Let You Popularize Hypnosis, Do You Shoot Inception?

In the shot, Chen Yongren's gun is pointing upwards, and there is no particular sense of threat.

Compared with Liu Jianming's calmness and the huge world behind him, it gives people a sense of loneliness that Chen Yongren is silently fighting against the world by himself.

The lens then continues to extend, from the panorama to the big panorama, and then to the distant view, allowing the audience to see the "bigger world".

The "invasion" of the white ship just now, coupled with the appearance of this larger world, heralds the appearance of a new character.

How to prepare for the final orgasm? How to increase tension?

Next is where the movie excels.

Whether it is Liu Jianming and "690" Chen Yongren, the two good and evil characters, they are all characters that the audience likes.

At this point, letting in a character that the audience hates can change the situation.

And let the audience know that the scene has changed, the event has changed.

Spectators from Lin Jiadong's entrance, pistols.

I vaguely guessed that bad things were coming!

In this "Infernal Affairs", whether it is an important paragraph or a relatively ordinary plot, the camera effect has been brought to the extreme.

The beauty of "Infernal Affairs" is that it is clean and neat, without any extra shots.

And this depends on the director's grasp of every moment, instantly establishing the characters and the tone of the story, and maintaining the tension and tension of the story.

This 2 minutes and 06 seconds of the rooftop show proves that it is a show that requires no fighting at all and only has two people talking.

It can also make the audience nervous and unforgettable.

I have to say that the lens effect of "Infernal Affairs" during the earth period is perfect.

So the pressure came to Qin Feng's side.

He knew that if he wanted to be in this world, he would also create a perfect "Infernal Affairs".

Then every detail of his shooting process must be captured in place.

You know, what the director does is definitely not just take the shot.

Instead, you have to be patient and willing to spend time re-shooting again and again to make sure that every shot angle, look, movement, and every movement of the camera meets your needs.

On the rooftop of the government in North Point of Heung Kong, the eight cameras of the "Infernal Affairs" crew clearly explained the lens effects they needed.

Qin Feng then came to the two male protagonists of this drama, Liu Tianwang and Liang Yingdi.

At this time, the two also completed the required styling with the help of the makeup team.

Although I am very relieved about the acting skills of Liu Dehua and Liang Chaowei.

But Qin Feng knew that he still needed to explain to the two of them the emotions that the two of them needed to enter when filming this scene.

This is the best way to ensure the perfection of the play.

"Emperor Liang, you played Chen Yongren, before he came to the rooftop, he had already made adequate preparations.

Not only did they call the police, but they also sent a recording of the conversation between Liu Jianming and Han Chen to the police headquarters.

With these recordings, even if Liu Jianming deletes the undercover files, Chen Yongren can bring down the undercover gangster.

And once he fell, his life was no longer in danger, and he had a chance to prove himself.

What's more, the person in front of him had just killed Huang Zhicheng a few days ago.

So this time, Chen Yongren did not intend to reconcile or cooperate with Liu Jianming.

Instead, he wanted to arrest him personally as a policeman, kill the police force, and avenge Huang Zhicheng!

For his ten-year undercover career, draw a happy ending!

Qin Feng held the script in his hand, looked at Liang Chaowei in front of him, and explained to him.

Liang Chaowei stared into Qin Feng's eyes, nodded while listening, and listened carefully to Qin Feng's speech.

In fact, Liang Yingdi's grasp of the characters, Qin Feng is still very relieved.

After all, Chen Yongren, the classic character of "Infernal Affairs" in the earth period, was created by Liang Yingdi.

In this world, Liang Yingdi should still be able to grasp it.

"'I didn't have a choice before, and now I want to be a good person.'

When Liu Jianming said this on the rooftop,

"Sorry, I'm a policeman.

Chen Yongren answered in this way.

These two lines can be said to be the finishing touch of the whole movie, so when the two perform, they need to focus on substituting the characters' emotions. 4.9

See how you can bring the character's state of mind to the audience in the best way possible.

Qin Feng then looked at Liang Chaowei and Liu Dehua and said.

indeed,

‘Give me a chance, I didn’t have a choice before, now I want to be a good person. "

'Sorry, I'm a policeman. "

These two lines really can be called the finishing touch of the whole movie.

It fully shows the current psychological state of the two undercover agents after more than ten years of endless ups and downs.

Through these two lines, the audience can fully understand the inner world of the characters.