipped to his friend.

"I admire the other side's eyes, but despise their bids.

It's too shabby, just such a thing, who to look down on!" Of

course, Lin Hao couldn't agree, as the assistant director of "The Wandering Earth", Liu Lang's right-hand man, Liu Lang naturally couldn't treat him badly.

When the box office account of "The Wandering Earth" is over and the points are received, Liu Lang will take out a sum of money as a bonus and distribute it to the film's main creative team.

Liu Lang's π Technology Company, the current flagship product 'Recuperation Prosthetic Armor' is selling very well, coupled with the follow-up cooperation with the Space Agency's 'Domestic Version of the Starlink Project', it can be said that it requires money and resources.

Now money is just a string of numbers in Liu Lang's eyes, and it is naturally impossible to treat the members of the "The Wandering Earth" team badly.

Lin Hao, as the assistant director, helped Liu Lang solve a lot of cumbersome film shooting logistics problems, coupled with such an iron relationship with Liu Lang, and the promise of 'Gou Fugui, don't forget'.

Tens of millions of dividends, Liu Lang will naturally not be stingy with him.

"Forget it, for the sake of the other party's discernment, I will recommend another candidate to them. "

Huh?"

"Bi Fei, Bi Dadao!".