Let You Popularize Hypnosis, Do You Shoot Inception?
Chapter 142 Lost in the Cinema
"What, what?
Director Qin Feng, you, you mean, the gangster played by Liang Chaowei in the movie.
Is it actually an undercover agent dispatched by the police inside the underworld?!35
After hearing Qin Feng's words, Chen Huilin's eyes widened.
Looking at him in disbelief, he asked in shock.
"Um.
Is such that.
Qin Feng looked at her and nodded affirmatively.
Chen Huilin then touched her chest, lowered her head, and stared blankly at the ground.
"Director Qin Feng, why don't we start a new one.
In the footage I just shot, I didn't realize it at all!""
After a while, Chen Huilin raised her head and hurriedly said to Qin Feng.
"It's ok.
All I want is that you don't know. "
707
Qin Feng smiled at her and said.
Then he opened the door and walked out.
Leaving the messy goddess in place alone.
After coming outside, Qin Feng glanced at the time, and then looked at the sky of Xiangjiang.
At this time, it was already 6:30 in the evening on June 6, and the night in Xiangjiang began to fall.
This scene reminded him of an important fragment in "Infernal Affairs".
That is Chen Yongren tracking Liu Jianming in the cinema!
Now is the perfect time to shoot this clip.
Having completed this important segment, he is almost one third of Infernal Affairs finished (chej).
It also made him more confident in completing the shooting of the entire "Infernal Affairs" before the evening of June 8!
Afterwards, Qin Feng immediately brought Emperor Liangying and Tianwang Liu to the venue arranged by the crew.
Take the actual filming of the movie of the lost track in the theater!
During the shooting of this clip, Qin Feng used a lot of panning methods.
Fix the lens at a central position of the picture, and first take a picture of Liu Jianming who is walking out with the document.
Afterwards, the camera was moved to the left of the screen by panning, followed by Chen Yongren.
The use of this panning lens allows the whole picture to develop in a natural way.
It shows the order of the two protagonists one after the other, and the immediate and rapid rhythm of this tracking, and the overall picture is slightly dark and cold.
During the filming of this tracking process, the screen followed the shots of the two protagonists respectively.
The camera constantly switches between the two, and moves with the speed of the two.
This way is very good, and the two protagonists have a fast action rhythm at that time.
And at that time, the pace of the two people was accelerated due to anxiety and tension.
At the same time, at the turning points of several geographical locations of the picture, the camera adopts the method of panning, so that the picture is not cut off.
The fast-paced plot content of two people one after the other, one walking and the other chasing, is presented coherently.
At the same time, the close-up and medium-range methods are used. When the picture shows a single person, the close-up lens is used to include the whole person.
The speed of walking, the urgency of the rhythm, and the frequency of the change of pace were all shown one by one.
When the screen switches to two people appearing at the same time, a large depth of field is used to shoot.
Putting the two in front of each other, there is a certain distance and they are closely chasing.
But the special rhythm and contradictory distance that cannot be too close are played just right.
At the same time, the overall tone of the picture is a dark and cool tone.
Although the plot of the movie takes place at night, through the corridors, stairs and back doors of the building, and other remote scenes,
Once again, this tone was emphasized and deepened.
The processing and application of the color of the picture, the tension between the two at that time,
It is a good contrast to the depressing atmosphere presented by the content of the film at that time.
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