Japanese big things

Chapter 133: Serious

The first broadcast of the TV series was quite successful. Although it was limited to the Hokuriku region and it also avoided the popular TV series broadcast by the five major private broadcasters, regardless of whether it was a success or not, the result of ranking first in the audiovisual rating is the best explanation.

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With this achievement as an encouragement, there was no need for Masahiro Nakamura to boost morale too much. The staff of the crew were as if they had been given a shot of chicken blood, and they were full of energy and actively engaged in work.

Perhaps it was the blessing of the God of Luck, or perhaps everyone was gradually getting into work mode. After some early adjustments, the filming of the TV series began to go smoothly, and the progress was slightly ahead of schedule.

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If the first broadcast ranks first in the same period, it can be explained by the word fluke. Then the subsequent recording and broadcast rankings can still maintain the first place in the same period in terms of audio-visual ratings, which more or less shows a bit of strength.

Within the broadcast scope of the Hokuriku region, "Rampage of Youth" successfully locked the TV series's estimated viewing group and stood out from the audio-visual competition of county TV stations. It not only won the favor of many young groups, but also gained a strong reputation

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In addition, the TV series caused a lot of heated discussions, and the youth storm started to spread in the Hokuriku region. Many newcomers in the entertainment industry who appeared in the series also took advantage of this to make their mark, and successfully gained a large number of fans.

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Especially as the main protagonist, Kento Yamazaki, with his handsome appearance and lovable character, has skyrocketed in fame and popularity with the premiere and subsequent recording of the TV series, and he ranks first among the newcomers.

As for other newcomers, such as Sota Fukushi, Ai Hashimoto, Reina Nonen, Kasumi Arimura, etc., although their popularity and popularity have also increased significantly, the gap is very obvious.

According to the statistics of the latest audio-visual survey, Yamazaki Kento is far ahead with more than 10,000 votes. Even if the votes of other newcomers are added together, they are just the same.

Well, I have to say that the identity of the protagonist is indeed very advantageous. Even if Kasumi Arimura's role has been strengthened by Masahiro Nakamura, and the scenes are constantly added without affecting the plot, it is still inferior.

"CUT, stop first."

The filming of the crew was going smoothly, and Nakamura Masahiro suddenly interrupted the filming. Then, he stood up from the supervisor's chair and walked towards Kento Yamazaki in the field.

That fierce momentum, coupled with his own supervision BUFF bonus, he looked like a superior person. Suddenly, the scene fell into a dead silence, as if the pause button was pressed, all sounds disappeared, even breathing seemed to

All solidified.

The staff members of the crew looked at each other with big eyes and small eyes. They didn't even dare to take a breath, and they didn't know where the mistake was. Did Masahiro Nakamura, the supervisor, get angry?

Because Nakamura Masahiro usually has a very gentle personality and is always friendly to others, without any big shot airs, everyone is used to his approachability. At this moment, he suddenly turned into a menacing appearance, which caught many people off guard.

Seeing Masahiro Nakamura coming towards him with a sinister look on his face, Kento Yamazaki was a little confused for a moment. He didn't know which aspect of the performance was causing the problem?

Although his intuition told him that there must be something wrong with him, which is why Nakamura Masahiro came to kill him angrily. But after searching through the memories in his mind, he didn't notice anything wrong?

As for Fukushi Sota and Hashimoto Ai, who were acting opposite each other, they had already had the awareness to avoid them. Before Yamazaki Kento could react, he had already moved to the side, calmly lowering his presence, trying to make his presence felt.

Nakamura Masahiro ignored them.

On the side, Arimura Kasumi and Noinen Rena held their breath and did not make a sound. They just glanced back and forth at Yamazaki Ken and Nakamura Masahiro with inquiring eyes, wondering what went wrong?

"Supervisor Nakamura, you?"

Seeing Masahiro Nakamura approaching step by step, Yamazaki Kento was a little panicked, but he still managed to calm down, put on a calm look, and said respectfully: "Is there something wrong with the performance?"
"You didn't feel it yourself?"

Interrupted by Kento Yamazaki's question, Nakamura Masahiro's momentum stagnated, and the aggressive posture dissipated a lot. He glanced sideways at Kento Yamazaki and decided to let him see the scene he had just taken.
"Yamazaki-san, come with me."

After all, Masahiro Nakamura was not a tyrant on the set. His momentum was exhausted, and his sharp eyes slowly regained their composure. He casually stretched out his finger to tickle Yamazaki Kento, then turned his direction and pointed at the monitor at the supervision position.
There must be something wrong with the performance!

Yamazaki Kento had a clear understanding in his heart, stepped forward, and obediently followed Nakamura Masahiro to the monitor. Even though he has some popularity and fame now, in this crew, Nakamura Masahiro, as the supervisor, is the real

NO.1.

