Journey Through the Plane of the Lord God
Chapter 10 Poetry (Part 2)
This seven-character poem by Lin Pingzhi is undoubtedly a masterpiece that can be exiled for a hundred generations.
The book itself is from "Bamboo and Stone" by Zheng Banqiao, a famous poet in the Qing Dynasty. In Lin Pingzhi's previous life, it was even included in the Chinese textbooks designated by the Chinese education circles, and was openly allowed to be recited and copied by thousands of primary and secondary school students.
However, after it was "originally created" by Lin Pingzhi in this time and space, its name was not just "Bamboo and Stone".
Instead, he added four words and changed the name to "Guan Gu Shan Chang Bamboo and Stone". Although its connotation is the same, its meaning in the poetry meeting at this time is completely different.
"On the surface, this poem about things seems to only describe the image of green bamboo taking root on the rock, standing proudly and tenaciously."
Several middle-aged scholars with outstanding literary talents understood the meaning behind Lin Pingzhi's poems and talked to each other in lowered voices.
"But in fact! It is a metaphor for the image of Gu Shanchang, the head of Guangfu Academy, who faced the oppression of the eunuchs, like the Qingzhu in this poem, who never followed the crowd and was not afraid of power."
"Yes, yes!"
“Today’s young people are really amazing!”
"It's a pity that once this poem spreads, this young man's future will..."
"Alas! Damn the eunuchs!"
Although they deliberately lowered the tone of their discussion, there were so many people watching Lin Pingzhi's poems in front of the writing desk. Even if these few officials lowered their tone, the content of their discussion still spread quickly.
The resolute and beautiful poems about things, coupled with the connotations of the poems praising teachers and criticizing eunuchs, can be said to have hit the aloof and aloof G-spot in the hearts of all the literati present, and were widely recognized and praised by them.
Coupled with Lin Pingzhi's outstanding handsome appearance, the desk on which this poem appeared became a major focus of the entire poetry meeting.
For a moment, the entire crowd at the banquet gathered where Lin Pingzhi was.
A masterpiece appeared at the Guangfu Poetry Festival and caused a stir and sung by many people during the banquet. Naturally, it could not be hidden from the Fuzhou officials and Jinshi who were sitting on the high platform.
When the waiter who was responsible for transcribing poems at the banquet trotted onto the high platform with rice paper that had not yet dried ink in his hands, these big guys at the top of the Guangfu Poetry Club could not wait to watch Lin Pingzhi's poems.
This poem is composed.
"'The word 'bite' is used really well."
"'Let the east, west, north, south wind...' is such a free and easy artistic conception!"
The educational level of these senior Jinshi officials was far above that of most of the scholars at the banquet. After first appraising the surface of the poem, they all naturally understood its connotation.
“Guangfu Academy really teaches good students!”
"That's right! The eunuchs are messing up the government, so we have no choice but to compromise."
At this time, especially in coastal provinces like Fuzhou, it was the area hardest hit by Donglin's ideology. Unless it was an official occasion with the presence of eunuchs from various places, criticizing the eunuchs of the imperial court was known as political correctness.
Of course, after all, this period of time was when the Nine Thousand Years came to power and the eunuchs were in power and had great power. It was one thing for these officials and scholars to talk about it. It was another thing for people like Lin Pingzhi to leave written poems.
One thing.
However, these big guys still looked at the headmaster of Guangfu Academy sitting next to the prefect from time to time, their eyes full of admiration and envy.
"Bo Qin! You can't let such talented people go, you have to teach them hard!"
The prefect Lin Changde looked at Lin Pingzhi's poems on the rice paper with a face full of amazement, and looked at Gu Dazhang next to him with envy.
In his opinion, Lin Pingzhi's poem "Guan Gu Shan Chang Bamboo and Stone" is just like the poem "Farewell to Wang Lun" written by Li Bai, the Green Lotus Sword Fairy in the ancient Tang Dynasty.
An eternal classic.
In China's long history of tens of thousands of years, there have been upright bureaucrats who fought against the eunuchs and eunuchs in every dynasty, but how many innocent people can be truly remembered by future generations?
Maybe, thousands or thousands of years later, the history of today's struggle against the 9,000-year-old Wei Zhongxian's eunuchs will have been buried in some corner of the history books.
However, immortal poems like "Guan Gu Shan Chang·Bamboo and Stone" or "Farewell to Wang Lun" will still be widely circulated in people's mouths, and Gu Dazhang's name will also be attached to "Guan Gu Shan Chang·Bamboo and Stone".
Psalms are spread throughout the world and will last forever.
How can such a result not make Lin Changde, a fellow scholar, envious?
However, Gu Dazhang himself had not thought that deeply at this time. Instead, his thoughts had been immersed in the artistic conception of Lin Pingzhi's poems.
Countless myths from the past came to his mind all at once, and he felt that Lin Pingzhi, who wrote "Guan Gu Shan Chang Bamboo and Stone", was simply his confidant.
A short seven-character poem tells the story of his suffering and perseverance over the years.
After hearing the words of his friend Lin Changde, Gu Dazhang suddenly came back to his senses. He subconsciously looked at the independent young master Zhuo Shijia in the banquet, holding a folding fan and gently waving it, and agreed in a low voice.
"What Brother Changde said is so true, so true!"
······
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Compared with the speed of news transmission in the Internet era, the speed of information transmission of this knight-errant Ming is much slower.
However, it is much stronger than the ancient society in a completely demon-free era.
After all, the aura of the Ming Dynasty can still support the emergence of internal power warriors in batches. This shows that it has not reached the point of complete drying up at the end of Daqing. Some of the exotic beasts and birds tamed by the Ming Dynasty are used to transmit messages, such as Chaotian pigeons and Baishan.
Eagles are not extinct yet.
Probably less than half a year later, Lin Pingzhi's poem "Guan Gu Shan Chang·Bamboo and Stone" was widely circulated among the literati circles in the southeastern provinces of the Ming Dynasty.
And a year and a half later, the poem "Looking at the Mountain Bamboo and Stone" was thoroughly circulated throughout the Ming Dynasty. Even in the nine northeastern provinces, all literati knew that Fuzhou Prefecture in Fujian Province was the place where the poem originated.
Lin Pingzhi, a "bamboo and stone genius".
Lin Pingzhi himself also successfully took advantage of this trend and became a disciple of Gu Dazhang, a veteran of the Donglin Party.
In addition, he studied hard every day during the day and meditated and practiced Qi at night. Not only did he make a big step forward in the realm of second-rate martial arts, but he also successively obtained the title of Scholar and Juren, making him one of the younger generations among Donglin scholars.
He also has a certain reputation and status in China.
Never underestimate the influence of a famous scholar in ancient times. Even the Lin family's Fuzhou Escort Bureau's business in various places, local officials took advantage of Lin Pingzhi's literary reputation and provided certain conveniences and conveniences.
Lin Zhennan greatly appreciated Lin Pingzhi's choice to go to school.
It can be said that the Guangfu Poetry Society and this poem directly laid a preliminary social foundation for Lin Pingzhi to gain a foothold in this world.
And next, Lin Pingzhi, who is trying to further change this era and this world, will go to Peking, the capital, to take the most important exam in classical China - the examination...
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