Ke Xue world is not scientific
Chapter 455
The reason is reasonable.
At least no one present felt anything wrong.
Except for the gray plain mourning.
Little Lori was already trying to hold back her smile.
She never expected that Yusuke Suzuki chose to eliminate all the unrelated people in order to prevent the case from happening.
Maybe it's really possible, after all, there is no case without anyone.
Yusuke really tried his best this time.
However, she also learned that this movie, called "Five Centimeters Per Second", is really important to Yusuke Suzuki.
It was so important that even if he had to put in so much effort, he wanted to show everyone first.
Perhaps, this big boy also wants to get some recognition and encouragement, after all, it is the first time to write a movie script.
Haibara curled the corners of his mouth and looked at Yusuke Suzuki's side face with joy.
She decided that after watching the movie in a while, she must find an opportunity to praise the other party well.
Yusuke Suzuki doesn't have so many complicated ideas, he just wants to show everyone the knife.
After calming the crowd, he said, "Everyone can visit at will, of course, if there are rooms that are inaccessible, do not enter." "
Mitsuhiko, Genta, and Ayumi, do you hear clearly?"
The three little ones who were directly named agreed one after another, but it can be seen that this is not very convinced.
Yusuke Suzuki was completely speechless, and he was really full of bones, and he didn't listen to him.
Seeing that everyone dispersed, he called again, and the pre-ordered snacks and drinks could be delivered.
The original drama of "Five Centimeters Per Second" is only an hour, but Yusuke Suzuki is not Makoto Shinkai, and it is not him who is responsible for cutting the film.
So, the version made by EW is 74 minutes long.
Yusuke Suzuki can only guarantee that the plot is no less than the original drama.
After following the staff to deliver food and drinks into the viewing room, he personally sent the staff away, and then went to the operation room alone.
Soon, three o'clock arrived, and the film began to be shown.
"You know, it's said that the speed per second is five centimeters."
"Huh? What..." "
The speed at which cherry blossom petals fall, the speed of the second is five centimeters."
The voices of boys and girls were as clear as a stream in the forest, and they sounded in the small screening room.
On the screen, cherry blossoms float in the sky, and the bright sunlight falls obliquely, creating shadows on the ground.
Suzuki Sonoko was a little excited, and whispered to Maori Lan next to him, "Xiaolan, you guessed right!"
Mao Lilan just nodded and stared intently at the picture.
In the corner of the picture that now emerges, there are two small figures carrying school bags.
This made her inexplicably think of herself and Kudo Shinichi.
Then, the girl named 'Akasato' suddenly ran.
In the scene, Akari ran over the train tracks, and just then, the train came.
Under the cherry blossoms, Akesato opened the same cherry blossom-colored umbrella and put the umbrella on her shoulder in a very girly circle.
"Kishu-kun, it would be nice if we could see the cherry blossoms together next year."
As soon as the words fell, the train passed.
The first act, [Sakura Copy], officially begins.
At this time, Yusuke Suzuki also quietly came to the door.
He leaned against the door frame, saw the writing on the screen, and chose to go out for a cigarette.
Many people in past lives said that every time they looked at it, there was a new experience.
But Yusuke Suzuki, who can copy the entire script almost the same, no longer has this feeling.
The reason why he chose not to accompany Haiyuan is also because he does not want his performance to affect the other party's viewing experience.
At the time of a cigarette, the emotions of everyone present have been driven by the movie.
Flying pictures, plus narration with the content of the letter as the main body.
The separation is already obvious.
However, the two protagonists of Akari Shinohara and Takaki Tono have been communicating with letters.
This made Maori Lan and his group breathe a sigh of relief and began to look forward to the reunion of the two protagonists.
However, they did not hear the letter read by Takaki Tono throughout the whole time.
At the same time, the narrator also said that sentence in Akari tone.
'Although we have all been used to transferring schools since before, this time it is really a little far away, no longer the distance that you can meet by train when you want to meet, and sure enough, it is still a little lonely, Guishu-kun, please take care anyway."
Such a sentence full of regret, but the accompanying picture is a pen sketching the route on a map.
This pen belongs to Takaki Tono.
"Xiaolan, Guishu is going to find Akari! I said, distance is not a problem, just like me and Azhen.
Suzuki Sonoko said through the gap in the narration, and was recognized by her good girlfriend.
And Conan and Black Skin, these two guys move almost identically.
Even the speechless expression on his face was the same.
I thought it was some kind of exciting detective or crime movie, but it turned out to be this?
Unexpectedly, even Brother Yusuke liked these erotic things.
So disappointing.
Speaking of Yusuke....
The two turned around together and began to scan, and found Yusuke Suzuki standing in the doorway and did not come in.
Is this really premeditated, and you don't even give the opportunity to complain in person?
But it doesn't matter, it's the same to complain when you're done reading it!
The two looked at their childhood sweethearts separately, and they looked quite seriously.
The bored two were embarrassed to do anything else, so they had to continue watching the movie.
On the screen, Takaki Tono has already boarded the train.
As the train advances, it is mixed with the images of the two protagonists in the past.
And the protagonist of the narration was also replaced by Takaki Tono.
Acquaintance, acquaintance, and parting.
When they had to part, Akari Shinohara shed tears in the phone booth and said sorry.
The memories of the scenes supplement the relationship between the two more completely.
While everyone was immersed in the movie, Yusuke Suzuki had a general understanding of the movie.
From the elderly to middle-aged people to teenagers and children, except for the two guys Heiji Hattori and Shinichi Kudo, almost all of them are fascinated.
After the official release, the effect should be very good.
Although it is possible that it is because of his personal connections that these people take it so seriously.
However, even if you install it, you can't install it for that long.
Seamless facial expression management for up to 74 minutes is no easy task.
Yusuke Suzuki only needs to pay attention to the reaction of the crowd to accurately judge whether the film is attractive enough.
So far, the results are very good.
Before opening a company to make movies, he didn't care much about this aspect.
Since it has now reached this level, whether the film can make money is naturally an unavoidable problem.
This is not something he can do by saying that he doesn't care, after all, the person who made the film is not him.
What followed was Takaki Tono's long train journey.
Emotions such as silence, loneliness, and helplessness spread in Takaki Tono's heart, until a gust of wind blew away the envelope in his hand, and the teenager finally couldn't help crying.
He had prepared that letter early.
It was full of what he wanted to say to Akari Shinohara.
The heavy thoughts and emotions that could not be described with the mouth were blown away by the wind.
The cold snowfall on winter nights forced the train to be delayed constantly, and finally stopped directly under the vast wilderness.
Akari she should have gone back.
He seemed to be about to lose his appointment.
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