"Take a look for yourself at the performance you just performed."

As the monitor screen played back, Yamazaki Kento's performance just now suddenly appeared. After a cursory glance, Yamazaki Kento did not find anything unusual.

Whether it was his own performance or the opposites of Fukushi Sota and Hashimoto Ai, he didn't find any problems. In other words, given his level, he didn't notice it.

"Don't you think the picture is very inconsistent? Look at your own performance. It's not like you've encountered setbacks. You're clearly feeling proud."

Seeing that Kento Yamazaki didn't realize what the problem was at all? A trace of anger surged in Nakamura Masahiro's heart, and his outstretched finger directly poked the monitor screen.

The plot just filmed was about Hasegawa Jiro, played by Kento Yamazaki, encountering a setback, and then expressing his feelings to his rivals Sota Fukushi and Ai Hashimoto.

It stands to reason that Jiro Hasegawa, who suffered a setback, should be in a depressed state. However, although Kento Yamazaki's performance showed a sad expression, the scene in the camera was very inconsistent and awkward.<

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Maybe ordinary viewers can't see where the problem lies? They can only detect a very inconsistent and awkward feeling from their intuition and senses, but they still can't explain the reason.

But as a senior professional who is also responsible for directing and supervising this TV series, Nakamura Masahiro knows this very well and knows that the key to the problem lies with Kento Yamazaki.

Perhaps it was the rapid increase in fame and popularity, or perhaps it was the enthusiastic pursuit of fans, that made Yamazaki Kento's mentality change greatly.

Originally, he, Fukushi Sota, Hashimoto Ai and others were newcomers to the entertainment industry, so there was no difference between them. But as Yamazaki Kento's popularity and popularity began to overwhelm him, he began to drift a little.

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Maybe Kento Yamazaki's little problem doesn't have much impact on the daily interactions of the crew. If you don't pay special attention to these aspects, it will be difficult to notice that there is a problem.

But when shown on the camera, a small problem turns into a big problem. As we all know, the performance on the screen originally pays attention to the detailed changes in expressions, and the conveying of emotions can be empathetic.

Although affected by the exaggeration of animation culture, the performance form of Japanese film and television dramas has moved in the general direction of over-exerting animation-style interpretation: for example, the unconventional Yanyi can be seen from time to time.

But "Youth on the Run" is not a comedy, nor is it a thrilling genre. Relatively speaking, part of the focus of "Youth on the Run" is to test the acting skills of the actors.

Especially when Nakamura Masahiro was filming, he used a lot of professional film techniques, and the in-your-face shooting method has long made the actors develop a habitual numbness.

Therefore, Yamazaki Kento's mistakes were so completely exposed in Nakamura Masahiro's eyes. Nakamura Masahiro can tolerate problems within the scope. Once it affects the filming of the TV series, it is absolutely unacceptable.

"I don't care how popular you are now or how much you can get from surveys and votes. To me, those are not important."

Nakamura Masahiro looked at Yamazaki Kento expressionlessly and spoke in a very calm tone. But the warning in his words was so strong that Yamazaki Kento couldn't help but shudder in his heart.

"If you can't act well and fail to meet the shooting requirements, then I don't mind changing to another actor."

Hearing this, Yamazaki Kento subconsciously lowered his head and looked at the ground, choosing to avoid Nakamura Masahiro's gaze. A thought came to his mind: It has been officially broadcast, is it possible to change the actors?

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"Do you think that since the TV series has started to air, I can't change the actors?"

Nakamura Masahiro's voice suddenly sounded, and Yamazaki Kento was immediately startled. He looked at Nakamura Masahiro in front of him like a conditioned reflex, and a look of panic and fear filled Yamazaki Kento's face.

How does Director Nakamura know what I am thinking? Could it be that he can read minds? Impossible, such a thing is absolutely impossible.

Yamazaki Kento's mind was in chaos, and he was like a frightened rabbit. The calmness and calmness that he had maintained before had disappeared, and fear was written all over his face.

"If that's what you think, I don't mind replacing you. So, Yamazaki-san, please be more serious."

Nakamura Masahiro was very satisfied with Yamazaki Kento's reaction, and his tone of voice became a little heavier involuntarily. Although the cost of changing actors is relatively high, Nakamura Masahiro doesn't really want to replace him, but if Yamazaki Kento has always been like this, then he

It is necessary to consider this idea.

Well, except for the phenomenon of substitutions in the film field, Japanese TV dramas actually don’t like substitutions. After all, movies can be remade from scratch. Is it possible that TV dramas that are being filmed and aired can be started over?

Therefore, when encountering difficult artists or force majeure factors, the Japanese production team usually has two choices: either rush to finish the work and directly end it; or write the characters to death and let the other party go offline directly.

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