Japanese big things

After dismissing Sugata Masaki, Nakamura Masahiro sat on a chair nearby and closed his eyes to sleep, but he was thinking about the atmosphere of the Japanese entertainment industry.

To be honest, before he really came into contact with the Japanese entertainment industry, Masahiro Nakamura had many assumptions about the industry, and he also knew that there were many scandals in the entertainment industry.

After all, there are a lot of bad things about the film and television industry on the other side of the country in Memory Fragments. The Japanese entertainment industry, which has a more developed entertainment industry, definitely cannot be White Lotus.

But after truly integrating into the Japanese entertainment circle, he realized that he was still a little superficial, and his previous understanding was only superficial.

For example, the "Kitagawa sexual assault incident" later exposed by Johnny & Associates has actually already been well-known to everyone in the Japanese entertainment circle.

Some parents of sexually abused teenagers may have been in the next room at the time, but they chose to remain silent in the face of their children's cries for help.

On the one hand, it's because Kitagawa and Johnny's Agency are powerful and they can't afford to offend them. On the other hand, they actually knew it and were mentally prepared before letting their children join Johnny's Agency.

From a certain perspective, the parents of these children also played the role of accomplices and allowed them to be violated by demons.

"Nakamura-san, you can start shooting..."

Not long after, Nakamura Masahiro heard the voice of Hamaguchi Ryusuke. He came to remind Nakamura Masahiro that the preparations for the film shooting were ready.

"Well, I understand."

Slowly opening his eyes, Nakamura Masahiro nodded slightly at Hamaguchi Ryusuke, then raised his hand to rub his slightly sleepy head.

Watching Hamaguchi Ryusuke's figure walk away, Nakamura Masahiro stood up and stretched his body a little, and his whole body suddenly became more energetic.

Moving to the shooting location, Nakamura Masahiro carefully checked everything one by one, and after confirming that there were no problems, he announced the start of shooting.

Since the crew and actors have developed enough tacit understanding, they will adjust themselves without too much scheduling.

For a moment, the shooting scene fell into silence. Takei Saki and Sugata Masaki, who remained within the scope of the camera, stood opposite each other and looked at each other calmly.

The keeper took the slate and briefly communicated with them, then turned to Nakamura Masahiro and nodded to confirm, then raised the slate and closed it heavily, leaving a crisp echo.

"Act 7, Scene 1...begins."

While Masahiro Nakamura was busy filming a movie in Kamakura, a grand dinner was being held in a luxurious estate in Hollywood on the other side of the ocean.

Many celebrities from Hollywood gathered together. They belonged to different small circles in small groups and communicated gracefully.

There was laughter and laughter among the guests. Under the bright light, every celebrity in attendance was in high spirits.

"Bella, can you come to the side and have a chat?"

Isabella Rossellini and her friends were chatting enthusiastically when a familiar figure suddenly appeared aside and said hello to her.

"Steven?"

Seeing that the person greeting was Spielberg, Isabella Rossellini was a little surprised, but she also cooperated and agreed.

"Sorry, I need to delay."

"It's okay, Bella, go ahead..."

Her friends were also very knowledgeable and were in awe of Spielberg, a big shot in the circle, and they all nodded and showed understanding smiles.

So, Isabella Rossellini left the small circle and moved to a nearby corner with Spielberg, where the relatively quiet space made it easier for the two of them to talk.

"Steven, is something wrong?"

Although they are all relatively close friends, Isabella Rossellini knew that Spielberg would not come to see her specially if nothing happened.

After all, Spielberg is a famous director all over the world, and he must have a lot of work on his hands, and he may not have much leisure and elegance.

As far as she knows, the musical comedy "Famous Season 1", for which Spielberg is the producer, has begun post-production, and another film "Men in Black 3" for which he is the producer is also in active preparation.

"Bella, didn't you recommend a new director to me before..."

Spielberg smiled slightly. He has always had a good temper and was well known in the circle as a good old man. His gentle and gentle image made people very fond of him.

"I want to know how he is doing now?"

"His commercial film is currently being filmed. If everything goes well, it will be completed around February..."

Although Isabella Rossellini has not contacted Nakamura Masahiro, she has actually been paying attention to his movements.

