Japanese big things

The bright sunshine shines into the room, and the warm light radiates heat wantonly, persisting and stubbornly refusing to evacuate, and the whole room is very warm by the external temperature.

Along with the breeze, there are also subtle noises. The roar of speeding vehicles, the music from advertising screens, the noisy horns of shops... Many noises are intertwined together, forming a song full of joy.

A symphony of life.

"Nakamura-san, it's time to get up..."

As the creaking door opened, a pretty figure flashed into the room. She walked slowly to the bed and said softly to Masahiro Nakamura who was lying on the bed: "It's already afternoon, are you still there?"

Do you plan to continue sleeping?"

Nakamura Masahiro didn't speak. In response to the girl's movements, he just turned over and made a slight breathing sound. He continued to lie on his side, his motionless posture like a sculpture.

Arimura Kasumi pursed her lips and looked fixedly at the motionless Nakamura Masahiro. Time passed by so silently, and if the breeze hadn't caused the curtains to sway, everything seemed to have been stopped.

.

Perhaps because he felt Arimura Kasumi's gaze, the inexplicable physical feeling was a little like a needle prick, making it impossible for Nakamura Masahiro to sleep peacefully.

Turning over and exerting strength on his waist, Nakamura Masahiro sat up directly. His eyes were slightly squinted, looking sleepy, and his slightly messy hair was hanging down, seemingly softly hanging on his head.

p>

"Okay, I'm up..."

Glancing up at Arimura Kasumi who was standing beside the bed, Nakamura Masahiro sighed feebly, then stretched out his hand to scratch his head, making his already messy hair even more arrogant.

"There is a village mulberry, is there anything to eat?"

The oncoming hunger made Nakamura Masahiro feel a little uncomfortable. He subconsciously touched his empty stomach, then turned to Arimura Kasumi and ordered: "If you don't have any, ask the front desk to arrange for someone to bring something to eat..." <

/p>

"I'll call right away..."

Moving to the phone on the bedside table, Arimura Kasumi grabbed the phone and dialed the hotel front desk number. She slightly raised her voice, making her originally clear voice suddenly become a bit sharp.

"Hello, please send two pieces of food to room 810. Fried rice or ramen are fine. Please do it as soon as possible..."

"There shouldn't be any need to hold your voice when speaking, right?"

I couldn't help but glance at Arimura Kasumi. The discordant voice made Nakamura Masahiro feel heartbroken, as if goosebumps were about to pop out.

"You are not a popular artist. You have just gained some fame. Not many people will recognize you..."

Nakamura Masahiro's words were a bit hurtful, but they also pointed out Aimura Kasumi's status in the entertainment industry and in the eyes of the public. Unless they are fanatical and loyal fans, few people can remember Arimura Kasumi.

"If "Rampage of Youth" premieres on TBS TV station, you might have a chance to become popular. But now, TBS TV station is just using it for transition, and you will only be familiar to the audience..."<

/p>

Judging from the audio-visual results of Hokuriku Broadcasting, the performance of "Rampage No Youth" is excellent. It may be acclimatized in the Kanto region where competition is more fierce, but the performance should not be too different.<

/p>

If tbs TV station is more effective in publicity and distribution, even if it cannot take the lead in audio-visual performance, it can definitely give a satisfactory answer.

It's a pity that "Rampage of Youth" is not the first broadcast. Even if TBS TV station takes it seriously, it will not invest too many resources in it. If Arimura Kasumi hopes that "Rampage of Youth" will become popular, this idea is doomed to fail.<

/p>

According to the unspoken rules of the Japanese television industry, TV dramas mainly focus on the first broadcast. There are reruns of TV dramas, but mainstream TV stations will not invest a lot of resources in a rebroadcast TV series.

In Masahiro Nakamura's memory, it seems that it was during the future epidemic period that restrictions on the filming of TV series were difficult, and Japanese TV stations began to rebroadcast classic TV series in large numbers.

"That's true, but what if you are recognized?"

Arimura Kasumi also knows that what Nakamura Masahiro said is true. She is only a little better than the newcomers who have just debuted, and it is unlikely that anyone will recognize her. However, after all, it was the agency that told Arimura Kasumi.

Still pay attention to this.

"The office also reminded me, just in case, it's better to pay more attention."

"That's what you said..."

Nakamura Masahiro also somewhat agrees with Arimura Kasumi's ideas. If nothing else, just follow the arrangements of the firm, Arimura Kasumi has done a good job.

If you want to successfully stand out in the Japanese entertainment circle, in addition to having sufficient strength, the more important thing is the strong support of the firm.