Therefore, after a brief thought, Isabella Rossellini informed Spielberg of Nakamura Masahiro's situation.

"At that time, you can judge whether it meets your requirements and standards through his commercial films."

"Actually, after watching the movie "A Long Day" directed by him, I felt that he was very talented..."

After pondering for a moment, Spielberg continued in a gentle tone: "However, the scheduling of large scenes in commercial films is always a relatively big problem for new directors."

"Generally speaking, it is difficult for directors with a background in literary films to do a good job in scheduling, especially when they are new directors..."

"I heard that you inspected a new person again, what do you think of him?"

Isabella Rossellini quickly turned the topic to the news circulating in the circle. It was said that Spielberg valued a new director very much.

"You're talking about Colin Trevorrow, right?"

Spielberg named the new director and said with an undiminished smile: "Although he is considered a new director, he is much more qualified than the new director you recommended..."

"I am indeed looking at him, Colin Trevorrow is also one of my alternative targets..."

This chapter is not over yet, please click on the next page to continue reading! "Like the new director you recommended, he has no experience in directing commercial films, so I am waiting for his new film to come out..."

Spielberg talked a lot, and Isabella Rossellini also learned some information about the new director Colin Trevorrow.

According to Spielberg's introduction, Colin Trevorrow is a middle-aged man in his thirties. Although he made his debut a few years ago, he and Masahiro Nakamura are also new directors.

Different from the youthful rice that artists eat, the director's career in this industry is often relatively long. As long as he does not mess up the film project and is boycotted by the production company, he can continue to hang out.

Therefore, artists in their thirties are of the Mesozoic generation in the entertainment industry, but when it comes to directors at this age, they can definitely be called young directors.

In fact, many directors are just starting out at this age and may not even have the opportunity to shoot their debut film.

"So, you prefer Colin Trevorrow?"

From Spielberg's tone, Isabella Rossellini could hear his appreciation for Colin Trevorrow.

"That's not true. I just think Colin Trevorrow might be more adaptable to the Hollywood shooting environment, and the new director you recommended seems to be from Japan, right?"

Seeing Isabella Rossellini nod slightly, Spielberg paused for two seconds, and then continued to add.

"The reason why I want to watch his commercial films is out of caution... As far as I know, Japanese directors are generally better at controlling details and not very good at scheduling large scenes."

"Indeed, what you said makes sense..."

Recalling her impressions of Japanese movies, Isabella Rossellini couldn't help but express her approval.

Japan is an important overseas market for Hollywood movies, and people in the industry have always paid more attention to Japan. Naturally, they also have some understanding of the types and styles of directors there.

Generally speaking, Japanese directors are very good at low-cost literary films, pay attention to the details of the film, and are relatively lacking in the ability to coordinate large scenes.

Therefore, although there are many Japanese directors who want to work hard in Hollywood, to this day, few of them can stay in Hollywood.

After all, there aren't that many relationships and favors in Hollywood. If you don't perform well in the box office market, you will be abandoned by those production companies in minutes.

"If the new director you recommend is really good, I will give him priority..."

Spielberg looked at Isabella Rossellini with a smile and said with a rather firm tone: "After all, the price of Japanese directors is much cheaper than that of Hollywood directors, and it is more conducive to the box office performance of movies in the Asian market.

."

Isabella Rossellini suddenly felt that the Spielberg in front of her was not the good old man in the popular impression at all, but a living old fox.

However, this description seems to be correct. Spielberg is not only a well-known internationally renowned director, he is also a capitalist who cannot be underestimated.

If there is no interest factor involved, Spielberg will definitely be willing to support the younger generations in Hollywood, but when it comes to the ownership of interests, then he will definitely follow the realistic choice.

"whatever...."

Isabella Rossellini grinned, and her tone was quite indifferent. She replied: "I just admire the new Japanese director. It just so happens that you need an executive director."

Although Spielberg's production project is the famous dinosaur movie, few established directors are actually willing to take over directing.

After all, under the control of Spielberg and the producers of Universal Pictures, the director certainly does not have much room to play. He is just a tool responsible for shooting movies.

If it's successful, the public will only attribute the film's success to Spielberg as the producer. But if it fails, Hollywood's path will become narrower and narrower.