In the Japanese entertainment industry, where almost all resources are monopolized, without the strong support of the agency behind you, it is almost impossible to survive alone in the entertainment industry.

For example, Rena Nose, who became popular with the morning drama "Ama", has been sought after by a large number of people. Her momentum can be said to have overwhelmed the artists of the same period, and she looks forward to a promising future.

As a result, she fell out with her agency and was banned. Although she did not completely quit the entertainment industry, after the momentum brought by the morning drama "Haenyeo" dissipated, she could only hang out at the bottom, relying on receiving some

Live by small local advertisements.

"Smith Marseille, your meal has arrived..."

About ten minutes later, a series of knocks suddenly sounded. Then, a steady voice rang directly outside the door.

"Please just leave it at the door and come out to pick it up later."

"Then, I will retreat first. If you need to clean up, please let me know."

"Hi, I'm sorry..."

Kasumi Arimura answered and walked to the door. After hearing that there was no movement outside, she guessed that the food delivery staff had left, so she opened the door and pushed the dining cart into the room, saying hello to Masahiro Nakamura.

"Nakamura-san, come over and eat."

"Okay, I get it."

With a casual response, Nakamura Masahiro got out of bed and walked into the bathroom to wash up. His original sluggish state was greatly improved. After a simple arrangement of his messy hair, he looked much more energetic.

p>

"Amura-san, aren't you going back to the office?"

Sitting at the small table, Nakamura Masahiro picked up the bowls and chopsticks, and while eating the meal slowly, he asked about Arimura Kasumi: "Logically speaking, you should have an itinerary, right?"

p>

"Originally, there was an itinerary..."

Arimura Kasumi smiled lightly, with a hint of joy in her expression. Paired with her pure face, it gave people a feeling of heartbeat.

"But after the office knew that I was with you, it rearranged my work and told me not to worry..."

"It seems that your firm is very considerate."

After swallowing the food he was chewing in his mouth, Masahiro Nakamura commented: "It is not easy to rearrange a planned trip."

Most artists' schedules are arranged in advance. Unless there are special reasons to interfere, the agency will not easily adjust them.

After all, if it affects other related parties in the cooperation and cannot appease the other parties, the consequences of offending will be very serious.

"Who makes Nakamura-san the most valued person in the firm..."

Arimura Kasumi said this playfully, then she lowered her head, picked up the bowl and chopsticks, and started eating with Nakamura Masahiro.

Ever since Arimura Kasumi joined Nakamura Masahiro, the firm's attention to her has obviously increased significantly. Not only did the firm's resources begin to lean towards her, but they also turned down many unnecessary entertainment for her.

.

This made Arimura Kasumi understand the importance of Nakamura Masahiro. Even after the pillow business opened, Nakamura Masahiro and her did not have much interaction, she still used the banner of Nakamura Masahiro.

"By the way, Amura-san..."

Without taking up the topic of Amura Kamura, Nakamura Masahiro thought for a moment and asked about the firm she was affiliated with.

"Does the flamme agency have part of its budget specifically for shooting some low-budget films to train newcomers..."

"Hey, that's what happened."

After stopping to eat, Arimura Kasumi replied in an affirmative tone, and then looked at Nakamura Masahiro with some confusion, wondering why he mentioned this?

It is a well-known unspoken rule in the Japanese entertainment circle that agencies spend money to shoot low-cost films to train newcomers. Otherwise, how could the newcomers launched by large agencies so easily outperform the newcomers of the same period who have no support?

"So is there a clear spending plan for this part of the budget?"

Seeing that Arimura Kasumi didn't understand very well, Nakamura Masahiro couldn't help but explain further: "For example, which director's work is investing in? Or, the agency is looking for someone to film?"

"The agency must have hired someone to film it, and the scripts are just ordinary books that were randomly collected..."

Although Kasumi Arimura had no specific contact with her, she still knew a little about the operations of the office. Therefore, when Masahiro Nakamura asked, she explained everything in detail.

"With such a small amount of money, even a slightly famous supervisor will not come. Generally speaking, the people hired by the firm are selected from the advertising industry..."

"So that's what happened..."

Nodding with some relief, Masahiro Nakamura continued to ask: "If there is a project supervised by a well-known person who is willing to invest, will the firm be willing to invest? Of course, the artists of the firm may not be able to star."

"There should be no problem...as long as the agency's artists can guarantee supporting roles, the agency will most likely agree."

After thinking for a moment, Arimura Kasumi gave a more positive answer. After thinking about it, she added: "After all, the purpose of the agency is mainly to train newcomers, and a resume of well-known supervisory works is more convincing than a simple starring role.

Power."